A seasoned FBI agent pursues Frank Abagnale Jr. who, before his 19th birthday, successfully forged millions of dollars' worth of checks while posing as a Pan Am pilot, a doctor, and a legal prosecutor.
The presidencies of Kennedy and Johnson, the events of Vietnam, Watergate, and other historical events unfold through the perspective of an Alabama man with an IQ of 75, whose only desire is to be reunited with his childhood sweetheart.
A touching tale of a wayward young man who struggles to find his identity, living in a world where he can solve any problem, except the one brewing deep within himself, until one day he meets his soul mate who opens his mind and his heart.Written by
Dima & Danielle
First film in Kevin Smith's and Scott Mosier's filmography to receive Oscar recognition. Though they weren't nominated themselves, they were still instrumental in getting the films production even happening. Kevin Smith was friends with Ben Affleck after his casting in Mallrats (1996), then cast him as the lead in Chasing Amy (1997). Following Matt Damon's cameo role, along with Brian O'Halloran as television producers, was after Affleck introduced the pair, which led to them giving Smith the screenplay, ultimately landing with Harvey Weinstien of Miramax. See more »
When Will and Sean are discussing Will's record and how they were both physically abused as kids, Sean's cardigan sweater goes from hanging near his shoulders to being pulled up with his shirt collar tucked underneath and back again. See more »
Mod fx... squared... dx. So please finish Parceval, by next time. I know many of you had this as undergraduates, but it won't hurt to brush up.
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Throughout the end credits, Will's car is driving down the highway until the very end, when the car drives around a bend and disappears. See more »
In the theatrical release, Chuckie gets angry with Morgan for using his little league baseball glove as "clean up." However in the TV version, Chuckie ends the scene with a curt "Why don't you do what you're doin' at your house." Also, when Will is with the first psychiatrist, the mention of "putting from the rough" is deleted. See more »
Matt Damon and Ben Affleck scored quite a success with their interesting and entertaining script. The introduction and exposition sections are enormously engrossing, after which script peaks and rather coasts along the rest of the way. Yet, the casting is so well done, and the acting at such good level, that interest is nicely maintained.
What "Hunting" essentially consists of is some two dozen conversational scenes, bridged together with short transitions of physical activity. What is rather remarkable is that one isn't aware of the dramatic limitations comprising the structure. This is a real tribute to the cast, director, and of course, the script. While the basic situation is really quite far-fetched, it is made to seem plausible--again, the mark of good, convincing writing. The story behind getting the script sold and produced on the terms of the writers' preferences is fascinating. Still, one can't really call it luck, for both Damon and Affleck "paid their dues" -- and success did not just fall into their laps. These are two talented young men, with perseverance; and how wonderful for them to have achieved such success while still youthful and full of vitality.
"Good Will Hunting" is a good production, with solid craftsmanship in all departments -- thanks to the creativity of Damon and Affleck.
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