In the colorful future, a cab driver unwittingly becomes the central figure in the search for a legendary cosmic weapon to keep Evil and Mr. Zorg at bay.
Dr. Ellie Arroway (Jodie Foster), after years of searching, finds conclusive radio proof of extraterrestrial intelligence, sending plans for a mysterious machine.
Director:
Robert Zemeckis
Stars:
Jodie Foster,
Matthew McConaughey,
Tom Skerritt
Astronaut Sam Bell has a quintessentially personal encounter toward the end of his three-year stint on the Moon, where he, working alongside his computer, GERTY, sends back to Earth parcels of a resource that has helped diminish our planet's power problems.
Director:
Duncan Jones
Stars:
Sam Rockwell,
Kevin Spacey,
Dominique McElligott
In a future world devastated by disease, a convict is sent back in time to gather information about the man-made virus that wiped out most of the human population on the planet.
An extraterrestrial race, forced to live in slum-like conditions on Earth, suddenly finds a kindred spirit in a government agent who is exposed to their biotechnology.
In a future where a special police unit is able to arrest murderers before they commit their crimes, an officer from that unit is himself accused of a future murder.
When a man goes for virtual vacation memories of the planet Mars, an unexpected and harrowing series of events forces him to go to the planet for real - or does he?
Director:
Paul Verhoeven
Stars:
Arnold Schwarzenegger,
Sharon Stone,
Michael Ironside
In the not-too-distant future, a less-than-perfect man wants to travel to the stars. Society has categorized Vincent Freeman as less than suitable given his genetic make-up and he has become one of the underclass of humans that are only useful for menial jobs. To move ahead, he assumes the identity of Jerome Morrow, a perfect genetic specimen who is a paraplegic as a result of a car accident. With professional advice, Vincent learns to deceive DNA and urine sample testing. Just when he is finally scheduled for a space mission, his program director is killed and the police begin an investigation, jeopardizing his secret.Written by
garykmcd
The cars driven by the "Hoovers" are Rover P6's (sometimes called the Rover 2000), built in Britain from 1963 until 1976. They were extremely popular with the police force in Britain, where the 3.5 litre V8-engined model was used as a high speed interceptor. Three of the four P6 Rovers in the movie, were North American market 3500S versions of the 3.5 litre V8 with triple hood scoops. The fourth was a North American 2000TC with triple hood scoops added by Columbia Pictures. All four of the vehicles had triple hood scoops. See more »
Goofs
When the detective shows the picture of Vincent to the director, the power cable to his "hand-held display" (prop) is clearly visible running around his hand and up his sleeve. See more »
Quotes
[first lines]
Director Josef:
You keep your work station so clean, Jerome.
Vincent:
It's next to godliness. Isn't that what they say?
Director Josef:
Godliness. I reviewed your flight plan. Not one error in a million keystrokes. Phenomenal. It's right that someone like you is taking us to Titan.
Vincent:
Has the committee approved the mission? There's been talk of delay.
Director Josef:
You shouldn't listen to talk. You leave in a week. You've got a substance test.
See more »
Crazy Credits
All instances of the letters A, C, G, and T (representing the four nucleotides of DNA -- see trivia entry) are emphasized in almost all names of people and companies credited in the film. These letters appear in a different typeface from the rest of the name; also, in the opening credits they appear onscreen a little before the rest of the name, while in the closing credits they appear in blue instead of white. See more »
Alternate Versions
The DVD contains deleted footage not included in the the theatrical release:
The original version of the "Eight Day Center" scene. Here the doctor offers Vincent's parents the possibility to further enhance the future Anton, charging $5,000. This is refused by both of them.
A briefing about the upcoming mission done by Director Josef. He is interrupted by Irene who tells him that the investigators wish to start their testing on all members of Gattaca.
Detective Hugo exposes Anton to be Vincent's brother.
Caesar tells Vincent to put the books away and accept his life.
Shortly before Vincent leaves for Titan, he visits Caesar and gives him a telescope.
A short sequence which shows some famous people who may had not been born if science had decrypted the human DNA sooner: Abraham Lincoln (Marfan's Syndrome), Emily Dickinson (Manic Depression), Vincent van Gogh (Epilepsy), Albert Einstein (Dyslexia), John F. Kennedy (Addison's Disease), Rita Hayworth (Alzheimer's Disease), Ray Charles (Primary Glaucoma), Stephen Hawking (Amyotrophic Lateral Sclerosis), and Jackie Joyner-Kersee (Asthma). The last sentence is: "Of course, the other birth that may never have taken place is your own."
Also included is an outtake where Xander Berkeley drinks one of the "urine" samples.
First Song (for Ruth)
Written by Charlie Haden
Performed by Stan Getz
Courtesy of Verve Records
By Arrangement with PolyGram Film & TV Licensing See more »
Gattaca is written and directed by Andrew Niccol. It stars Ethan Hawke, Uma Thurman, Jude Law, Gore Vidal, Loren Dean, Xander Berkeley and Alan Arkin. Music is by Michael Nyman and cinematography by Slawomir Idziak.
It's the near future and eugenics dominate a society where children are either "valids" (reproductive through eugenics) or "in-valids" (naturally birthed with inherent genetic flaws). One such "in-valid" is Vincent Anton Freeman (Hawke), who plots an intricate scheme to assume a "valid" person's identification so as to reach his dreams of being an astronaut.
There is no gene for fate.
Biopunk future meets tech-noir in this thought provoking and intelligent piece of sci-fi. There is a decent argument to suggest that Gattaca is more style over character substance, especially given that visually Niccol's movie is stunning. It's a near future world of genetic engineering where although discrimination is illegal, perfection rules the day and the "in-valids" are passed over for high grade employment. Identity, inferiority and bigotry are fused together to offer up moral quandaries and ethical conundrums, all set to an oppressive tech-noir backdrop painted by Idziak's deft choice of colour filters. There's a striking difference between the look of the Gattaca corporation compared to the rest of the outside world, this helps to keep the thematics at work rich and potent.
As a thriller it barely raises the pulse, but this is deliberate, as is the pacing by Niccol. This is an emotionally stunted world and the ethereal atmosphere hovers continually over proceedings. There's a romance in the mix between Hawke and Thurman, which on the surface seems a token sub-plot and devoid of passion, but again this feels deliberate, lack of passion is actually the order of the day. Cast performances are well up to scratch, with Law stealing the film as a one time "valid" ironically invalidated by an incident. And while we could have done with more from top performers Arkin (as a copper attired like a classical film noir gumshoe) and Elias Koteas (as Vincent's father), it rounds out as an impressively constructed picture.
Provocative and brainy, with visual pleasures unbound, Gattaca has many attributes that reward still further on repeat viewings. 8/10
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Gattaca is written and directed by Andrew Niccol. It stars Ethan Hawke, Uma Thurman, Jude Law, Gore Vidal, Loren Dean, Xander Berkeley and Alan Arkin. Music is by Michael Nyman and cinematography by Slawomir Idziak.
It's the near future and eugenics dominate a society where children are either "valids" (reproductive through eugenics) or "in-valids" (naturally birthed with inherent genetic flaws). One such "in-valid" is Vincent Anton Freeman (Hawke), who plots an intricate scheme to assume a "valid" person's identification so as to reach his dreams of being an astronaut.
There is no gene for fate.
Biopunk future meets tech-noir in this thought provoking and intelligent piece of sci-fi. There is a decent argument to suggest that Gattaca is more style over character substance, especially given that visually Niccol's movie is stunning. It's a near future world of genetic engineering where although discrimination is illegal, perfection rules the day and the "in-valids" are passed over for high grade employment. Identity, inferiority and bigotry are fused together to offer up moral quandaries and ethical conundrums, all set to an oppressive tech-noir backdrop painted by Idziak's deft choice of colour filters. There's a striking difference between the look of the Gattaca corporation compared to the rest of the outside world, this helps to keep the thematics at work rich and potent.
As a thriller it barely raises the pulse, but this is deliberate, as is the pacing by Niccol. This is an emotionally stunted world and the ethereal atmosphere hovers continually over proceedings. There's a romance in the mix between Hawke and Thurman, which on the surface seems a token sub-plot and devoid of passion, but again this feels deliberate, lack of passion is actually the order of the day. Cast performances are well up to scratch, with Law stealing the film as a one time "valid" ironically invalidated by an incident. And while we could have done with more from top performers Arkin (as a copper attired like a classical film noir gumshoe) and Elias Koteas (as Vincent's father), it rounds out as an impressively constructed picture.
Provocative and brainy, with visual pleasures unbound, Gattaca has many attributes that reward still further on repeat viewings. 8/10