In the late 1960s/early 1970s, a San Francisco cartoonist becomes an amateur detective obsessed with tracking down the Zodiac Killer, an unidentified individual who terrorizes Northern California with a killing spree.
Robert Downey Jr.,
Publicist Stuart Shepard finds himself trapped in a phone booth, pinned down by an extortionist's sniper rifle. Unable to leave or get help from the surrounding bystanders, Stuart negotiates with the caller that leads to a jaw-dropping climax.
Harvard student Mark Zuckerberg creates the social networking site. That would become known as Facebook but is later sued by two brothers who claimed he stole their idea, and the co-founder who was later squeezed out of the business.
Nicholas Van Orton is a very wealthy San Francisco banker, but he is an absolute loner, even spending his birthday alone. In the year of his 48th birthday (the age his father committed suicide) his brother Conrad, who has gone long ago and surrendered to addictions of all kinds, suddenly returns and gives Nicholas a card giving him entry to unusual entertainment provided by something called Consumer Recreation Services (CRS). Giving in to curiosity, Nicholas visits CRS and all kinds of weird and bad things start to happen to him.Written by
Jodie Foster was originally signed to play Michael Douglas's sibling in the film. However, Foster changed her mind and wanted to appear as Douglas's daughter instead. Douglas and director David Fincher were very opposed to this change so the part went to Sean Penn instead. Foster promptly sued PolyGram to the tune of $54.5 million - even though her Egg Pictures was one of the film's production companies. The matter was fortunately settled out of court. Douglas - who is a personal friend of Foster - said that it didn't seem right for him to play Foster's father, given that there is only 18 years age difference between the two. Ironically, Douglas HAS already played Foster's father - he did so in the Disney film Napoleon and Samantha (1972) at the start of both of their careers. See more »
Christine spills wine on herself and Nicholas, but it soon disappears from her shirt. See more »
[In the stopped elevator]
I'll give you a boost.
This isn't an attempt to be gallant. If I don't lift you, how are you going to get there?
You pull me up.
It's much easier this way. Come on, step up...
I'm not wearing underwear. Okay? There, I said it. Satisfied?
[Looks at her skirt]
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The opening credits shatter in the form of jigsaw puzzle pieces in Reference to the Film's title. See more »
This has to be one of the more interesting psychological thrillers made recently. Just when you think you got ahold of the plot it changes! Playing with "the implicit viewer" this movie has a tendency to constantly surprise and redefine itself in relation to the "expectancy horizon". What a wonderful positive redefinition of "Seven", culminating in a refinement of the human nature and at the same time leaving the viewer with a subtle taste of the "rosicrucian initiation" in the mouth.
Definitly worth a view!
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