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Funny Games

  • 1997
  • 18
  • 1h 48m
IMDb RATING
7.5/10
82K
YOUR RATING
POPULARITY
2,714
1,009
Funny Games (1997)
CrimeDramaThriller

Two violent young men take a mother, father, and son hostage in their vacation cabin and force them to play sadistic "games" with one another for their own amusement.Two violent young men take a mother, father, and son hostage in their vacation cabin and force them to play sadistic "games" with one another for their own amusement.Two violent young men take a mother, father, and son hostage in their vacation cabin and force them to play sadistic "games" with one another for their own amusement.

  • Director
    • Michael Haneke
  • Writer
    • Michael Haneke
  • Stars
    • Susanne Lothar
    • Ulrich Mühe
    • Arno Frisch
  • See production info at IMDbPro
  • IMDb RATING
    7.5/10
    82K
    YOUR RATING
    POPULARITY
    2,714
    1,009
    • Director
      • Michael Haneke
    • Writer
      • Michael Haneke
    • Stars
      • Susanne Lothar
      • Ulrich Mühe
      • Arno Frisch
    • 408User reviews
    • 85Critic reviews
    • 69Metascore
  • See production info at IMDbPro
  • See production info at IMDbPro
    • Awards
      • 5 wins & 9 nominations

    Photos94

    Funny Games (1997)
    Funny Games (1997)
    Michael Haneke in The Seventh Continent (1989)
    Funny Games (1997)
    Ulrich Mühe in Funny Games (1997)
    Arno Frisch in Funny Games (1997)
    Arno Frisch in Funny Games (1997)
    Ulrich Mühe in Funny Games (1997)
    Arno Frisch in Funny Games (1997)
    Arno Frisch in Funny Games (1997)
    Funny Games (1997)
    Susanne Lothar in Funny Games (1997)

    Top cast

    Edit
    Susanne Lothar
    Susanne Lothar
    • Anna
    Ulrich Mühe
    Ulrich Mühe
    • Georg
    Arno Frisch
    Arno Frisch
    • Paul
    Frank Giering
    Frank Giering
    • Peter
    Stefan Clapczynski
    Stefan Clapczynski
    • Schorschi
    Doris Kunstmann
    Doris Kunstmann
    • Gerda
    Christoph Bantzer
    • Fred
    Wolfgang Glück
    • Robert
    Susanne Meneghel
    • Gerdas Schwester
    Monika von Zallinger
    • Eva
    • (as Monika Zallinger)
    • Director
      • Michael Haneke
    • Writer
      • Michael Haneke
    • All cast & crew
    • Production, box office & more at IMDbPro

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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      Ulrich Mühe and Susanne Lothar, who play the father and mother, were a couple in real life from this movie until Mühe's death in 2007.
    • Goofs
      When Anna and Georg are driving in their car, the reflection of a microphone between the front seats can be seen on the window.
    • Quotes

      [subtitled version]

      Paul: [talking to the viewers, breaking the fourth wall] You're on their side, aren't you? So, who will you bet with?

    • Crazy credits
      The front credits list "music by" several classical composers and John Zorn. Given the director's outspoken views on modern media, including the "composer" of the hardcore "thrash metal" songs alongside the likes of Handel and Mozart is part of his message.
    • Connections
      Featured in The Last Days of the Board (1999)
    • Soundtracks
      Cara Salva
      from 'Atalanta'

      Music by George Frideric Handel (as G.F. Händel)

      Sung by Beniamino Gigli

      Published by EMI DA 1918

    User reviews408

    Review
    Review
    Featured review
    10/10
    unsettling, gripping movie
    SPOILER: Okay... I just read most of the 144 user reviews.... Basically I wanted to make up my mind about this film, a film that is a very heavy load.

    I've seen this movie 5 years ago, the good thing is most of the time you forget about (having seen) it but now and then you recall it. I can understand that many people hate this film, it is not nice to watch, the more when you see it in a theatre where the only chance to break its spell is leaving the theatre. Regardless if you leave or stay and watch it leave it beats you one way or the other. I fully agree with many other reviewers that I have no idea whom I should recommend it too. I am tempted to watch it a second time but didn't make it happen in 5 years.

    Don't get me wrong. I think it is an excellent movie. It is also very disturbing and upsetting, I can't think of the right mood to watch it cause it'll take you down. And I think here is where the movie polarises. If, after watching, you find yourself deducting some message in the violence, and perhaps rethink violence - in both real life and movies - you will, well, also will have found some reason for this movies existence, if not - and it might be better if one does not - you will join in the 'crappiest movie ever chorus'.

    I do however want to point out some achievement of this production:

    *) The movie catches the audience in theatre. *) It does shock the audience but most of the violence is off-screen. You see more people dying in many fast-driven action movies. Only here you care. There is minor suspense, but I, personally, wouldn't put it into that category. (But then I am no horror/shocker/suspense fan and can easily err here) *) It's hard to compare it with any other movie (that I have seen). I am not sure if this is an achievement, but it's outstanding.

    The reason I think Haneke made this movie. or, what I deducted from it is how far away violence and death are in our everyday lives today. While Hollywood - and other film productions serve them daily right in our living room, we hardly notice them anymore. Violence also sells movies, and we're meanwhile pretty used to that. Haneke also serves violence, and he dishes it next-door. He turns into a moral figure that asks the audience if they want more (after all me and you consume it every day) - and while HERE we want to say 'no please stop' he doesn't do our silent bidding. He pushes us down the drain, forcing us to deal with aspects of the violence we don't (want to) see. He even goes one step further. He offers us a 'good' ending, a payback that would make it easier for us to bear the movie, only to snatch it back and rip us of any cheerful emotion, telling us like 'no, sorry, here it doesn't work that way'.

    I also read reviews mentioning the unsatisfying (often used, cliche) end. One more time Haneke manages to disappoint us, so far we were driven and didn't know what would happen, what to expect.

    Only in the ending, we see it coming, and so it ends, obviously similar to many other movies. We're back standard movie stuff, the arc bent and the connection made.

    "Funny games" is everything else but the title. Perhaps it refers to the funny games built on standard film violence in everyday movies. Perhaps it doesn't. Perhaps Haneke wants to stress that violence is a bad thing. Perhaps he's just sick.

    One thing for sure, regardless if you like it, don't care, or hate it. You might have seen something somewhat like it, but nothing similar.

    If you hate shockers, don't watch it. It will only be torture. If you love suspense, sorry, only very little gore here.

    If you plan to watch it, calculate a few hours before you will manage to put your head to rest.

    And don't watch it it personal crisis.

    This movie will make you feel bad. If you watch it in a cinema, just look around. You're not alone with this feeling.
    helpful•278
    124
    • Flador
    • Jan 19, 2004

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    FAQ18

    • How long is Funny Games?Powered by Alexa
    • What is the purpose of having Paul talk to the audience?

    Details

    Edit
    • Release date
      • October 30, 1998 (United Kingdom)
    • Country of origin
      • Austria
    • Languages
      • German
      • French
      • Italian
    • Also known as
      • Забавні ігри
    • Filming locations
      • Atelier Rosenhügel, Vienna, Austria(Studio)
    • Production companies
      • Filmfonds Wien
      • Wega Film
      • Österreichischer Rundfunk (ORF)
    • See more company credits at IMDbPro

    Technical specs

    Edit
    • Runtime
      1 hour 48 minutes
    • Color
      • Color
    • Sound mix
      • Dolby Digital
    • Aspect ratio
      • 1.85 : 1

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