After getting interested in murder as a kid in Colombia, Gabriela now has a scrapbook on murders including clippings on "The Blue Blood Killer". While cleaning his latest murder scene in Miami, she comes across a clue missed by the cops.
A docu-drama about filming From Dusk Till Dawn (1996). Sarah Kelly takes a non-union film crew onto the set and on location near Barstow of this independent, non-union production. Camaraderie and a constant eye on the shooting schedule dominate interactions. Quentin Tarantino and George Clooney mug for Kelly's camera; Robert Rodriguez, Juliette Lewis and Fred Williamson talk about craft; we watch scenes being shot; and Kelly asks crew members why they do what they do. Also, the International Alliance of Theatrical Stage Employees protests the non-union status of 'From Dusk Till Dawn', executive producer Lawrence Bender tells his side, and Kelly talks to a Variety reporter and others. What's the nature of an indie film?Written by
Behind the scenes with Quentin, George and Robert.
When Sarah Kelly asked Quentin Tarantino for a project, he gave her an opportunity to document the making of "From Dusk Till Dawn" the South of the Border-Vampire flick in which he starred with George Clooney, directed by his pal Robert Rodriguez.
What we get is a frank, behind the scenes, none of that prepackaged, smooth-edged stuff you see in the press packs, or on ET.
Pace yourself. For in today's world of sound and media bytes, 97 minutes may seem an eternity, but this is a well- paced, fun from start to finish feature. And don't look for Harvey Keitel, he's camera-shy when it comes to these things.
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