A massive corporate conglomerate, Octopus Inc., run by a shrewd and cruel tycoon named Rod McCain, purchases a UK-based leisure company, and also the failing London Marwood Zoo. To bring more business to the zoo, Octopus hires a new manager, Rollo Lee, who promptly comes up with a way to increase profits-do away with all the animals except for the ferocious ones. This new Fierce Creatures Policy shocks the Marwood zookeepers, led by the unendingly talkative Adrian "Bugsy" Malone. Eventually, Rod McCain's son Vince, along with the up-and-coming business executive Willa Weston, take control of the zoo and revoke the Fierce Creatures Policy. Vince instead comes up with many under-handed and vicious schemes to attract customers-unauthorized celebrity endorsements, shoddy, overpriced zoo merchandise, and using robotic animals instead of real ones. However, Vince is also stealing from the zoo's funds, and when his father finds out, he rears to turn the zoo into a Japanese-owned golf course....Written by
Josh Martin <email@example.com>
Preview audiences disliked the original ending, and a decision was made to reshoot it. Unfortunately, Michael Palin had already embarked on an eight-month voyage around the Pacific Ocean for the BBC documentary Full Circle with Michael Palin (1997), and director Robert Young had begun his next film. Fred Schepisi, who was already talking to John Cleese about a film based on Don Quixote, was chosen to reshoot the ending when Palin returned from his trip. See more »
When Willa tells Vince she had an extraordinary experience with the gorilla, we hear her say "yesterday", but she is obviously saying "this morning". See more »
[Disguised as Rod]
I'm going to the shed. Mother always said, when you're naughty, you go to the shed. And I've been naughty. God, I'm depressed.
See more »
No animals were injured during the making of this movie, only humans. See more »
I enjoy "Wanda", but "Fierce Creatures" should get the acclaim that earlier film does. It has a few weak moments of sentimentality, but they're quickly forgotten; nearly every scene is packed to bursting with witheringly literate putdowns and rejoinders, performances given just the right amount of push over the edge, and someone's best-laid schemes unraveling in hilariously improbable fashion. Kevin Kline oozes handsome, clueless yuppie smarm from every pore; John Cleese plays a take-charge-but-eventually-beleaguered Basil Fawlty variation with his usual timing mastery.
A should-be comedy classic that doesn't get the praise it's due.
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