Jack Lawrence is a smart aleck lawyer who is one day visited by an ex-girlfriend who tells him her kid was his. Enter Dale Putley, a depressed goofball who is also a writer, meets with the same ex-girlfriend who tells him her kid is his. One day Jack and Dale meet and discover what had happened: they've been told the same story and now there's a question of who the real father is. They learn their son is following a rock band called Sugar Ray around. So Jack and Dale hit the road to Sacramento and find their drunk, love-struck son. Soon after they bring him back to their hotel room, their son escapes and Jack and Dale must use teamwork to find him again, bring him home, and find out which one of them is the real father.Written by
Dylan Self <Robocoptng986127@aol.com>
Some of Crystal's and Williams' character dynamics, were inspired by their HBO Comic Relief performances (with Whoopi Goldberg). See more »
Towards the end, when Jack and Dale are looking through the album of baby pictures, Dale says, "I want that one," and begins removing the plastic sheet covering a 5x7-ish portrait with a blue background. Jack slaps his hand and says, "You can't do that." When they turn the page, the photo has changed to a mostly red, full-page sized image. See more »
Do you know who I am? I am the cowboy with the Village People, Bob, if I don't get back there, it's just gonna be "Y-M-_-A!"
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Film title logo at the end of end credits See more »
For a movie that stars Robin Williams and Billy Crystal, you'd automatically expect this film to be laugh out loud funny, but instead, what you get is a contrived cliche after cliche film that never actually goes anywhere. The jokes really don't add up anywhere because the humor is stale. Ivan Reitman's a good director but it seems he's got to pick up better scripts. "Father's Day" suffers unnecessary length and a script that seems to dwell a little too much on dull.
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