In order to foil an extortion plot, an FBI agent undergoes a facial transplant surgery and assumes the identity and physical appearance of a terrorist, but the plan turns from bad to worse when the same terrorist impersonates the FBI agent.
Following the events of The Matrix (1999), Neo and the rebel leaders estimate they have 72 hours until 250,000 probes discover Zion and destroy it and its inhabitants. Neo must decide how he can save Trinity from a dark fate in his dreams.
Sean Archer, a very tough, rugged FBI Agent, is still grieving for his dead son Michael. Archer believes that his son's killer is his sworn enemy and a very powerful criminal, Castor Troy. One day, Archer has finally cornered Castor, however, their fight has knocked out Troy cold. As Archer finally breathes easy over the capture of his enemy, he finds out that Troy has planted a bomb that will destroy the entire city of Los Angeles and all of its inhabitants. Unfortunately the only other person who knows its location is Castor's brother Pollux, and he refuses to talk. The solution, a special operation doctor that can cut off people's faces, and can place a person's face onto another person. Archer undergoes one of those surgeries to talk to Pollux. However, Castor Troy somehow regains consciousness and now wants revenge on Archer for taking his face. Not only is Troy ruining Archer's mission, but his personal life as well. Archer must stop Troy again. This time, it's personal.Written by
(at around 1h 9 mins) During Archer's escape from Erewhon, the computer screen that flashes Castor Troy and Dubov's names also displays Pollux Troy's name in the same list. However, Pollux Troy had already been released and is no longer an inmate at Erewhon. See more »
This one has a tough job of convincing the audience that the main characters, Travolta and Cage, could swap faces via plastic surgery and still be convincing as one another. It works! Woo has a certain style down-the long flowing robes, slow mo shootouts, orchestral hype in the background, furious shoot outs, explosions, etc. Essentially a more stylish Bruckheimer movie if ya think about it.
I have always liked the Bald guy and Gina Gershon here the most from the supporting cast, and enjoyed the way both the leads got to 'understand' the others' family, way of life, friends, etc. You have to like how Castor gets Travolta's girl to learn knife fighting, for example, or seeing the camaraderie of Cage's group.
Good shootouts and action, sometimes the conceits here are quite far flung, but you can live with that as an audience. I sure did, and so give this...
*** outta ****, it's quite good
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