A rescue crew is tasked with investigating the mysterious reappearance of a spaceship that had been lost for seven years.
Director:
Writer:
Awards:
- 1 win & 2 nominations.
- See more »
Reviews:
Photos and Videos
Cast verified as complete
| Laurence Fishburne | ... |
Miller
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| Sam Neill | ... |
Weir
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| Kathleen Quinlan | ... |
Peters
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| Joely Richardson | ... |
Starck
|
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| Richard T. Jones | ... |
Cooper
|
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| Jack Noseworthy | ... |
Justin
|
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| Jason Isaacs | ... |
D.J.
|
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| Sean Pertwee | ... |
Smith
|
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| Peter Marinker | ... |
Kilpack
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| Holley Chant | ... |
Claire
|
|
 |
Barclay Wright | ... |
Denny
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| Noah Huntley | ... |
Burning Man
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Robert Jezek | ... |
Rescue Technician
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| Rest of cast listed alphabetically: | |||
| Emily Booth | ... |
Girl on Monitor (uncredited)
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| Bharat Nalluri | ... |
Event Horizon Crew Member (uncredited)
|
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| Gary Sinyor | ... |
Event Horizon Crew Member (uncredited)
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Directed by
| Paul W.S. Anderson | ... | (as Paul Anderson) |
Written by
| Philip Eisner | ... | (written by) |
Produced by
| Jeremy Bolt | ... | producer |
| Colin Brown | ... | executive producer |
| Nick Gillott | ... | executive producer |
| Lawrence Gordon | ... | producer |
| Sarah Isherwood | ... | assistant producer |
| Lloyd Levin | ... | producer |
Music by
| Michael Kamen | ||
Cinematography by
| Adrian Biddle | ||
Editing by
| Martin Hunter | ||
Editorial Department
| Simon Astbury | ... | colorist: rushes |
| Joe Gallagher | ... | additional editorial |
| Adam Green | ... | second assistant editor |
| Simon Harris | ... | first assistant editor |
| Simon Kotowicz | ... | lightworks engineer |
| Matt McFarland | ... | colorist |
| David Rees | ... | color timer |
| Adrian Trent | ... | assistant editor |
| Rab Wilson | ... | assistant editor |
| Jane Winkles | ... | second assistant editor |
Production Design by
| Joseph Bennett | ||
Art Direction by
| David Allday | ||
| Philip Elton | ||
| Mark Harris | ||
| Michael Lamont | ||
| Simon Lamont | ||
| Giles Masters | ||
| Malcolm Middleton | ... | supervising art director |
| Tony Reading | ... | (as Anthony Reading) |
Set Decoration by
| Crispian Sallis | ||
Costume Design by
| John Mollo | ||
Makeup Department
| Martin Astles | ... | makeup artist: Image Animation |
| Jim Barr | ... | makeup artist: Image Animation |
| Denise Baseley | ... | makeup artist: Image Animation |
| Nuala Conway | ... | hair stylist: Mr. Neill / makeup artist: Mr. Neill |
| Mark Coulier | ... | prosthetic designer: Animated Extras |
| John Fallows | ... | hair stylist (as Jon Fallows) |
| Pauline Fowler | ... | chief supervising designer: Animated Extras |
| Adrian Getley | ... | makeup artist: Image Animation |
| Richard Glass | ... | contact lens optician |
| Catherine Heys | ... | makeup artist |
| Pauline Heys | ... | chief makeup artist |
| Susan Howard | ... | prosthetics makeup artist: Animated Extras (as Sue Howard) |
| Giacomo Iovino | ... | senior mould maker |
| Duncan Jarman | ... | makeup artist: Image Animation |
| Don Joes | ... | makeup artist: Image Animation |
| Stephanie Kaye | ... | chief hairstylist |
| Chris Lyons | ... | special effects teeth |
| Waldo Mason | ... | special makeup effects artist |
| Rob Mayor | ... | special makeup effects artist / technician |
| Tim Mitchell | ... | makeup artist: Image Animation |
| Julian Murray | ... | prosthetic designer: Animated Extras |
| Kate Murray | ... | sculptor: Animated Extras |
| Joseph Ross | ... | prosthetics coordinator |
| John Schoonraad | ... | head of department mould maker: animated extras |
| Jemma Scott-Knox-Gore | ... | contact lens technician |
| Amber Sibley | ... | makeup artist: Animated Extras |
| Paul Spateri | ... | sculptor: Animated Extras |
| Deborah Taylor | ... | makeup artist: Mr. Fishburne |
| Julie White | ... | special makeup effects artist |
| Nik Williams | ... | workshop coordinator: Animated Extras |
| Julie Wright | ... | makeup artist: Animated Extras |
| Terry Jones | ... | special makeup effects (uncredited) |
| Sean Kenrick | ... | mold maker (uncredited) |
| Matthew Smith | ... | special makeup effects artist (uncredited) |
| Josh Weston | ... | lab assistant (uncredited) |
Production Management
| Ben Link | ... | unit manager |
| Dusty Symonds | ... | unit production manager |
Second Unit Director or Assistant Director
| Paddy Carpenter | ... | first assistant director: second unit |
| Charlotte Cinalli | ... | assistant director |
| Patrick Clayton | ... | first assistant director |
| Sean Clayton | ... | second second assistant director |
| Sallie Hard | ... | dailies assistant director (as Sallie Anne Hard) |
| Guy Heeley | ... | second assistant director: additional unit |
| Simon Hinkly | ... | first assistant director: additional unit |
| Vadim Jean | ... | additional unit director |
| Mike Proudfoot | ... | additional unit director |
| Jim Simpson | ... | assistant director |
| Adam Somner | ... | second assistant director: additional unit |
| Michael Stevenson | ... | second assistant director |
| Robin Vidgeon | ... | additional unit director |
Art Department
| David Ackrill | ... | props |
| Martin Atkinson | ... | draughtsperson |
| Matthew Baker | ... | trainee props |
| Derek Bell | ... | prop modeller |
| Daniel Bennett | ... | modelmaker |
| Peter Brown | ... | construction stand by |
| Alastair Bullock | ... | art department assistant |
| Gary Bunn | ... | assistant to art director |
| Richard K. Buoen | ... | storyboard artist |
| Julian Caldow | ... | concept illustrator |
| Jim Cornish | ... | storyboard artist |
| Robert Cowper | ... | concept artist |
| Gary Fox | ... | dressing propman |
| Mark Fruin | ... | chargehand stand-by propman |
| Gary Gleeson | ... | supervising painter |
| Claire Grainger | ... | assistant set decorator |
| Tracey Holmes | ... | draughtsperson |
| Sarah Horton | ... | set designer |
| Robert Jackson | ... | carpenter |
| Paul 'Spike' Knight | ... | Senior prop modeller |
| Carol Kupisz | ... | graphic designer |
| Dominic Lavery | ... | concept artist |
| Tony Mason | ... | chargehand painter |
| Harry Metcalfe | ... | construction coordinator |
| Tony Rimmington | ... | draughtsperson |
| Peter Mitchell Rubin | ... | conceptual artist |
| Ty Senior | ... | propmaker |
| Chris Sibley-Hale | ... | carpenter |
| Daniel Slavin | ... | conceptual artist |
| Mike Smith | ... | stand-by carpenter: second unit |
| Lucinda Sturgis | ... | property buyer |
| Lucinda Thomson | ... | junior draughtsman |
| Sara-Jane Valentine | ... | art department coordinator |
| Lloyd Vincent | ... | props |
| Arthur Wicks | ... | property master |
| Shelli Woodall | ... | model maker |
| Joe Dipple | ... | props (uncredited) |
| Steve Furneaux | ... | carpenter (uncredited) |
| Stuart Kearns | ... | model maker (uncredited) |
| John Lanzer | ... | property buyer (uncredited) |
| Brian Lofthouse | ... | props (uncredited) |
| Peter Mann | ... | constructor (uncredited) |
| Colin Thurston | ... | dressing prop (uncredited) |
| David Warren | ... | draughtsperson (uncredited) |
| Carl Wilson | ... | modeller (uncredited) |
Sound Department
| Ross Adams | ... | sound effects editor |
| Brigitte Arnold | ... | dialogue editor |
| Campbell Askew | ... | sound designer |
| Martin Cantwell | ... | assistant sound effects editor |
| Colin Chapman | ... | dialogue editor |
| Paul Conway | ... | sound editor |
| Peter Dansie | ... | assistant sound editor |
| Mike Dowson | ... | re-recording mixer |
| Paul Elman | ... | assistant sound editor |
| Laura Evans | ... | assistant sound editor |
| Arthur Graley | ... | second assistant sound editor |
| Adam Green | ... | assistant sound editor |
| Simon Harris | ... | first assistant sound editor |
| Dean Humphreys | ... | re-recording mixer |
| John Ireland | ... | foley artist / foley editor |
| Robert Ireland | ... | assistant sound editor |
| Craig Irving | ... | re-recording mixer |
| Mark Lafbery | ... | re-recording mixer |
| Derek Lomas | ... | assistant sound editor |
| Nick Lowe | ... | dialogue editor |
| Tony Message | ... | dialogue editor |
| Tristan Mullane | ... | assistant sound editor |
| Chris Munro | ... | sound mixer |
| Bjorn Ole Schroeder | ... | first assistant sound editor (as Bjørn Schroeder) |
| Alastair Sirkett | ... | assistant dialogue editor |
| Andrew Sissons | ... | sound mixer: additional unit |
| Rab Wilson | ... | assistant sound editor |
| Jane Winkles | ... | assistant sound editor |
| Tim Partridge | ... | dolby sound consultant (uncredited) |
Special Effects by
| Clive Beard | ... | special effects supervisor |
| Dave Bonneywell | ... | effects supervisor: Image Animation (as David Bonneywell) |
| Caimin Bourne | ... | special effects |
| Christopher Brennan | ... | special effects trainee |
| David Brighton | ... | special effects senior technician |
| Alex Burdett | ... | special effects assistant |
| Simon Cockren | ... | special effects technician |
| Ian Corbould | ... | special effects technician |
| Malcolm Crash Corbould | ... | special effects test technician |
| Neil Corbould | ... | special effects supervisor |
| Paul Corbould | ... | special effects supervisor |
| Mark Coulier | ... | special effects makeup |
| Paul Dimmer | ... | special effects technician |
| Michael Dunleavy | ... | special effects technician |
| Paul Dunn | ... | special effects foreman |
| Michael Durkan | ... | special effects technician |
| Raymond Ferguson | ... | technician |
| Katie Gabriel | ... | special effects coordinator |
| Terry Glass | ... | special effects technician |
| Richard Gregory | ... | supervising modeller: action props |
| Kevin Herd | ... | lead senior technician |
| Mathew Horton | ... | special effects technician (as Matthew Horton) |
| Chris 'Flimsy' Howes | ... | art director: model unit / modelshop supervisor / workshop supervisor |
| David Hunter | ... | special effects technician |
| Bob Keen | ... | animatronics / effects consultant: Image Animation |
| Ray Lovell | ... | special effects technician |
| Jason McCameron | ... | animatronics / mechanical effects supervisor: Image Animation / special effects |
| Tim Mitchell | ... | animatronics |
| John Pilgrim | ... | special effects technician |
| Ed Plant | ... | electronics modeller |
| Graham Povey | ... | special effects technician |
| Jason Reed | ... | special effects |
| Marcus Richardson | ... | special effects technician |
| Fedele Rinaldi | ... | special effects |
| Dave Roddham | ... | special effects trainee |
| Andrew Ryan | ... | effects trainee |
| Terry Schubert | ... | special effects technician |
| Alastair Vardy | ... | specialty props |
| Steven Warner | ... | special effects assistant technician |
| David Watkins | ... | special effects technician |
| Peter White | ... | special effects technician |
| David Williams | ... | special effects supervisor |
| Gareth Wingrove | ... | special effects trainee |
| Trevor Wood | ... | special effects supervisor |
| Mark Woollard | ... | supervising modeller: set dresser |
| Daniel Pickering | ... | special effects crew (uncredited) |
| Simon Quinn | ... | special effects trainee (uncredited) |
| Anne Marie Walters | ... | special effects assistant (uncredited) |
Visual Effects by
| Justine Adlington | ... | modeler |
| Steven B. Allen | ... | key model maker: Mass. Illusions |
| Dave Allum | ... | modeler (as David Allum) |
| Colin Alway | ... | digital artist: Cinesite Europe |
| Alan Andrews | ... | modeler |
| Darren Andrews | ... | modeler |
| Jim Barr | ... | modeler |
| Keith Barton | ... | computer systems: Cinesite |
| Alex Bicknell | ... | senior digital effects producer: Cinesite Europe |
| Maureen Blume | ... | production coordinator: Mass. Illusions |
| Brent Boates | ... | art director |
| Andy Bowman | ... | motion control technician |
| Colin Brown | ... | visual effects executive producer: Cinesite Europe |
| Nathalie Buce | ... | 3D artist: Cinesite |
| Sonia Calvert | ... | digital compositor: Cinesite |
| Chas Cash | ... | 3D animator: Cinesite Europe (as Charles Cash) |
| Jason Chalmers | ... | modeler |
| Craig Chamberlain | ... | physical effects coordinator: Mass. Illusions |
| Eric Chamberlain | ... | physical effects supervisor: Mass. Illusions |
| Dave Child | ... | CG animator: Cinesite Europe |
| Colin Childs | ... | modeler |
| Sally Clayton | ... | digital artist |
| Paul Clemente | ... | key model maker: Mass. Illusions |
| Pat Conran | ... | cg technical supervisor: Cinesite Europe |
| Paul Conway | ... | digital artist: Cinesite Europe |
| Matthew D'Angibau | ... | motion control assistant |
| Ken Dailey | ... | digital effects coordinator |
| Alexandra Day | ... | visual effects assistant |
| Lee Deary | ... | modeler |
| Tom Debenham | ... | digital effects designer: CFC |
| George Duffield | ... | visual effects assistant: model unit |
| Catherine Duncan | ... | digital effects production coordinator: Cinesite Europe |
| Paddy Eason | ... | digital effects designer: CFC |
| Sander Ellers | ... | modeler |
| Paul Elman | ... | assistant visual effects editor |
| Simon Eves | ... | research and development: Cinesite |
| Lisa Fisher | ... | visual effects producer: Mass. Illusions |
| Rhun Francis | ... | visual effects assistant: model unit |
| Martin Gabriel | ... | visual effects coordinator: Cinesite |
| Frank Gallego | ... | key model maker: Mass. Illusions |
| William Gallego | ... | key model maker: Mass. Illusions |
| Mark Gardiner | ... | motion control camera operator |
| Steve Garrad | ... | scanning and recording: Cinesite |
| Chris Gibbons | ... | digital compositor: Cinesite |
| Kevin Gilmartin | ... | modeler |
| Dan Glass | ... | visual effects designer: CFC |
| Mark Gooderidge | ... | modeler |
| Tamzine Hanks | ... | modeler |
| Pete Hanson | ... | studio manager: CFC |
| Mark Harrison | ... | first assistant director: visual unit |
| Ed Hawkins | ... | sequence supervisor |
| David Hilton | ... | motion control assistant |
| Peter Seymour Howell | ... | modeler (as Peter Seymour-Howell) |
| Chris 'Flimsy' Howes | ... | modeler (as Chris 'Flimzy' Howes) |
| Lubo Hristov | ... | supervising animator: Cinesite Europe (as Lubo Christov) |
| Antony Hunt | ... | executive producer: The Magic Camera Company |
| Joel Hynek | ... | miniature visual effects supervisor: Mass.Illusions |
| Oliver James | ... | research and development |
| Matt Johnson | ... | digital composite sequence supervisor |
| Tracy Jordan | ... | modeler |
| Duncan Kinnaird | ... | electronic modeller / modeler |
| Tad Krzanowski | ... | special model effects supervisor |
| Sharon Lark | ... | visual effects pre-production producer: Cinesite Europe |
| Kim Libreri | ... | digital effects supervisor |
| Peter Lindstrom | ... | electronics engineer: Mass. Illusions |
| Jim Machin | ... | modeler |
| David Mann | ... | digital artist: Cinesite Europe |
| Sarah Marchant | ... | digital effects artist: title sequence |
| Stuart McAra | ... | visual effects producer |
| Kevin McGowan | ... | 3D animator: Cinesite Europe |
| Matthew Merkovich | ... | digital artist (as Matt Merkovich) |
| Ed Miarecki | ... | key model maker: Mass. Illusions |
| Rick Mietkowski | ... | model unit motion control operator |
| Simon Minshall | ... | scanning and recording |
| Michele Moen | ... | matte painter: model unit (as Michelle Moen) |
| Greg Morgan | ... | modeler |
| Karl Morgan | ... | motion control first assistant photographer |
| Stephen Murphy | ... | CG animator: CFC / digital effects designer |
| Jonathan Neill | ... | digital artist: Cinesite Europe |
| Mark Nelmes | ... | senior digital effects designer: CFC |
| Mark Nettleton | ... | sequence supervisor |
| Clare Norman | ... | line-up and editorial: Cinesite |
| David Núñez | ... | key mechanical effects: Mass. Illusions |
| Alison O'Brien | ... | senior visual effects producer: CFC |
| Dominic Parker | ... | digital effects designer / senior CG animator: CFC |
| Diane Pearlman | ... | miniature visual effects executive producer: Mass. Illusions |
| Stuart Pearson | ... | film scanning and recording |
| Cristin Pescosolido | ... | motion tracking supervisor |
| Kevin Phelan | ... | scanning and recording producer: "Visions of Hell" sequence, CFC |
| Ed Plant | ... | modeler (as Edward Plant) |
| Jonathan Privett | ... | CG animator: Cinesite Europe / digital effects artist |
| Olaf Przybyszewski | ... | cg artist |
| Tim Quarman | ... | digital input: CFC |
| Liz Ragland | ... | modeler |
| David Relfe | ... | modeler |
| Nick Richens | ... | modeler |
| Neil Riley | ... | motion control operator |
| Rinaldo Rivera | ... | key model maker: Mass. Illusions |
| Sandra Roach | ... | digital effects designer: CFC |
| Barnaby Robson | ... | digital compositor |
| Joseph Ross | ... | prosthetics coordinator |
| Paul Round | ... | inferno artist |
| Sue Rowe | ... | digital composite sequence supervisor: Cinesite |
| John Schoonraad | ... | visual effects |
| David B. Sharp | ... | miniature effects supervisor |
| Terry Shigemitsu | ... | digital artist |
| Mark Shoaf | ... | digital artist |
| Robin Skinner | ... | visual effects assistant: model unit |
| Jim Spieler | ... | key model maker: Mass. Illusions (as James Spieler) |
| Paul Stephenson | ... | modeler |
| Andy Stevens | ... | motion control first assistant photographer (as Andrew Stevens) |
| David K. Stewart | ... | miniatures cinematography (as David Stewart) |
| Mark Swierat | ... | key model maker: Mass. Illusions |
| Kat Szuminska | ... | digital compositor |
| Charles Tait | ... | digital compositor: Cinesite (as Charles Tate) |
| Robert U. Taylor | ... | art director: Mass. Illusions (as Robert Taylor) |
| Robert Thompson | ... | modeler (as Rob Thompson) |
| Stephen Thurn | ... | key model maker: Mass. Illusions |
| Gavin Toomey | ... | digital effects designer: CFC |
| Courtney Vanderslice | ... | visual effects production manager: Cinesite Europe (as Courtney Vanderslice-Law) |
| Stewart Verrilli | ... | key model maker: Mass. Illusions (as Stewart Verelli) |
| Niki Wakefield | ... | digital compositor: Cinesite (as Nicky Wakefield) |
| Martin Weaver | ... | Computer systems administrator |
| Mark H. Weingartner | ... | motion control supervisor (as Mark Weingartner) / visual effects cinematographer |
| Simon Weisse | ... | modeler / visual effects miniatures |
| John Weller | ... | modeler |
| Tim Wellspring | ... | visual effects assistant: CFC |
| Tony Whalen | ... | key model maker: Mass. Illusions |
| Dominic Wheadon | ... | modeler |
| Pete Williams | ... | scanning and recording manager |
| Tom Wood | ... | sequence supervisor: Cinesite Europe |
| Shelli Woodall | ... | model maker / modeler |
| Russ Woolnough | ... | visual effects editor |
| Allen Yamashita | ... | visual effects: black hole sequence, CFC |
| Richard Yuricich | ... | visual effects supervisor |
| Fredrick R. Bresky | ... | model shop assistant (uncredited) |
| Sean Broughton | ... | digital effects artist (uncredited) |
| Lynn Garrido | ... | model maker (uncredited) |
| Emma Ibbetson | ... | digital effects producer: Smoke & Mirrors (uncredited) |
| Graham Riddell | ... | senior modelmaker (uncredited) |
| Sly West | ... | scan record coordinator: Cinesite (uncredited) |
Stunts
| Marc Boyle | ... | stunt coordinator |
| Paul Jennings | ... | stunts |
| Mirjam Montandon | ... | stunts |
| Mark Anthony Newman | ... | stunts (as Mark Newman) |
| Mark Southworth | ... | stunt double: Sam Neill |
| Anna Stacey | ... | stunts |
| Steen Young | ... | stunts |
| Jamie Edgell | ... | stunt safety (uncredited) / stunts (uncredited) |
| Paul Jennings | ... | stunt safety (uncredited) |
| Chrissy Monk | ... | stunts (uncredited) |
| Mirjam Montandon | ... | stunt double: Joely Richardson (uncredited) |
| Mark Anthony Newman | ... | stunt double: Laurence Fishburn (uncredited) / stunt double: Richard T. Jones (uncredited) |
| Steen Young | ... | stunt double: Jack Noseworthy (uncredited) |
Camera and Electrical Department
| Darren Bailey | ... | remote camera technician |
| Roderick Barron | ... | camera operator |
| Adam Biddle | ... | focus puller |
| Ashley Bond | ... | clapper loader |
| Michael Chambers | ... | rigging gaffer |
| Colin Corby | ... | camera operator: additional unit |
| David Cozens | ... | clapper loader |
| Kevin Day | ... | gaffer |
| Eddie Done | ... | lighting technician |
| Gary Donoghue | ... | best boy (as Gary Donague) |
| John Flemming | ... | key grip |
| Raymond Flindall | ... | rigger |
| Dave Freeth | ... | libra technician |
| Will Handley | ... | megamount technician |
| Paul Hatchman | ... | grip: second unit |
| Cedric James | ... | focus puller: additional unit |
| Stephen Lee | ... | video operator |
| John Lynch | ... | director of photography: additional unit |
| Clive Mackey | ... | focus puller |
| Skip Margetts | ... | clapper loader |
| Alan Martin | ... | chief lighting technician: additional unit |
| John Maskall | ... | camera operator: additional unit |
| Ian McMillan | ... | director of photography: additional unit |
| David Morgan | ... | focus puller: additional unit |
| Gary Nagle | ... | electrician |
| Gary Nolan | ... | electrician |
| Ben Perry | ... | second assistant camera |
| Miles Proudfoot | ... | clapper loader / clapper loader: additional unit |
| Alf Tramontin | ... | steadicam operator |
| Iwan Williams | ... | electrician |
| David Worley | ... | camera operator |
| David Cadwallader | ... | grip (uncredited) |
| Peter Hodgson | ... | video assist operator: dailies (uncredited) |
| Ginger McCarthy | ... | h.o.d. electrical rigger (uncredited) |
| Anthony Stanier | ... | focus puller (uncredited) |
Casting Department
| Deborah Aquila | ... | casting: USA |
| John Hubbard | ... | casting: UK |
| Ros Hubbard | ... | casting: UK |
| Dayna Polehanki | ... | casting assistant |
| Alex Wald | ... | casting assistant (as Alex Rosenberg) |
Costume and Wardrobe Department
| Lee Clayton | ... | costume cutter / tailor |
| Ken Crouch | ... | wardrobe supervisor |
| Barbara Rutter | ... | assistant costume designer |
| Caroline Thorpe | ... | Head Cutter |
| Michelle Wickland | ... | costume props |
| Michelle Freeborn | ... | costume fabricator (uncredited) |
Location Management
| Derek Harrington | ... | location manager |
Music Department
| John Bell | ... | orchestrator |
| Mark Berrow | ... | musician: violin |
| Richard Bissill | ... | musician: French horn |
| Christopher Brooks | ... | music editor (as Chris Brooks) |
| Andy Brown | ... | music contractor |
| Vic Fraser | ... | music preparation |
| Alex Gibson | ... | music editor |
| Paul Hartnoll | ... | composer: additional music (as Orbital) |
| Phil Hartnoll | ... | composer: additional music (as Orbital) |
| Nick Ingman | ... | additional orchestrator |
| Franklin Jones III | ... | orchestration intern |
| Michael Kamen | ... | conductor / orchestrator |
| The London Metropolitan Orchestra | ... | music performed by / performer: London Metropolitan Orchestra |
| Stephen McLaughlin | ... | music mixer / music recordist |
| Orbital | ... | composer: additional music |
| Jose Serebrier | ... | additional orchestrator |
| Edward Shearmur | ... | additional orchestrator (as Ed Shearmur) |
| Graham Sutton | ... | music editor |
| Pete Tong | ... | music supervisor |
| Rachel Bolt | ... | musician: viola (uncredited) |
| James Seymour Brett | ... | music co-producer (uncredited) |
| Skaila Kanga | ... | musician: harp (uncredited) |
| Steve Mair | ... | musician: double bass (uncredited) |
| Stephen McLaughlin | ... | music producer (uncredited) |
| Michael Price | ... | music co-producer (uncredited) |
| Allen Walley | ... | musician: double bass (uncredited) |
Script and Continuity Department
| Jo Beckett | ... | script supervisor |
| Caroline Sax | ... | script supervisor |
| Lisa Vick | ... | script supervisor: additional unit |
Transportation Department
| Gary Birmingham | ... | artist driver: Sam Neill |
Additional Crew
| Michael Barnes | ... | financial legal services |
| Zoe Black | ... | video screen designer |
| Penny Christopher | ... | production coordinator: additional unit |
| Jayne Craig | ... | assistant to director |
| Andrew Eio | ... | conceptual graphic artist |
| Carlos Fidel | ... | set runner |
| Ian Fishlock | ... | systems administrator |
| Andy Garner | ... | special makeup effects artist |
| Malcolm Garrett | ... | video screen designer |
| Samantha Glen | ... | construction accountant |
| Lawrence Gordon | ... | presenter |
| Muriel Gérard | ... | unit publicist |
| Sandra Hodge-Hampton | ... | assistant: Laurence Fishburne (as Sandra Hodge) |
| Nikki Inwood | ... | stand-in: Holly Chant |
| Barrie Jones | ... | video screen designer (as Barrie StJon Jones) |
| Claire L. Kenny | ... | accounting assistant |
| Deborah Leakey | ... | assistant accountant |
| Ian Madison | ... | associate: Sam Neill |
| Lucas Meyers | ... | assistant to producer |
| Don Miller | ... | production accountant |
| Marilyse Morgan | ... | production coordinator |
| Richard Morrison | ... | title designer |
| Ian Murray | ... | supervising rigger (as Ian Vincent Murray) |
| Dan Piponi | ... | software developer |
| Alasdair Scott | ... | video screen designer |
| Jim Simpson | ... | set production assistant |
| Diane Staniforth | ... | art finisher |
| Michelle Wraight | ... | assistant modeler |
| Aron Clayton | ... | production assistant (uncredited) |
| Robin Demetriou | ... | catering supervisor (uncredited) |
| Stefan Ashton Frank | ... | adr loop group (uncredited) |
| Robert Hollocks | ... | international marketing (uncredited) |
| Teresa May | ... | photographic model (uncredited) |
| Andrew Kevin Walker | ... | script doctor (uncredited) |
Production Companies
- Paramount Pictures (presents)
- Golar Productions
- Impact Pictures
Distributors
- Filmes Lusomundo (1998) (Portugal) (theatrical)
- Paramount Films of India (1997) (India) (theatrical)
- Paramount Pictures (1997) (Mexico) (theatrical) (through United International Pictures)
- Paramount Pictures (1997) (United States) (theatrical)
- United International Pictures (UIP) (1998) (Germany) (theatrical)
- United International Pictures (UIP) (1998) (Spain) (theatrical)
- United International Pictures (UIP) (1998) (France) (theatrical)
- United International Pictures (UIP) (1998) (United Kingdom) (theatrical)
- United International Pictures (UIP) (1997) (Japan) (theatrical)
- United International Pictures (UIP) (1997) (Mexico) (theatrical) (through)
- United International Pictures (UIP) (1998) (Netherlands) (theatrical)
- United International Pictures (UIP) (1997) (Philippines) (theatrical) (thru Warner Bros. F.E.)
- United International Pictures (1997) (Argentina) (theatrical)
- Argentina Video Home (1998) (Argentina) (VHS)
- British Broadcasting Corporation (BBC) (2000) (United Kingdom) (tv) (BBC1)
- CIC Video (1998) (Germany) (VHS)
- CIC Video (1998) (Norway) (VHS)
- CIC Vídeo (1998) (Brazil) (VHS)
- CIC-Taft Home Video (1998) (Australia) (VHS)
- CIC-Taft Home Video (1998) (Sweden) (VHS)
- Film1 (2015) (Netherlands) (tv) (limited)
- Finnkino (1998) (Finland) (VHS)
- Finnkino (2001) (Finland) (DVD) (1-disc edition)
- Fox Network (2000) (United States) (tv) (network premiere)
- Home Video Hellas (HVH) (1999) (Greece) (VHS)
- NITV (2024) (Australia) (tv)
- National Broadcasting Company (NBC) (1998) (United States) (tv) (original airing)
- Nelonen (2002) (Finland) (tv)
- Paramount Channel (2021) (France) (tv)
- Paramount Home Entertainment (2000) (Germany) (DVD)
- Paramount Home Entertainment (2009) (Germany) (Blu-ray)
- Paramount Home Entertainment (2022) (Germany) (Ultra HD Blu-ray)
- Paramount Home Entertainment (2006) (Finland) (DVD)
- Paramount Home Entertainment (1998) (Brazil) (DVD)
- Paramount Home Entertainment (1998) (United States) (DVD)
- Paramount Home Entertainment (1998) (United States) (VHS)
- Paramount Home Entertainment (1999) (United States) (laserdisc)
- Paramount Home Entertainment (2001) (France) (DVD)
- Paramount Home Entertainment (2001) (Italy) (DVD)
- Paramount Home Entertainment (2001) (Norway) (DVD)
- Paramount Home Entertainment (2001) (Sweden) (DVD)
- Paramount Home Entertainment (2001) (United Kingdom) (DVD)
- Paramount Home Entertainment (2008) (United States) (Blu-ray)
- Paramount Home Entertainment (2009) (France) (Blu-ray)
- Paramount Home Entertainment (2009) (Italy) (Blu-ray)
- Paramount Home Entertainment (2009) (Norway) (Blu-ray)
- Paramount Home Entertainment (2009) (Sweden) (Blu-ray)
- Paramount Home Entertainment (2009) (United Kingdom) (Blu-ray)
- Paramount Home Entertainment (2022) (France) (Ultra HD Blu-ray)
- Paramount Home Entertainment (2022) (Italy) (Ultra HD Blu-ray)
- Paramount Home Entertainment (2022) (United States) (Ultra HD Blu-ray)
- Pay Per View (1998) (United States) (tv)
- Pluto TV (2023) (United States) (video) (VOD)
- Pro 7 (2000) (Germany) (tv)
- Scream Factory (2021) (United States) (Blu-ray) (collector's edition)
- The Criterion Channel (2023) (United States) (tv) (streaming)
- VCL Communications (1998) (Germany) (laserdisc)
- VideoVisa (1998) (Mexico) (VHS)
- Yorin (2002) (Netherlands) (tv)
Special Effects
- AMX Studios Ltd. (video graphics design)
- Animated Extras (make-up effects)
- FBFX
- Image Animation (prosthetics and animatronics)
- Mass. Illusions
- ReelEye Company (special effects contact lenses)
- The Computer Film Company (CFC)
- The Magic Camera Company (motion control photography)
Other Companies
- Hyperactive Broadcast (editing equipment)
- Pinewood Studios (movie studio)
- AMX digital (video screen design)
- Air Lyndhurst Studios (music recorded and mixed at)
- Bijou Theatre (music recorded and mixed at)
- Cinesite (Hollywood) (digital effects)
- Cinesite (special visual effects)
- Dolby (in selected theatres)
- Gearbox Sound and Vision (Tascam DA88 recorders supplied by)
- General Screen Enterprises (opticals)
- Lee Lighting (grip and lighting equipment)
- London Records (soundtrack)
- Panavision (Panaflex cameras and anamorphic lenses)
- Rank Film Laboratories (colour)
- Sapex Scripts (post-production script services)
- Sylvia Wheeler Film Services (negative cutting)
- The London Metropolitan Orchestra (score performed by)
- Twickenham Film Studios (re-recording facilities)
- Whitfield Street Studios (music recording and mixing facilities)
Storyline
| Plot Summary |
In the year 2047, a group of astronauts are sent to investigate and salvage the long-lost starship Event Horizon. The ship mysteriously disappeared seven years ago on its maiden voyage, and with its return comes even more mystery as the crew of the Lewis and Clark discover the real truth behind its disappearance and something even more terrifying.
Written by Losman |
| Plot Keywords | |
| Taglines | A haunted ship. A missing crew. An infinite evil. See more » |
| Genres | |
| Parents Guide | View content advisory » |
| Certification |
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Additional Details
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Box Office
| Budget | $60,000,000 (estimated) |
| Cumulative Worldwide Gross | $20,400,000, 10 May 1998 |
Did You Know?
| Trivia | Paul W.S. Anderson's initial cut of the film ran 130 minutes, and was so violent that both test audiences and the studio baulked at the finished product. Paramount ordered him to cut the film by 30 minutes and tone down some of the violence. Anderson has said he didn't have enough time for a proper re-edit, and believes he cut out 10 minutes too much. Although it was announced in 2012 that producer Lloyd Levin had found a VHS tape that might contain a full version of the film, Anderson revealed in 2017 that neither he nor Levin had seen it yet, as they have both been too busy to be in the same country with a VHS player. Although he believes that the condition of the copy will be too poor to use, Anderson has stated that he is still excited to see what's on it. See more » |
| Goofs | (at around 53 mins) When Justin is ejected into outer space, his veins immediately start to burst and bleed heavily. This isn't very likely to happen in the short time that he is exposed to the vacuum of space. Parts of the body will probably start to bulge due to the lack of atmospheric pressure, and there will probably be some subcutaneous bleeding from ruptured blood vessels, but the human skin is thought to be resilient enough to stay intact. Also, the blood that leaves his body remains liquid; in reality, it would boil and evaporate instantly due to the lack of pressure. Not everything about the scene is unrealistic: the fact that he remained conscious is probably correct (most adults would remain conscious for 10-20 seconds), as well as the fact that he does not freeze (although deep space is extremely cold, the lack of gas molecules makes it difficult for body heat to leave the body). See more » |
| Movie Connections | Featured in G.I. Jane/Event Horizon/Cop Land/Pooh's Grand Adventure (1997). See more » |
| Soundtracks | Funky Shit See more » |
| Crazy Credits | The opening credits are sucked into a black hole. The screen viewpoint pans upward, above, and over the regular Paramount mountain before the opening credits, which usually remains stationary and then fades out. See more » |
| Quotes |
D.J.:
I wasn't going to tell you this. I've been listening to the distress signal, and I, um, think I made a mistake in the translation. [Plays the distress signal] Miller: Go on. D.J.: I thought it said "liberate me" - "save me." But it's not "me." It's "liberate tutemet" - "save yourself." And it gets worse. [Plays the distress signal again] D.J.: There - I think that says "ex inferis." "Save yourself... from Hell." Look, if what Doctor Weir tells us is true, this ship has been beyond the boundaries of our universe, of known scientific reality. Who knows where it's been, what it's seen... or what it's brought back with it? Miller: From Hell? You don't believe in that kind of stuff, do you? D.J.: Whoever sent that message, he sure believed in Hell. See more » |