Born poor in St. Louis, Missouri, Josephine Baker achieved fame and fortune through her sizzlingly exotic, erotic performances. Starting life on the American Vaudeville circuit, success ... See full summary »
The story of Washington D.C. radio personality Ralph "Petey" Greene, an ex-con who became a popular talk show host and community activist in the 1960s.
This biography of Dorothy Dandridge follows her career through early days on the club circuit with her sister to her turn in movies, including becoming the first black actress to win a Best... See full summary »
Director:
Martha Coolidge
Stars:
Halle Berry,
Brent Spiner,
Klaus Maria Brandauer
In 1950s Massachusetts, a wealthy black woman engaged to a poor white beatnik learns about her family history. The stories revolve around the racial and class complexities of interracial and class-based marriages.
The story is set in 1962 Louisiana. The Batiste family is headed by charming doctor Louis. Though he is married to beautiful Roz, he has a weakness for attractive female patients. One night Louis trysts with married and sexy Metty Mereaux, not knowing that he is observed by his youngest daughter Eve, who is there by accident. Eve can not forget the traumatic incident and shares a secret with older sister Cisely. Lies start to roll...Written by
Anonymous
Jurnee Smollett (Eve Batiste) and Jake Smollett Poe Batiste) are brother and sister in real-life. See more »
Goofs
The Batiste family is happy to learn that the boy who got hit by a bus was not one of the Batiste children. When Mrs Batiste tells Eve to go upstairs and tell her sister, Cisely, that they can all go outside, a boom mic is visible at the top of the frame. See more »
Quotes
[first lines]
Narrator:
Memory is a selection of images, some elusive, others imprinted indelibly on the brain. The summer I killed my father I was 10 years old. My brother Poe was 9, and my sister Cisely has just turned 14.
Narrator:
The town we lived in was named after a slave. It was said that when General John Paul Batiste was stricken with cholera, his life was saved by the powerful medicine of an African slave woman called Eve. In return for his life, he freed her, and gave her this piece of land by the Bayou...
See more »
I Pretend I'm Loving You
Written by Buddy Scott & Jimmy Radcliffe
Published by Universal Music Publishing
Performed by Jimmy Radcliffe
Licensed courtesy of Chris Radcliffe See more »
"MEMORY IS A SELECTION OF IMAGES, SOME ELUSIVE, OTHERS PRINTED INDELIBLY ON THE BRAIN. THE SUMMER I KILLED MY FATHER, I WAS 10 YEARS OLD"
With those shocking opening frames from the movie, 'Eve's Bayou'(1997), I was hooked from start go.
'Eve's Bayou' is an anomaly. It has achieved a rare distinction of excellence in all departments of film making; from the direction to the writing, from the acting to the cinematography.
Here was a film not content with telling a tale of nostalgic retrospection. Instead, it shocked the senses of the unsuspecting viewers with an eerie collage of imagery, underscoring the chilling suspense with an undercurrent of tumultuous emotion (jealousy, loss and sadness; anger, vengeance and guilt) all culminating into the inevitable foreshadowed tragedy.
But of course, this is far too distinguished a film to present an easy resolution. From there spring forth the painful revelation on the very essence of memory and the perception of truth, distilled and faceted with the passage of time. A valuable lesson indeed.
Poetic and shadowy, the dream-like moods sustained throughout this poignant film is its over-riding strength. For here was a film which sights and sound has transcended the mere plot convention of its humble genre origins. Thankfully, the film turned out the better for it. Coupled with the celebrated fact that this was the product of a first time director(Kasi Lemmons), one can't help but feel the divine intervention bestowed upon this film to make it such an magically entrancing experience.
Alongside 'Shawshank Redemption' and 'The Sweet Hereafter', 'Eve's Bayou' certainly ranks as one of the most hauntingly beautiful piece of cinema ever committed to film.
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"MEMORY IS A SELECTION OF IMAGES, SOME ELUSIVE, OTHERS PRINTED INDELIBLY ON THE BRAIN. THE SUMMER I KILLED MY FATHER, I WAS 10 YEARS OLD"
With those shocking opening frames from the movie, 'Eve's Bayou'(1997), I was hooked from start go.
'Eve's Bayou' is an anomaly. It has achieved a rare distinction of excellence in all departments of film making; from the direction to the writing, from the acting to the cinematography.
Here was a film not content with telling a tale of nostalgic retrospection. Instead, it shocked the senses of the unsuspecting viewers with an eerie collage of imagery, underscoring the chilling suspense with an undercurrent of tumultuous emotion (jealousy, loss and sadness; anger, vengeance and guilt) all culminating into the inevitable foreshadowed tragedy.
But of course, this is far too distinguished a film to present an easy resolution. From there spring forth the painful revelation on the very essence of memory and the perception of truth, distilled and faceted with the passage of time. A valuable lesson indeed.
Poetic and shadowy, the dream-like moods sustained throughout this poignant film is its over-riding strength. For here was a film which sights and sound has transcended the mere plot convention of its humble genre origins. Thankfully, the film turned out the better for it. Coupled with the celebrated fact that this was the product of a first time director(Kasi Lemmons), one can't help but feel the divine intervention bestowed upon this film to make it such an magically entrancing experience.
Alongside 'Shawshank Redemption' and 'The Sweet Hereafter', 'Eve's Bayou' certainly ranks as one of the most hauntingly beautiful piece of cinema ever committed to film.