Donnie Brasco (1997)

An FBI undercover agent infiltrates the mob and finds himself identifying more with the mafia life, at the expense of his regular one.

Director:

Mike Newell

Writers:

Joseph D. Pistone (book), Richard Woodley (book)

Stars:

Al Pacino, Johnny Depp, Michael Madsen

Nominated for 1 Oscar. Another 3 wins & 15 nominations.

Cast

Cast overview, first billed only:
Al Pacino	...	Lefty
Johnny Depp	...	Donnie
Michael Madsen	...	Sonny
Bruno Kirby	...	Nicky
James Russo	...	Paulie
Anne Heche	...	Maggie
Zeljko Ivanek	...	Tim Curley (as Zeljko Ivanek)
Gerry Becker	...	Dean Blandford FBI
Robert Miano	...	Sonny Red
Brian Tarantina	...	Bruno
Rocco Sisto	...	Richie Gazzo
Zach Grenier	...	Dr. Berger
Walt MacPherson	...	Sheriff
Ronnie Farer	...	Annette
Terry Serpico	...	Strip Club Owner

Storyline

This true story follows FBI agent Joe Pistone as he infiltrates the mafia of New York. Befriending Lefty Ruggiero, Pistone (under the name Donnie Brasco) is able to embed himself in a mafia faction led by Sonny Black. Ruggiero and Pistone become tight as the group goes about collecting money for 'the bosses'. Eventually, the group become big-time when Black himself becomes a boss; all the while, Pistone collects evidence. However, the trials and tribulations of the undercover work become more than Pistone can bear. His marriage falls apart, and to top it off, the mafia suspect a mole in the organization. The real dilemma is afforded to Pistone, who knows if he walks away from the mafia, Ruggiero will be the one punished.

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Plot Keywords:

mafia | fbi | fbi agent | money | racial slur | 

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Taglines:

Donnie Brasco. Based On A True Story.

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Genres:

Biography | Crime | Drama

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Motion Picture Rating (MPAA)

Rated R for some strong graphic violence, pervasive strong language and brief nudity and sexuality

Details

Country:

USA

Language:

English Italian Japanese

Release Date:

28 February 1997 (USA)

Also Known As:

Brasco

Filming Locations:

Chambers Paper Fibers, Plymouth Street, Brooklyn, New York City, New York, USA

Box Office

Budget:

$35,000,000 (estimated)

Opening Weekend USA:

$11,660,216, 2 March 1997, Wide Release

Gross USA:

$41,909,762

Cumulative Worldwide Gross:

$124,909,762

Company Credits

Production Co:

Mandalay Entertainment,Baltimore Pictures,Mark Johnson Productions

Technical Specs

Runtime:

127 min 147 min (extended cut)

Sound Mix:

SDDS Dolby Digital

Color:

Color (Technicolor)

Aspect Ratio:

2.35 : 1

Did You Know?

Trivia

The film's version of "Lefty" Ruggiero is an amalgam of the real "Lefty" and the real "Sonny Black" Napolitano.

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Goofs

In the car, Lefty shows Donnie a newspaper photo of the Carmine Galante crime scene. In the next scene, they pull up to Sonny's club, and small piles of snow are on the sidewalk. Galante was killed in July 1979, so there should be no snow on the ground.

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Quotes

Tim Curley: [referring to her husband, Joe Pistone] to Maggie, in her home, Standard procedure is that he has to check in with us every day, he might miss a day or two here and there, it was three weeks ago, we can't tell you because we don't know, there's war going on in the mafia family where Joe is undercover, three leaders of a rival faction have been murdered, he's right in the line of fire, not because he's one of us because he's one of them, who he's close to, they're all the top dogs now, it's not a...

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Connections

Referenced in The Girls Next Door: House Bunnies (2008)

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Soundtracks

Don't Bring Me Down
(1979)
Written by Jeff Lynne
Performed by Electric Light Orchestra
Courtesy of Jet Records/Epic Records
By Arrangement with Sony Music Licensing

User Reviews

Gangster movie No. 1

In a world filled with overheated, and frequently overpraised, gangster movies, it seems to me that Mike Newell's 'Donnie Brasco', the story of a cop who goes undercover to infiltrate the mob, is arguably overlooked. Based on real life events, it contains great performances from Johnny Depp and Al Pacino, a complex but coherent plot, addresses universal themes (divided loyalties, the evolution of human relationships and behaviour) and the ending is genuinely moving. Perhaps it's not fast-paced enough for devotees of the genre; more likely it "fails" this audience for its very success in portraying the mafia as fundamentally pathetic, whereas most gangster pictures at least partly buy into the glamorous myth. But for me, this a superior film to Scorcese's 'Goodfellas', with a faint note of very black comedy that sounds behind the slaughter. Recommended.