Communist Radicals hijack Air Force One with The U.S. President and his family on board. The Vice President negotiates from Washington D.C., while the President, a Veteran, fights to rescue the hostages on board.
A thriller about an IRA gunman who draws an American family into the crossfire of terrorism. Frankie McGuire is one of the IRA's deadliest assassins. But when he is sent to the U.S. to buy weapons, Frankie is housed with the family of Tom O'Meara, a New York cop who knows nothing about Frankie's real identity. Their surprising friendship, and Tom's growing suspicions, force Frankie to choose between the promise of peace or a lifetime of murder.Written by
Robert Lynch <firstname.lastname@example.org>
Amongst other script problems, a renewed outbreak of violence in Northern Ireland in 1990 forced large revisions. Ironically, the film's release date in 1997 came as peace negotiations had moved forward to such an extent, that the Belfast Agreement (Good Friday Accords) were signed in April 1998. See more »
In the 1st shootout in Ireland, when Franky is looking out the window BEFORE the shooting starts there are already bullet marks in the wall around the window. Sure enough that's where the bullet's hit when the shootout commences See more »
The initial problem I had with this film is the fact that an IRA soldier, in New York to buy and transport weapons to bring back to Ireland, would bunk in with an NYPD Sergeant and his family. That sounds like asking for trouble to me. Not a smart move. I can't imagine the IRA sanctioning a rather reckless move like this. The large amount of money Pitt's character was carrying, and the importance of these weapons making it to Ireland had me shaking my head in disbelief that Rory (Pitt's character) would take such a risk of trying to pull this off right under this police sergeant's nose.
Some on this site have complained about Brad Pitt's Irish accent, however I thought Pitt was easily the best part of this film. He succeeded in creating a troubled, but somewhat sympathetic character. It is his performance that I even gave this film a 4. Treat Williams was also very good as the mean, black-hearted weapons contact for Pitt's character in New York.
I had enormous problems with Harrison Ford's efforts in this movie, if "efforts" is the right word. When Ford first burst on to the scene many years ago, he looked like a solid, creative acting talent. However, in recent years, he has taken on this goody-goody, moralistic, cutesy-pie, boy scout character style which he seems to hide behind, and it's just ridiculous, and reflects really lazy acting (see: "Air Force One" and "Patriot Games", to name two). It is truly irritating and disappointing, and brought this movie way down in my view.
I had trouble swallowing the premise, but Ford's performance just made this cringe-inducing to me.
8 of 9 people found this review helpful.
Was this review helpful to you?
| Report this