Following the events of The Matrix (1999), Neo and the rebel leaders estimate they have 72 hours until 250,000 probes discover Zion and destroy it and its inhabitants. Neo must decide how he can save Trinity from a dark fate in his dreams.
Kevin Lomax, a ruthless young Florida attorney that never lost a case, is recruited by the most powerful law firm in the world. In spite of his mother's disagreement, which compares New York City to Babylon, he accepts the offer and the money that comes along. But soon, his wife starts feeling homesick as she witnesses devilish apparitions. However, Kevin is sinking in his new cases and pays less and less attention to his wife. His boss and mentor, John Milton, seems to always know how to overcome every problem and that just freaks Kevin right off.Written by
Steve Richer <firstname.lastname@example.org>
Sculptor Frederick Hart and the Episcopal National Cathedral in Washington, D.C., sued Warner Brothers over a sculpture that appears in the film, and closely resembles Hart's "Ex Nihilo", which is situated above Milton's desk in his apartment. Warner Bros. agreed to edit the scenes for future releases. Some videos of the film had already been made, so they attached stickers to them, prior to sale, stating that there was no relation between the sculpture in the film, and Hart's work. See more »
During Milton's speech that coincides with Lomax being attacked he mispronounces the word "Cybernetic" with a hard C as in "cat". See more »
The UK widescreen VHS of the film is displayed in a more narrow screen ratio of 1.77:1 which does not show the full width of the picture as seen in its original theatrical 2.35:1 ratio. However, the UK VHS box set version contained a widescreen print that is in the original 2.35:1 ratio. See more »
The reviews for "The Devil's Advocate" were not too kind, to say the least. But what did the critics refuse to see in this? With movies nowadays being nothing but flashy, over-the-top, masturbatory, CG-fests, "The Devil's Advocate" holds up like osmium.
The cinematography is good because it's quite understated and that's a virtue in today's cinema. The acting, while containing pretty lame Southern accents, is still pretty good. Even from Keanu, dude.
Sorely forgotten in it's day, the script tells a very deep, original and interesting story, with lots of development, respect for the characters, delicate pacing, and a head-spinning ending. The movie is solely about the people and their struggles. Fear takes hold of the audience through the dialogue.
Think of "The Devil's Advocate" as Woody Allen trying his hand at a horror/thriller and succeeding. This movie never makes you jump, but it puts you in a general state of discomfort through it's atmosphere. As with all memorable supernatural dramas, this one handles its spectacle with discretion and grace.
Isn't that what we hope to see when we watch any movie? 10/10
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