A group of heavily armed hijackers board a luxury ocean liner in the South Pacific Ocean to loot it, only to do battle with a series of large-sized, tentacled, man-eating sea creatures who had already invaded the ship.
When a band of ruthless hijackers invade the world's most luxurious cruise ship, they're shocked to discover the passengers have mysteriously vanished! But that doesn't mean they are alone! Something terrifying is lurking just out of sight: a deadly force from the unexplored depths of the ocean that begins to snatch the horrified intruders one by one!Written by
Greg Kleiner <LtJGBrewer@aol.com>
The "Chinese M1 L1 triple-pulse assault rifles" used by the pirates are actually heavily modified Calico M-960 submachine guns fitted with 100-round magazines (as opposed to the "thousand-round capacity" mentioned by Hanover). Five non-functional rotating barrels were built around the actual barrel of each Calico and driven by a small electric motor connected to the trigger, so that whenever the gun was fired, it appeared to be firing out of the rotating barrels, Among the modifications that have been added by the film's armorers are thumbhole stocks, large flashlights and claw mounts fitted with some type of red-dot reflex sight, as well as the rotating barrel assembly. Notably, the weapons do not actually fire through the rotating barrels at all; they are fitted around the real barrel of the Calico. The assembly is powered by a small electric motor linked to the trigger so that when the guns are fired, the barrels will spin. The enormous muzzle flash of the Calicos (probably generated with full-load blanks) usually obscures the fact the guns are not really firing from any of the spinning barrels, but in several scenes it is possible to see where the muzzle flash is really coming from See more »
When Trillian is thrown into the brig, she takes out Canton's wallet that she had pickpocketed. However, all the time they had been talking in the vault, she had been held well away from him, with both hands held behind her back. See more »
[Coming across a propeller]
I think we killed a speedboat.
A speedboat? We're hell and gone from the nearest land! No way a speedboat gets out this far.
See more »
It's just a tad better than the first Mummy, and it wees on Van Helsing like an incontinent dog.
When I first saw this movie, I had no idea what to expect. I was at the cinema one night, I'd just come out of a movie--can't remember which--and I saw the poster. The tagline, "Full Scream Ahead", seemed corny enough that it might be good. Then I noticed Famke Janssen was in it. Bonus. And it seemed like a good late-night B movie, to follow the one I'd just seen. I was there with a mate of mine, who was kind of indifferent. I twisted his arm, and he agreed.
Two hours later, I walked out, grinning like an idiot. It's silly, cliché-heavy, and utterly predictable. This movie rocks.
See, Sommers, and all the actors, KNOW that it's silly, cliché-heavy and predictable. In fact, THAT'S THE IDEA. It's also full of spot-on one-liners and gags, and the horror bits seem more intended to "gross-out" than to actually scare (the bit where a half-digested member of Hanover's team bursts out of one of the monsters--still alive, despite half his head being missing--is not for the weak of stomach). Most thrillers and horror movies set out to keep you "on the edge of your seat", but with this one I was too busy falling out of it with laughter.
Treat is...well...a TREAT as Finnegan, the rugged, all-American adventurer type. For a while I was disappointed that Bruce Campbell wasn't cast in the role, as it would have suited him perfectly. But I've since decided that Treat does a bang-up job, and deserves full praise. If he did more movies like this, I might become a fan.
Kevin J. O'Connor is hilarious as the sidekick grease-monkey (and performs all the better for not having to put on a stupid accent). He gets most of the best lines. Famke is great as always. Sexy, funny, and capable in the action scenes. Anthony Heald, as the villain, is hammy and over the top (in a good way) and Wes is...well, Wes. All the goons are fine, particularly Jason Flemyng and the late Trevor Goddard. It's nice to see a good mix of nationalities in there, and the playful in-fighting amongst them is a nice touch. Their assault rifles are cool, too. Funny though, I never noticed anyone reloading...
The special effects are just bad enough to work in this context, without appearing TOO lame. A few years before this movie was made, they'd have actually been considered brilliant. But Sommers realises that sometimes it's best not to actually SHOW the monsters. They swim along under the knee-deep water, the walls of the corridors buckle and threaten to collapse, gratings fly out of the floor directly behind the running characters...very effective.
The climax is about as far-fetched as it's possible to get. But it's done so well that, like all this movie's flaws, it doesn't matter.
If you're easily scared, this'll do the job. If you like tongue-in-cheek, B-grade action flicks, this is one to see. If you like movies that force you to think, make you change your outlook on life, and move you to tears...yeah, you should REALLY watch this. TO SEE WHAT YOU'RE MISSING OUT ON!
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