Into Thin Air: Death on Everest

After reading the other comment about this movie, I feel I must disagree completely. I found the portraits well-drawn and well-acted given that the production had only two hours to convey the entire story, which of course is much more complex and horrific than could be possibly be presented in a TV movie.

While I could not comprehend the obsession that drove these people to take what seemed an extreme and ultimately deadly risk to climb and "conquer" the mountain, I really wanted them to survive and was saddened when they didn't. Maybe I'm just too sensitive or sentimental, but seeing what the movie did portray, which was distressing enough, and knowing that it isn't anything near what the real tragedy was like, made me cry. It made me think about the real people and what a waste of lives that was.

I thought Jon Krakauer's book on the 1996 Everest climbing disaster, while not great literature and while a rather subjective and partial account, was well-observed and reasonably absorbing. This film, derived from the book, is a very thin account. Shot in Austria, it does not even have the actual Himalayan scenery of the Everest Imax film which was shot in the same calamitous 1996 climbing season. The acting is at least professional; Nat Parker as guide Rob Hall is quite convincing, though his NZ accent switches to London Cockney at times, and Peter Horton does a good impression of the ebullient American guide Scott Fisher.

On the other hand Chris McDonald as Krakauer relies overmuch on his single facial expression of worried concern. The script is pretty awful and the story more a collection of scenes than a coherent narrative. A lot of the time I had to rely on my knowledge of the book to work out what was going on. As for the factual inadequacies (12 people died, not 5, no mention of the South African party, Taiwanese barely mentioned) I forgive the producers for trying to slim things down a bit – it was a messy disaster.

Even so this has all the hallmarks of a `let's cash in' quick and dirty TV movie – it appeared less than 18 months after the incident. It's not likely to change anyone's ideas about mountaineering though I suppose there is some schadenfreude in seeing rich doctors and socialites with no or limited climbing experience attempting to wipe themselves out in various stupid ways at very high altitudes. The Darwin prize of course goes to the client who stepped outside of his tent one morning with only his boot liners on his feet and went for a fatal skid down the mountain.

I felt a little sorry for the guides, generally people who love the mountains, having for economic reasons to take such awful people up them; in my day as an amateur climber I at least got to choose my companions, though some of them were pretty wild. The exploitation of the Sherpas is also hard to take; even though they are willing participants, climbing has become part of their economy, and there are few other options. If I had seen Lopsang Sherpa struggling up the Lhotse face with Sandy Pitman's 30lb satellite phone I would have chucked it down the nearest crevasse. And if Sandy complained, I would have invited her to join it.

This is an excellent book that was translated into a poorly written, poorly acted movie. I was really looking forward to watching this when I saw it on the cable guide. Imagine my disappointment as I watched the undeveloped characters morph into Hollywood cariactures and the story line turn into a study of glibness. The director seemed to be rushing from one scene to the next, pausing just long enough to allow someone to spout some clichéd line. I just didn't care about the people and wasn't too interested in their quest. It's almost as if this movie was a homework assignment that someone had to get out of the way before he could move on to what he really wanted to do.The book was educational and compelling. Jon Krakauer deserved better.

"Into Thin Air: Death On Everest" is a wonderful film and a good start into understanding -- if that is possible -- the need some people have to climb mountains. The film covers the main events of Krakauer's experience and condenses characters to fit the needs of a 90 minute TV film. While the basics are here, the story has been greatly slimmed down and the amount of time involved, truncated. For instance, I would have liked to have seen the daring helicopter rescue by a very brave Nepalese army pilot. To mark a landing spot, those on the mountain made a large X in the snow with a red sports drink.

Since the film was produced directly from Krakauer's book, it does not reference other accounts. Krakauer later admitted that some of the details he wrote were incorrect because he was as addled as everyone else, mistaking one climber for another. Krakauer's book is only one of several accounts of the tragic climb that took a fifteen lives in all. This movie could have used an extra half hours to cover more details, but it is fair to say that this is not meant to be a documentary. It comes down to a study of human hubris when faced with the drive to challenge the highest peak on Earth.

For those who want to understand the complexity of the real drama, it is necessary to study the other points of view, some of which contradict Krakauer. A good second film to watch is the IMAX film "Everest" which was filmed during the same climb. Anatoli Boukreev wrote a reply to Krakauer in his book "The Climb: Tragic Ambitions on Everest." Scott Fisher's lead Sherpa, Lopsang, also responded to Krakauer's criticisms in writing. Tragically, both Boukreev and Lopsang died in separate climbing accidents not long after the fatal Everest events (Lopsang in September 1996 and Boukreev in December 1997).

For those who wonder about what it would be like to climb Everest, it is much safer to watch the film. It is about all the experience most of us will ever need.

After reading many comments about this film I see that most of those who saw the film thought it a tacky and not very well-done attempt at cashing in on a real tragedy. I agree in part.

First of all, I watched Into Thin Air with Jon's book on my lap. The resemblances were, for the most part, stunning. Nat Parker looks so much like Rob Hall they could have been brothers. Horton isn't as tall or as handsome as Fischer, but fairly close. I wished they'd had Horton wear Scott's trade-mark pony-tail. And so it goes.

Many people objected to the non-Everest setting. For that you must consult the Miramax documentary filmed at the time of the tragedy. I have that film as well.

Too me the Into Thin Air group did a good job of simulating the conditions on Everest and the quiet heroism of both Hall and Scott at the end.

The real reason to watch Into Thin Air is to watch Nat Parker as Hall. He has superb control and is beautifully understated. He always makes you believe that he could guide you up anything and take you back down again, safely. He conversation with his wife is one of the most remarkable scenes I've ever watched. Intimate, warm and sadly filled with hope that is all bravura on Hall-Parker's part and all faith in her husband's ability to survive on Mrs. Hall's end. This scene had me in tears, just as the real voice of the real Rob Hall recorded in the Miramax documentary made me cry.

Not a great film by any means, but still worth watching.

This is a cautionary tale. Don't take silk sheets, coffee makers and computers to Mt. Everest, unless you are willing and able to carry them yourself.

The exploitation of the Sherpa's by professional climbing teams is well known. Tenzing Norgay cautioned his son, Jam-Ling NOT to become a beast of burden when he climbed Everest for himself.