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Dark City (1998)

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A man struggles with memories of his past, which includes a wife he cannot remember, and a nightmarish world without a sun.

Director:

Alex Proyas

Writers:

Alex Proyas (story), Alex Proyas (screenplay) | 2 more credits »
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Popularity
1,604 ( 411)
10 wins & 15 nominations. See more awards »

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Cast

Cast overview, first billed only:
Rufus Sewell ... John Murdoch
William Hurt ... Inspector Frank Bumstead
Kiefer Sutherland ... Dr. Daniel P. Schreber
Jennifer Connelly ... Emma Murdoch
Richard O'Brien ... Mr. Hand
Ian Richardson ... Mr. Book
Bruce Spence ... Mr. Wall
Colin Friels ... Walenski
John Bluthal ... Karl Harris
Mitchell Butel Mitchell Butel ... Husselbeck
Melissa George ... May
Frank Gallacher Frank Gallacher ... Stromboli
Ritchie Singer ... Hotel Manager / Vendor
Justin Monjo Justin Monjo ... Taxi Driver
Nicholas Bell ... Mr. Rain
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Storyline

John Murdoch awakens alone in a strange hotel to find that he has lost his memory and is wanted for a series of brutal and bizarre murders. While trying to piece together his past, he stumbles upon a fiendish underworld controlled by a group of beings known as The Strangers who possess the ability to put people to sleep and alter the city and its inhabitants. Now Murdoch must find a way to stop them before they take control of his mind and destroy him. Written by Anonymous

Plot Summary | Plot Synopsis

Taglines:

They built the city to see what makes us tick. Last night one of us went off. See more »


Motion Picture Rating (MPAA)

Rated R for violent images and some sexuality | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Australia | USA

Language:

English

Release Date:

27 February 1998 (USA) See more »

Also Known As:

Dark City See more »

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Box Office

Budget:

$27,000,000 (estimated)

Opening Weekend USA:

$5,576,953, 1 March 1998, Wide Release

Gross USA:

$14,378,331

Cumulative Worldwide Gross:

$12,821,985
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (director's cut)

Sound Mix:

Dolby Digital | SDDS

Color:

Color

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

There were many deliberate anachronisms to give the viewer a feeling of confusion about the time period of the film. See more »

Goofs

(at around 17 mins) When Murdoch is on the Shell Beach billboard and collapses after reading the newspaper clippings he found in his coat pocket, a stranger appears/disappears/reappears on the steps in the background. See more »

Quotes

[first lines]
Dr. Schreber: [voiceover] First there was darkness. Then came the strangers. They were a race as old as time itself. They had mastered the ultimate technology. The ability to alter physical reality by will alone. They called this ability "Tuning". But they were dying. Their civilization was in decline, and so they abandoned their world seeking a cure for their own mortality. Their endless journey brought them to a small, blue world in the farthest corner of the galaxy. Our world. Here they ...
See more »

Alternate Versions

The director's cut omits the opening monologue. See more »


Soundtracks

Le Chale Bleu
Written by François Perchat (as Francois Perchat)
Sung by Anita Kelsey
See more »

Frequently Asked Questions

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User Reviews

 
The Best Scifi of the Ninetees
29 July 2004 | by DarnocSee all my reviews

This is probably the best Sci-Fi-Film of the Ninetees. Matrix is good, but this film is better. Both deal with the same question: What is reality? Not only was Dark City first, it also handles the subject much better and more adult than Matrix. Also its conclusion is far better than the one of Matrix.

Not only does this film deal with reality, it also deals with humanity, something which lacks Matrix. What makes us humans? To quote Dr. Schreber from the film "Are we more than just the sum of our Experiences?" This film is slowpaced, but not boring at all. And it deserves the title: Dark. The film is dark, "noir" and this gives the film a great atmosphere. The darkness and coldness of the strangers is in contrast to the bright light of the sun created by John Murdoch in the end.

This film is very philosophic, which I like. The best films are those which help us to think and this one clearly is such a film. Something which is needed in our society of marionettes and idiotic consumers who know more than anyone else before in history but who lack the ability to truly think.

The show down was a little weak, but the film made this up again at the very end with the last meeting between Murdoch and Mr. Hand. I remember Murdoch's words well and he speaks of a truth which is sometimes forgotten: What makes us human is not to be found in our heads, our brains and our minds.


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