Miranda is a crew member of a nightly radio programmme. She and her husband Felix, a cop, are parents of a girl. Miranda's daily dog walking strolls are excuses to pursue sexual encounters ... See full summary »
Manuel Gómez Pereira
Three friends, two young men and a young woman, are bored by the normal world of their parents and want to flee in order to start living somewhere else. Thus they make a pervert plan: rob ... See full summary »
An aged and powerful magnate is dying. He offers Laura, his young and beautiful mistress, a birthday gift; a sophisticated display of virtual reality in which he will "come to life" for her... See full summary »
Maria de Medeiros,
The story of Detective Agustin Rejas, a man clinging to the hope of an impossible love in an impossible world. Tracking Ezequiel, a delusional anarchist who incites the downtrodden masses to join in his brutal revolution against the fascist government in their unnamed Latin American country, Rejas finds solace in his sense of self-respect and the joy that his daughter and wife bring him. Then he meets Yolanda--his daughter's soulfully beautiful ballet teacher--a woman who sparks his long-forgotten passions and represents all that is good and all that is corrupt in their troubled country. But she, who appears to be a shelter from the storm, may in actuality be the storm's eye. Ultimately, as the revolution intensifies and the net closes around hunter and hunted alike, the dancer's truth will prove as elusive as the revolutionary's cause and the detective's peace.Written by
Sujit R. Varma
Javier Bardem plays a head of police in an unnamed South American country that is teetering between a corrupt government and an even more corrupt revolutionary movement. The film's preoccupations, however, are moral dilemmas and the nature of corruption, the movie's bent is primarily aesthetic, and the acting, screenplay and direction are simply little short superb. The characterisation of a man deeply torn in a search for decency and ultimately failing somewhat through his own higher aspiration is, by Hollywood standards, monumental. This is a film that is at once gripping, original, deep and subtly crafted. The role of the dancer is also, in its own right, a complex one and one which begins to address the nature of evil, the ability of art to take us beyond logic (in both a positive and a dangerous way) and also underlines that art generally, unless specifically directed, is neither good nor evil, but more a door that we can open.
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