The story of Detective Agustin Rejas, a man clinging to the hope of an impossible love in an impossible world. Tracking Ezequiel, a delusional anarchist who incites the downtrodden masses to join in his brutal revolution against the fascist government in their unnamed Latin American country, Rejas finds solace in his sense of self-respect and the joy that his daughter and wife bring him. Then he meets Yolanda--his daughter's soulfully beautiful ballet teacher--a woman who sparks his long-forgotten passions and represents all that is good and all that is corrupt in their troubled country. But she, who appears to be a shelter from the storm, may in actuality be the storm's eye. Ultimately, as the revolution intensifies and the net closes around hunter and hunted alike, the dancer's truth will prove as elusive as the revolutionary's cause and the detective's peace.Written by
Sujit R. Varma
The camera that Bardem uses to take Ezekiel's picture at the military checkpoint is a either a Polaroid Model 95 made from 1948 to 1953, or the Model 95B was discontinued in 1958. The picture that Bardem holds is a square format SX70 color shot identified buy its square format and black square on the back. This picture which could not have come from the camera used by Bardem. See more »
Indian 1 in Pick-up:
[calmly after hitting road-side cop, about person on radio]
Why does she talk so much?
She's preparing to sing.
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The producers would like to thank ... the residents of Narcisos Street ... See more »
Acclaimed actor John Malkovich has made his directorial debut with an assured political thriller that combines tension and intelligence to make for a gripping two and a quarter hours. The setting is a South American country which is unnamed, but the clear inspiration for the storyline is the early 1990s experience of Peru (which I have recently visited) when the bizarre Abimael Guzman led the murderous Shining Path movement, while the movie was shot in Spain, Portugal and Ecuador.
Javier Bardem plays Augustin Rejas, a former lawyer turned policeman who manages rare dignity and honesty as he battles with the interventions of a regime teetering on the edge of a military dictatorship and the pursuit of a fanatical revolutionary codenamed Ezekiel, while struggling with the varying emotions associated with a vapid wife, an adoring daughter, and his daughter's dance teacher, the eponymous and allurring woman upstairs (Laura Morante as Yolanda). Bardem - who reminds me of an early Raul Julia - gives a languid yet charismatic performance and hopefully we will see much more of this talented actor.
In some respects the work is reminiscent of Costa-Gavras's "State Of Siege", a clip of which is actually used here. However, the movie is based on a novel by the British writer Nicholas Shakespeare, who wrote the screenplay which features some conversation in Quechua (a native language of Peru and Bolivia), and this is a more personal examination of terrorism than the 1973 movie.
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