The story of Detective Agustin Rejas, a man clinging to the hope of an impossible love in an impossible world. Tracking Ezequiel, a delusional anarchist who incites the downtrodden masses to join in his brutal revolution against the fascist government in their unnamed Latin American country, Rejas finds solace in his sense of self-respect and the joy that his daughter and wife bring him. Then he meets Yolanda--his daughter's soulfully beautiful ballet teacher--a woman who sparks his long-forgotten passions and represents all that is good and all that is corrupt in their troubled country. But she, who appears to be a shelter from the storm, may in actuality be the storm's eye. Ultimately, as the revolution intensifies and the net closes around hunter and hunted alike, the dancer's truth will prove as elusive as the revolutionary's cause and the detective's peace.Written by
Sujit R. Varma
The depiction of the dogs hanging was based on an actual occurrence where several dogs were found hanging from street lights in central Lima one December morning with profane messages denouncing Chinese leader Xiaoping Deng (who Shining Path leader Abimael Guzman thought had betrayed the communist revolution). The dynamite inserted into the dogs' bodies was based on rumors that the hanging dogs may have contained explosives, though no explosives were actually found on the dogs when they were cut down. See more »
Throughout the film, Ezequiel also denounces Chinese Premier
Xiaoping Deng. Deng ruled China from 1976 to 1989. However, when Det. Lt. Agustín Rejas browses through several women's magazines such as Glamour, he encounters "recent" pictures of models such as Josie Maran and Gisele Bündchen. Maran didn't start her modeling career until 1990, a year after Deng left office. See more »
Indian 1 in Pick-up:
[calmly after hitting road-side cop, about person on radio]
Why does she talk so much?
She's preparing to sing.
See more »
The producers would like to thank ... the residents of Narcisos Street ... See more »
The film's trailer, which rain endlessly for months in advance at my local art house, and the reviews, etc., have emphasized this as a political thriller. But in fact it's really in the tradition of "Casablanca," where politics is a constant background to only part of the hero's motivation. I did expect someone to say "Round up the usual suspects!"
Awkwardly in this day and age, the Latino actors in the film's unnamed Latin American country (it was filmed in Ecuador and Madrid) all speak (accented) English, with subtitles to indicate when characters are speaking an Indian dialect, i.e. when the hero lawyer/detective is using his heritage to solve the complex case of politically-motivated murders.
But it's the complex layers that make this more interesting than Costa-Gavras' didactic "State of Siege" that is repeatedly referred to as an inspiration, both to director John Malkovich and the revolutionaries, and making this akin to HBO's "The Wire" in showing how a flawed cop can stick to his professionalism amidst deadly-serious bureaucratic and real politics.
The cop's simplistically drawn Beverly Hills matron-type wife turns out to incidentally help him uncover a clue, as he gradually comprehends the cynicism of a revolution that uses unexpected types of cells for suicide missions, with resonance for the MidEast as well, as ideologues are more diabolically dangerous than criminals.
That the dancer is actually downstairs is emblematic of the film's genre confusion.
16 of 22 people found this review helpful.
Was this review helpful to you?
| Report this