A brilliant plastic surgeon, haunted by past tragedies, creates a type of synthetic skin that withstands any kind of damage. His guinea pig: a mysterious and volatile woman who holds the key to his obsession.

Director:

Pedro Almodóvar
Reviews
Popularity
2,527 ( 172)
Nominated for 1 Golden Globe. Another 28 wins & 68 nominations. See more awards »

Videos

Photos

Edit

Cast

Cast overview, first billed only:
Antonio Banderas ... Robert Ledgard
Elena Anaya ... Vera Cruz
Marisa Paredes ... Marilia
Jan Cornet ... Vicente
Roberto Álamo ... Zeca
Eduard Fernández ... Fulgencio
José Luis Gómez ... Presidente del Instituto de Biotecnología
Blanca Suárez ... Norma Ledgard
Susi Sánchez ... Madre de Vicente
Bárbara Lennie ... Cristina
Fernando Cayo ... Médico
Chema Ruiz ... Policía
Buika Buika ... Cantante (as Concha Buika)
Ana Mena Ana Mena ... Norma joven
Teresa Manresa Teresa Manresa ... Casilda Efraiz
Edit

Storyline

In honor of his late wife who died in a flaming car accident, scientist, Dr. Robert Ledgard, is trying to synthesize the perfect skin which can withstand burns, cuts or any other kind of damage. As he gets closer to perfecting this skin on his flawless patient, the scientific community starts growing skeptical and his past is revealed that shows how his patient is closely linked to tragic events he would like to forget. Written by napierslogs

Plot Summary | Plot Synopsis

Genres:

Drama | Horror | Thriller

Motion Picture Rating (MPAA)

Rated R for disturbing violent content including sexual assault, strong sexuality, graphic nudity, drug use and language | See all certifications »

Parents Guide:

View content advisory »
Edit

Did You Know?

Trivia

One of the books in Vera's room is "Angel at My Table" by Janet Frame. This book is an autobiographical account of how she grew from someone, in the author's own words, "as sexless as a stick of wood", to an appreciation of her own sexuality. (The book is acknowledged in the credits.) See more »

Goofs

When Vera comes to the clothes shop in a taxi, the taxi is very clearly a Ford C-Max. However, in the next shot, when the reflection of the car is visible in the window pane as it drives away, it's a Volkswagen Jetta. See more »

Quotes

[first lines]
Marilia: [to servant] Help me with the dumbwaiter.
See more »

Connections

Referenced in Bad Movie Beatdown: Review of 2011 (2012) See more »

Soundtracks

Por el amor de amar
(Versión Brasileña)
Written by Jean Manzon and José Toledo
Performed by/ interpretado por Ana Mena
© 1960, by Jean Manzon & Jose Toledo.
Autorizado para todo el mundo a Universal Music Publishing, S.L.
Todos los derechos reservados.
See more »

User Reviews

 
A tour de force, as Almodóvar plunges into new philosophical depths
12 September 2011 | by aguardietSee all my reviews

In his latest film Almodóvar takes a qualitative jump into new philosophical depths. His usual reflections on the nature of relationships and the consequence of one's actions take on a well- defined shape and advance forward with self-assurance.

The order in which the events of the story are told is a cunning device that allows the director to make us reflect on how superficially - indeed, skin-deep - we perceive reality and how quick we are to judge first impressions and jump to conclusions. What we first perceive one way, those initial scenes that slightly baffle us but which we nevertheless do not hesitate to judge in a specific way, take on a completely new meaning when the story pauses to take us back into the past in order to tell us about an important series of events that happened at the time which bear a direct relation to present events. The new light that is shed on the present changes completely our perception of the story as we had first witnessed it, which is a humbling experience. We are then taken back again to the present and continue watching the rest of the film, but with this completely new understanding of the real underlying motivations for the characters' actions. It is at this point that through a slight thriller-style twist in the plot the story takes on a Shakespearean dimension as it delivers its powerful humanist lesson that vengeance begets vengeance.

Food for thought, in fact enough food to last you days and feed other people, as you are left on the one hand wondering at the concept of skin: what we actually desire when we desire someone, whether all desire is skin-deep, whether the skin does not allow us to see the person behind. And on the other hand you are left with the reflection on how the road of vengeance leads only to self-destruction. When a film leaves you pondering so deeply, I can only conclude it is a great film.


94 of 139 people found this review helpful.  Was this review helpful to you? | Report this
Review this title | See all 212 user reviews »

Frequently Asked Questions

See more »
Edit

Details

Country:

Spain

Language:

Spanish

Release Date:

2 September 2011 (Spain) See more »

Also Known As:

The Skin I Live In See more »

Edit

Box Office

Budget:

EUR10,000,000 (estimated)

Opening Weekend USA:

$223,119, 16 October 2011

Gross USA:

$3,185,812

Cumulative Worldwide Gross:

$33,750,478
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »

Contribute to This Page



Recently Viewed