| Cast overview, first billed only: | |||
| Jena Malone | ... | Young Ellie | |
| David Morse | ... | Ted Arroway | |
| Jodie Foster | ... | Eleanor Arroway | |
| Geoffrey Blake | ... | Fisher | |
| William Fichtner | ... | Kent | |
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Sami Chester | ... | Vernon (as SaMi Chester) |
| Timothy McNeil | ... | Davio | |
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Laura Elena Surillo | ... | Cantina Woman |
| Matthew McConaughey | ... | Palmer Joss | |
| Tom Skerritt | ... | David Drumlin | |
| Henry Strozier | ... | Minister | |
| Max Martini | ... | Willie (as Maximilian Martini) | |
| Larry King | ... | Larry King | |
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Thomas Garner | ... | Ian Broderick |
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Conroy Chino | ... | KOB-TV Reporter |
Astronomer Dr. Ellie Arroway has long been interested in contact to faraway lands, a love fostered in her childhood by her father, Ted Arroway (David Morse), who died when she was nine-years-old, leaving her orphaned. Her current work in monitoring for extraterrestrial life is based on that love and is in part an homage to her father. Ever since funding from the National Science Foundation (N.S.F.) was pulled on her work, which is referred to some, including her N.S.F. superior David Drumlin (Tom Skerritt), as more science fiction than science, Ellie, with a few of her rogue scientist colleagues, have looked for funding from where ever they could get it to continue their work. When Ellie and her colleagues hear chatter originating from the vicinity of the star Vega, Ellie feels vindicated. But that vindication is short lived when others, including politicians, the military, religious leaders, and other scientists, such as Drumlin, try to take over her work. When the messages received ... Written by Huggo
My only regret about CONTACT is that I didn't see it in a theater.
This movie works on so many levels. It is a fabulously balanced concoction of thrills, suspense, action, politics, acting & characterization, awe, and...(ahem)...INTELLIGENCE! (And not just the alien kind!)
Some have compared this movie to 2001: A SPACE ODYSSEY...with, perhaps, some justification. There certainly are more than just passing similarities. However, whereas 2001 relied on hardware to (almost) the exclusion of all else and placed a greater emphasis on "spectacle", CONTACT strives for more substance on the human and sociological level. It touches one's emotions in a way that most movies never attempt to, much less succeed. In this, CONTACT could just as well be compared to Steven Spielberg's masterpiece, E.T. But whereas E.T. was meant to wake up the "child" in us, CONTACT succeeds in waking us to the next level! This most definitely is THE movie for BRAINIACS!
I rate CONTACT a STRONG 8 out of 10.