Contact (1997)

Dr. Ellie Arroway, after years of searching, finds conclusive radio proof of extraterrestrial intelligence, sending plans for a mysterious machine.

Director:

Robert Zemeckis

Writers:

James V. Hart (screenplay by), Michael Goldenberg (screenplay by)

Stars:

Jodie Foster, Matthew McConaughey, Tom Skerritt

Nominated for 1 Oscar. Another 14 wins & 29 nominations.

Cast

Cast overview, first billed only:
Jena Malone	...	Young Ellie
David Morse	...	Ted Arroway
Jodie Foster	...	Eleanor Arroway
Geoffrey Blake	...	Fisher
William Fichtner	...	Kent
Sami Chester	...	Vernon (as SaMi Chester)
Timothy McNeil	...	Davio
Laura Elena Surillo	...	Cantina Woman
Matthew McConaughey	...	Palmer Joss
Tom Skerritt	...	David Drumlin
Henry Strozier	...	Minister
Max Martini	...	Willie (as Maximilian Martini)
Larry King	...	Larry King
Thomas Garner	...	Ian Broderick
Conroy Chino	...	KOB-TV Reporter

Storyline

Astronomer Dr. Ellie Arroway has long been interested in contact to faraway lands, a love fostered in her childhood by her father, Ted Arroway, who passed away when she was nine years old leaving her then orphaned. Her current work in monitoring for extraterrestrial life is based on that love and is in part an homage to her father. Ever since funding from the National Science Foundation (NSF) was pulled on her work, which is referred to some, including her NSF superior David Drumlin, as more science fiction than science, Ellie, with a few of her rogue scientist colleagues, have looked for funding from where ever they could get it to continue their work. When Ellie and her colleagues hear chatter originating from the vicinity of the star Vega, Ellie feels vindicated. But that vindication is short lived when others, including politicians, the military, religious leaders and other scientists such as Drumlin, try to take over her work. When the messages received from space are decoded, ...

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Plot Keywords:

message from outer space | religion versus science | wormhole | nasa | science | 

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Taglines:

If it's just us, it seems like an awful waste of space.

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Genres:

Drama | Mystery | Sci-Fi | Thriller

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Motion Picture Rating (MPAA)

Rated PG for some intense action, mild language and a scene of sensuality

Details

Official Sites:

Warner Bros. [United States]

Country:

USA

Language:

English Spanish German Russian

Release Date:

11 July 1997 (USA)

Also Known As:

Kontakt

Filming Locations:

Arecibo Observatory, Arecibo, Puerto Rico

Box Office

Budget:

$90,000,000 (estimated)

Opening Weekend USA:

$20,584,908, 13 July 1997, Wide Release

Gross USA:

$100,920,329

Cumulative Worldwide Gross:

$171,120,329

Company Credits

Production Co:

Warner Bros.,South Side Amusement Company

Technical Specs

Runtime:

150 min

Sound Mix:

DTS Dolby Digital SDDS

Color:

Color (Technicolor)

Aspect Ratio:

2.39 : 1

Did You Know?

Trivia

The succession of colors in the space tunnel match the colors of the Chakra points as described in the New Age religion, starting with red (materialism) and reaching gold (enlightenment).

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Goofs

Ellie has two telescopes set up to watch the Leonid meteor shower (flashback). Telescopes are useless to view meteors because of their tiny field of vision.

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Quotes

[first lines]
Young Ellie: CQ, this is W9GFO. CQ, this is W9GFO here. Come back?

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Crazy Credits

"For Carl"

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Connections

Featured in Story of Science Fiction: Alien Life (2018)

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Soundtracks

I Ran (So Far Away)
(uncredited)
Written by Frank Maudsley, Paul Reynolds, Ali Score and Michael Score
Performed by A Flock of Seagulls
Played briefly during the opening sequence

User Reviews

WOW!!!! There is Intelligence in Hollywood!

My only regret about CONTACT is that I didn't see it in a theater.

This movie works on so many levels. It is a fabulously balanced concoction of thrills, suspense, action, politics, acting & characterization, awe, and...(ahem)...INTELLIGENCE! (And not just the alien kind!)

Some have compared this movie to 2001: A SPACE ODYSSEY...with, perhaps, some justification. There certainly are more than just passing similarities. However, whereas 2001 relied on hardware to (almost) the exclusion of all else and placed a greater emphasis on "spectacle", CONTACT strives for more substance on the human and sociological level. It touches one's emotions in a way that most movies never attempt to, much less succeed. In this, CONTACT could just as well be compared to Steven Spielberg's masterpiece, E.T. But whereas E.T. was meant to wake up the "child" in us, CONTACT succeeds in waking us to the next level! This most definitely is THE movie for BRAINIACS!

I rate CONTACT a STRONG 8 out of 10.