When a multimillionaire man's son is kidnapped, he cooperates with the police at first but then turns the tables on the kidnappers when he uses the ransom money as a reward for the capture of the kidnappers.
With personal crises and age weighing in on them, LAPD officers Riggs and Murtaugh must contend with deadly Chinese triads that are trying to free their former leaders out of prison and onto American soil.
Jerry Fletcher is a man in love with a woman he observes from afar. She works for the government. Fletcher is an outspoken critic of that government. He has conspiracy theories for everything, from aliens to political assassinations. But soon, one of his theories finds itself to be accurate. But which one? Some dangerous people want him dead and the only person he trusts is that woman he loves but does not know.Written by
Steve Richer <firstname.lastname@example.org>
All of the scenes at the horse farm were shot at Lionshare Farm in Greenwich, Connecticut, which is owned by United States Equestrian Team member Peter Leone. Leone coached Julia Roberts through the scene at the end, where she rides her horse across a field at a gallop. See more »
Jerry and Alice get off the 72nd St. bus and enter what Jerry calls the 7th St. subway station, where Harriman drowned. However, he boards an N train in the Times Square station, with an exit to 41st St. sign visible in the background. See more »
July eighth, 1979, all the fathers of Nobel Prize winners were rounded up by United Nations military units, all right, and actually forced at gunpoint to give semen samples in little plastic jars, which are now stored below Rockefeller Center underneath the ice skating rink...
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The initial Warner Bros. logo with the clouds behind is shown - the camera then pulls back to show the logo as a billboard on the side of a bus. See more »
Let me say immediately that I would recommend this film to almost anyone but the most literal-minded. This film will be different things to different people. It can be a macho thriller, a subtle romance, an ironic look at ourselves, or a combination of all these things. The great thing about this movie is not so much the plot, but the individual situations and scenes. What is meant to be portrayed as paranoid behaviour by Mel Gibson's character, Jerry Fletcher, becomes quite funny when the viewer recognizes his or her own self doing similar things, but in a context that is supposedly "normal." Jerry's having a padlock on his refrigerator and a combination lock on his coffee will bring a smile to the lips of anyone who has to deal with numerous computer "logons" and passwords to gain access to even the most mundane things in our computer-dominated workplaces. Likewise, the writers and director are spot on when they show poor paranoid Jerry going to separate mailboxes to post his various letters, while many of us here in the on-line world will routinely use pseudonyms, proxies, remailers, etc for the very same reason that Jerry takes his seemingly abnormal precautions, i.e., to avoid potentially prying eyes. So, who's paranoid? I thought this was very insightful. As for overt humour, perhaps my guard was down, but I laughed until tears came to my eyes when Jerry tossed off joke about a man who had only three minutes to live. Mel Gibson's delivery of the punch line was perfect. As for pathos and those human moments, scenes in which Jerry would gladly die for just a brushing kiss from his worshipped Julia Roberts might bring back memories of anyone's naive, tender years and momentarily make your heart ache. And a scene in which Jerry is unable to explain why he compulsively buys copies of the same book over and over again is very poignant, indeed. Mel Gibson put a lot of energy into what was obviously a demanding role and, as usual, Julia Roberts lights up the screen in every scene she's in. The film might be a fantasy, but it's the sort of fantasy many of us can appreciate.
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