Conceiving Ada (1997)

Emmy Coer, a computer genius, devises a method of communicating with the past by tapping into undying information waves. She manages to reach the world of Ada Lovelace, founder of the idea ... See full summary »

Director:

Lynn Hershman-Leeson

Writers:

Lynn Hershman-Leeson, Eileen Jones

Stars:

Tilda Swinton, Francesca Faridany, Timothy Leary

1 nomination.

Cast

Cast overview, first billed only:
Tilda Swinton	...	Ada Augusta Byron King, Countess of Lovelace
Francesca Faridany	...	Emmy Coer
Timothy Leary	...	Sims
Karen Black	...	Lady Byron / Mother Coer
John O'Keefe	...	Charles Babbage
John Perry Barlow	...	John Crosse
J.D. Wolfe	...	Nicholas Clayton
Owen Murphy	...	William Lovelace
David Brooks	...	Children's Tutor (David)
Esther Mulligan	...	Mary Shelley
Ellen Sebastian	...	Dr. Fury
Mark Capri	...	Dr. Locock
Joe Wemple	...	Priest / Talk Show Host
Chris von Sneidern	...	Musician In Elevator
David Eppel	...	Simon

Storyline

Emmy Coer, a computer genius, devises a method of communicating with the past by tapping into undying information waves. She manages to reach the world of Ada Lovelace, founder of the idea of a computer language and proponent of the possibilities of the "difference engine." Ada's ideas were stifled and unfulfilled because of the reality of life as a woman in the nineteenth century. Emmy has a plan to defeat death and the past using her own DNA as a communicative agent to the past, bringing Ada to the present. But what are the possible ramifications?

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Plot Keywords:

candlelit bath | crying | computer | death | genius | 

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Genres:

Drama | Fantasy | Sci-Fi

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Certificate:

Not Rated

Details

Official Sites:

Clone of Ada [Japan] Lynn Hershman

Country:

USA Germany

Language:

English

Release Date:

19 February 1999 (USA)

Also Known As:

Clone of Ada

Company Credits

Production Co:

Hotwire Productions,Outpost Studios

Technical Specs

Runtime:

85 min

Sound Mix:

Dolby

Color:

Color

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

A director's statement in the film's production notes says that the film was "structured around the idea of a double helix". "Every scene," the notes say, "was structured and shot using a DNA image as a model for actors' placement and camera movement."

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Quotes

Ada Augusta Byron King, Countess of Lovelace: I'm not at all certain that half a life is better than no life at all.

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Connections

References The Piano (1993)

User Reviews

Interesting and novel, yet flawed

The approach this film takes to storytelling is interesting, but somewhat confusing. I've never seen a cross between a science fiction film and a period film set in the Victorian era, so this was a refreshing change of pace; but many aspects of it were not handled well.

The way that a person in the present can communicate with someone in the past isn't outlined very well, although I've only seen this movie once and maybe I need to see it again. Communicating with someone in the past has something to do with something called "DNA memory" which I don't quite understand. I consider myself to be fairly well-informed about the general concepts of computer science but the way that Emmy explained her interfacing with individuals and memories from the past seemed quite cryptic and unintuitive... I don't really mind the fact that this isn't explained well--plenty of unexplained, far-fetched science fiction premises can still yield a viewer's suspension of disbelief--but the contact between present and past seems to be taken in stride rather than as something utterly magnificent. If I suddenly found out how to talk to my favorite historical figure and see his or her memories on a screen, I would be quite a bit more excited than Emmy, her husband, or her strange mentor. This is one of the film's biggest incongruencies, and it destroyed my suspension of disbelief.

Although I do appreciate the fact that the director attempted to integrate the digital technology (the uses of which Ada Byron predicted) into the film, it didn't seem to work that well at all. The backgrounds looked very two-dimensional (partially because no characters ever travelled much within a shot, and very little tracking and panning was done to give the environment a three dimensional feel, though such camera movements must be nearly impossible when the digital environments are two-dimensional to begin with). The fire effect in particular looked incredibly fake as the rest of the digital environment didn't respond properly to the flickering of the flames, so altogether the cinematography in the Victorian era was horrendous and reminded me of something from old CD-ROM adventure games like Phantasmagoria or Gabriel Knight II.

The portrayal of Ada's character was very well-done, however, effectively displaying both Ada's desires and modern ideas as well as her imprisonment by social standards and the people around her. In particular, her final speech near the end of the film is very well done.

One of my complaints about the film, however, is that none of the male characters really seem to be fleshed out at all; they're all very two-dimensional, without too much depth or personality, which really makes the film seem very gender biased.

Although I did enjoy the film overall and I thought the blend of science fiction and period filmmaking was a novel idea, I really think that this could've been a much better experience if the science fiction premise had been dropped entirely and the movie had just been a period film. I actually like science fiction very much and I'm generally not interested in period films dealing with repression and social mores, but Ada's character is particularly interesting because her interests are so modern--they have so much application to today's world and today's ideas.

I think that by adding the sci-fi premise to the film weakened it overall; with the ubiquitousness of the Internet, today's audiences generally know the ways in which computers can be used and this film's hasty, fleeting vision of someone in the present communicating with someone in the past only adds confusion to the film, not a sense of wonder about Ada's conceptions and the potential of virtual reality and artificial intelligence. I rather would've spent more time learning about the different kinds of ideas that Ada had from her point of view. As it is, the film spends so much time divided between the present world and Ada's world that it doesn't really have enough time to fully develop either of them.