Mary is a free-spirited young woman with a run-down New York apartment and a high fashion wardrobe. She calls her godmother, a librarian, for bail money after being arrested for throwing an... See full summary »
Daisy von Scherler Mayer
Socially inept garbage man Simon is befriended by Henry Fool, a witty roguish, but talentless novelist. Henry opens a magical world of literature to Simon who turns his hand to writing the ... See full summary »
Thomas Jay Ryan,
Richard leaves his corporate office for a weekend at the country house of his fiancé, who is his boss' daughter. On the way there, he is forced to accept an offer of lodging from local Fred... See full summary »
A mousy librarian inherits her father's beloved but failing old movie house. In order to save the family business she discovers her inner serial killer - and a legion of rabid gore fans - ... See full summary »
A ten-years-later continuation of Hal Hartley's "Henry Fool", where Fay Grim (Posey) is coerced by a CIA agent (Goldblum) to try and locate notebooks that belonged to her fugitive ex-husband (Ryan). Published in them is information that could compromises the security of the U.S., causing Fay to first head to Paris to fetch them ...
Japanese sixties comedy featuring a cunning female jewel thief named Black Lizard who tries to kidnap Sanaye, a wealthy jeweler's beautiful daughter as part of a plot to steal the jeweler's... See full summary »
Iris can best be described as a wallflower. She begins her first day as a temp for the nondescript Global Credit Association by waiting in a chair for two hours. This sets the scene for her (mis)adventures with the other "corporate orphans", Margaret, Paula and Jane. Led by Margaret, they find subtle ways to lessen the ennui of corporate oppression. The tension escalates when the new permanent hire, Cleo, enters the picture.Written by
Vanessa Exum <firstname.lastname@example.org>
Lisa Kudrow and Debra Jo Rupp worked together as sisters-in-law on Friends. See more »
When Iris and Margaret are at Margaret's apartment, Iris is holding a small ashtray and Margaret says she got it from a hotel. In the next shot Iris holding what appears to be a small dish of food, or even a microwave dinner platter. See more »
It's funny how doubt hides itself. It follows behind you. It waits in every corner. You never see it coming. But you feel it, on the inside. Maybe it was just that office. Or maybe it was bigger than that, it was all around. A million eyes. Watching. Judging. The whole wide world even. You feel so small.
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I saw this on cable last night, just 2 days after seeing the Sprecher sisters' latest film, 13 Conversations About One Thing - that was the reason I stayed up til 2:30 a.m. to watch it, in fact (please read my review of 13 Conversations, posted yesterday). This film is linear - one scene following the other chronologically - and therefore not as challenging to the viewer as 13 Conversations, but it does leave its mark (as one character in the movie has been told to do).
Writer/Director Jill Sprecher is extremely adept in nailing down specifics, and this gift for detail is in full evidence here. The film is about fear, lunch hours, pettiness, toilet paper, loneliness, rubber band balls, despair, paper clips, friendship, pencils, desperation, cocktail garnishes, anger - downright fury, actually - at being marginalized by the illusion of society - and much more. Toni Collette's face is still in my memory - her terrified-to-do-or-say-the-wrong-thing rabbit eyes, her rapture at feeling connected to her 3 fellow temp workers (and specifically, seeing her nose crinkle the way it does when she smiles), the desolation of seeing their bond destroyed by wretched but inevitable bone-chilling office politics and fear.
It's a small slice of life, Clockwatchers, but it's an important slice, one that anyone who has ever interacted with anyone on a daily, money-driven basis can relate to. If you've ever held a job, I'm saying, you will see yourself mirrored in at least some of these meticulous details.
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