Mathilda, a 12-year-old girl, is reluctantly taken in by Léon, a professional assassin, after her family is murdered. Léon and Mathilda form an unusual relationship, as she becomes his protégée and learns the assassin's trade.
In 1930s Italy, a carefree Jewish book keeper named Guido starts a fairy tale life by courting and marrying a lovely woman from a nearby city. Guido and his wife have a son and live happily together until the occupation of Italy by German forces. In an attempt to hold his family together and help his son survive the horrors of a Jewish Concentration Camp, Guido imagines that the Holocaust is a game and that the grand prize for winning is a tank.Written by
Anthony Hughes <email@example.com>
Before they go to sleep Guido and Ferruccio have a few jokes about the German philosopher Arthur Schopenhauer, a favorite writer of Adolf Hitler. See more »
The champagne bottle changes position when Guido is describing how to serve lobster (first it's tilted towards the right, then centered, then tilted again, etc.). Also, the bottle is first completely sealed (with all the labels and stuff) and then we can see it without all those labels, to appear completely sealed again in a backward-to-forward take, and then opened again. See more »
[narrating as an adult]
This is a simple story... but not an easy one to tell.
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The original Italian theatrical version was 122 minutes long. Benigni later cut 9 minutes out for the American version (removing, among others, all scenes featuring ) and adding a voice over by the adult Giosuè (voiced by ). This shorter version is the one released on video in Italy. See more »
I typically don't care much for sub-titled movies. Foreign films to me are slow and about nothing. So I naturally went to see Life is Beautiful with a chip on my shoulder. I wanted to hate it. I wanted it to be just another movie that Hollywood was praising to show that they were an intelligent bunch of people. Oh boy was I in for the surprise of my life. Not only is this film good, I honestly believe that it was the second best film of 98, next to Saving Private Ryan. The mere fact that Shakespeare in Love won best picture over not only Ryan but over this, is a joke. It's actually funny.
Benigni did everything in this film. He wrote, produced, directed and probably swept the floors at night. There is that much raw energy in this film. There really is. For someone to have that kind of vision is truly incredible. And not only is the film a terrific cinematic experience because of the importance and seriousness of the subject matter, but it is one of the funnier films I've ever seen. When Roberto is translating the German soldiers insructions to his son so that he isn't scared, it is at that moment that you realize you are under his spell. He's got you and no matter how much sceptisism you may have about the film you know you're witnessing a classic in every sense of the word.
I loved this film. Loved everything about it and I am so glad that I got to see it and cheer Benigni at the Oscars. He certainly deserved his best actor award and he should have gotten more.
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