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Koko kansan Bulworth

Original title: Bulworth
  • 19981998
  • RR
  • 1h 48m
IMDb RATING
6.8/10
26K
YOUR RATING
POPULARITY
9,247
1,808
Koko kansan Bulworth (1998)
Theatrical Trailer from 20th Century Fox
Play trailer1:39
1 Video
62 Photos
ComedyDramaRomance

A suicidally disillusioned liberal politician puts a contract out on himself and takes the opportunity to be bluntly honest with his voters by affecting the rhythms and speech of hip-hop mus... Read allA suicidally disillusioned liberal politician puts a contract out on himself and takes the opportunity to be bluntly honest with his voters by affecting the rhythms and speech of hip-hop music and culture.A suicidally disillusioned liberal politician puts a contract out on himself and takes the opportunity to be bluntly honest with his voters by affecting the rhythms and speech of hip-hop music and culture.

IMDb RATING
6.8/10
26K
YOUR RATING
POPULARITY
9,247
1,808
  • Director
    • Warren Beatty
  • Writers
    • Warren Beatty(story)
    • Jeremy Pikser(screenplay)
  • Stars
    • Warren Beatty
    • Halle Berry
    • Kimberly Deauna Adams
Top credits
  • Director
    • Warren Beatty
  • Writers
    • Warren Beatty(story)
    • Jeremy Pikser(screenplay)
  • Stars
    • Warren Beatty
    • Halle Berry
    • Kimberly Deauna Adams
  • See production, box office & company info
    • 242User reviews
    • 99Critic reviews
    • 75Metascore
  • See more at IMDbPro
    • Nominated for 1 Oscar
      • 1 win & 20 nominations total

    Videos1

    Bulworth
    Trailer 1:39
    Bulworth

    Photos62

    Warren Beatty in Koko kansan Bulworth (1998)
    Warren Beatty in Koko kansan Bulworth (1998)
    Warren Beatty and Oliver Platt in Koko kansan Bulworth (1998)
    Warren Beatty and Halle Berry in Koko kansan Bulworth (1998)
    Warren Beatty, Jonathan Roger Neal, Tony Tomas Randle, and Arthur Reggie III in Koko kansan Bulworth (1998)
    Warren Beatty in Koko kansan Bulworth (1998)
    Halle Berry in Koko kansan Bulworth (1998)
    Halle Berry in Koko kansan Bulworth (1998)
    Warren Beatty, Halle Berry, Ariyan A. Johnson, and Michelle Morgan in Koko kansan Bulworth (1998)
    Warren Beatty and Halle Berry in Koko kansan Bulworth (1998)
    Warren Beatty and Halle Berry in Koko kansan Bulworth (1998)
    Warren Beatty in Koko kansan Bulworth (1998)

    Top cast

    Edit
    Warren Beatty
    Warren Beatty
    • Jay Bulworth
    Halle Berry
    Halle Berry
    • Nina
    Kimberly Deauna Adams
    • Denisha
    Vinny Argiro
    • Debate Director
    Sean Astin
    Sean Astin
    • Gary
    Kirk Baltz
    Kirk Baltz
    • Debate Producer
    Ernie Lee Banks
    Ernie Lee Banks
    • Leroy
    • (as Ernie Banks)
    Amiri Baraka
    Amiri Baraka
    • Rastaman
    Christine Baranski
    Christine Baranski
    • Constance Bulworth
    Adilah Barnes
    Adilah Barnes
    • Mrs. Brown
    Graham Beckel
    Graham Beckel
    • Man with Dark Glasses
    Brandon N. Bowlin
    • Bouncer #2
    Mongo Brownlee
    • Henchman #3
    Thomas Jefferson Byrd
    Thomas Jefferson Byrd
    • Uncle Rafeeq
    J. Kenneth Campbell
    J. Kenneth Campbell
    • Anthony
    Scott Michael Campbell
    Scott Michael Campbell
    • Head Valet
    Jann Carl
    Jann Carl
    • Carl Jann
    Kerry Catanese
    • Video Reporter #4
    • Director
      • Warren Beatty
    • Writers
      • Warren Beatty(story) (screenplay)
      • Jeremy Pikser(screenplay)
    • All cast & crew
    • Production, box office & more at IMDbPro

    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      Warren Beatty held a private screening of this film for Professor Cornel West. Beatty was unsure if he wanted to release the film and asked West's opinion. West praised the film and told Beatty that it needed to be seen.
    • Goofs
      Bulworth tells the assassin that he will be traveling to Los Angeles via American Airlines, yet the arrival airplane footage shown is clearly a Southwest Airline plane.
    • Quotes

      Sen. Jay Billington Bulworth: Obscenity? The rich is getting richer and richer and richer while the middle class is getting more poor/ Making billions and billions and billions of bucks/ well my friend if you weren't already rich at the start well that situation just sucks/cause the riches mother fucker in five of us is getting ninety fuckin eight percent of it/ and every other motherfucker in the world is left to wonder where the fuck we went with it/ Obscenity?/ I'm a Senator/ I gotta raise $10,000 a day every day I'm in Washington/ I ain't getting it in South Central/ I'm gettin it in Beverly Hills/ So I'm votin from them in the Senate the way they want me too/ and-and-and I'm sending them my bills/ But we got babies in South Central dying as young as they do in Peru/ We got public schools that are nightmares/ We got a Congress that ain't got a clue/We got kids with submachine guns/ We got militias throwing bombs/ We got Bill just gettin all weepy/ We got Newt blaming teenage moms/We got factories closing down/ Where the hell did all the good jobs go? Well, I'll tell you where they went/My contributors make more profits makin, makin, makin, Hirin' kids in Mexico/ Oh a brother can work in fast food/ If he can't invent computer games/ But what we used to call America/ That's going down the drains/How's a young man gonna meet his financial responsibilities workin and motherfuckin Burger King? He ain't! And please don't even start with that school shit/ There aint no education going on up in that motherfucker/ Obscenity? We got a million brothers in prison/ I mean, the walls are really rockin/But you can bet your ass they'd all be out/If they could pay for Johnny Cochran/ The constitution is supposed to give them an equal chance/ Well, that ain't gonna happen for sure/ Ain't it time to take a little from the rich motherfucker and give a little to the poor? I mean, those boys over there on the monitor/ they want a government smaller and weak/ but the be speakin for the riches 20 percent when they pretend they're defendin the meek/ Now, shit, fuck, cocksuker, that's the real obscenity/ Black folks livin with every day/ Trying to believe a mothefuckin word Democrats and Republicans say/ Obscenity? I'm Jay Billington Bulworth And I've come to say/ The Democratic party's got some shit to pay/ It's gonna pay it in the ghetto/ It's gonna pay it in the...

      [talks a little]

      Sen. Jay Billington Bulworth: You know the guy in the booth who's talking to you in that tiny little earphone? He's afraid the guys at network are gonna tell him that he's through/ If he lets a guy keep talking like I'm talking to you/ Cause the corporations got the networks and they get to say who gets to talk about the country and who's crazy today/ I would cut to a commercial if you still want this job/ Because you may not be back tomorrow with this cooperate mob/Cut to commercial, cut to commercial, cut to commercial. Ok ok I got a simple question that I'd like to ask of this network/ That pays you for performing this task/ How come they got the airwaves? They're the peoples aren't they? Wouldn't they be worth 70 billion to the public today? If some money-grubbin Congress didn't give them away for big campaign money? It's hopeless you see/ If you're runnin for office with out no TV/If you don't get big money/ You get a defeat/ Corporations and broadcasters make you dead meat/ You been taught in this country there's speech that is free/ But free don't get you no spots on TV/If you want to have senators not on the take/ Then give them free air time/ They won't have to fake/ Telecommunications is the name of the beast/that, that, that, that, that's eating up the world from the west to the east/ The movies, the tabloids, TV and magazines/ they tell us what to think and do/ And all our hopes and dreams/ All this information makes America phat/ But if the company's outta the country/ How American is that? But we got Americans with families that can't even buy a meal/ Ask a brother who's been downsized if he's getting any deal/ Or a white boy bustin ass til they put him in his grave/ He ain't gotta be a black boy to be livin like a slave/ Rich people have always stayed on top by dividing white people from colored people/ but white people got more in common with colored people then they do with rich people/ we just gotta eliminate them. White people, black people, brown people, yellow people, get rid of 'em all/ All we need is a voluntary, free spirited, open-ended program of procreative racial deconstruction/ Everybody just gotta keep fuckin' everybody til they're all the same color

    • Crazy credits
      For the song "Bulworth Breakdown," the title character Jay Bulworth is credited as a writer and performer.
    • Connections
      Featured in Pras Feat. Ol' Dirty Bastard & Mya: Ghetto Supastar (That Is What You Are) (1998)
    • Soundtracks
      Semper Fidelis
      Composed by John Philip Sousa

      Performed by The Band of the Grenadier Guards

      Conducted by Major Rodney Bashford

      Courtesy of The Decca Record Company Limited/London Records

      By Arrangement with PolyGram Film & TV Music

    User reviews242

    Review
    Review
    Featured review
    Shrewd Message Movie
    The movie may look goofy, but it's not. Note how the rule of big money behind our democratic façade is exposed. It could have been done in bits and pieces and through corruptive behavior, but that would have made the message less focused. Of course, simply declaiming the political message would have sounded preachy.

    Instead, Bulworth does a wacky in-your-face by delivering the message in unmistakable, yet entertaining fashion. That's done by having the senator succumb to an alter ego brought on by mental exhaustion over his planned suicide. Serious messages are then wrapped in comedic contrasts. No more suit and tie for the new Bulworth. Instead, he looks like he went shopping in the dark at a charity ward. In fact, the now truth-telling hipster appears his real self suddenly breaking through the conventional façade. At the same time, watching him defy deadening media clichés amounts to a jarring hoot. And after romantic pursuit of an eye-catching Black woman (Berry), he learns day-to-day facts of ghetto plight by staying with her family. And when not speaking truth to power at White fund-raisers, Beatty's Bulworth uses his newly acquired hip-hop to rhyme out the message in catchy rapper fashion. Either way, it's one of the cleverest approaches to undercutting deadening political authority that I've seen.

    No pretty-boy Beatty here. Pushing 60, he's haggard looking throughout, doing little to compensate until the end. Of course, that's the way it should be, given the emphasis on message. I suspect it's a movie the lefty actor-director-producer has long wanted to make. And make it he did, in spades.
    helpful•6
    1
    • dougdoepke
    • Mar 26, 2017

    Details

    Edit
    • Release date
      • May 22, 1998 (United States)
    • Country of origin
      • United States
    • Language
      • English
    • Also known as
      • Bulworth
    • Filming locations
      • Los Angeles International Airport - 1 World Way, Los Angeles, California, USA
    • Production company
      • Twentieth Century Fox
    • See more company credits at IMDbPro

    Box office

    Edit
    • Budget
      • $30,000,000 (estimated)
    • Gross US & Canada
      • $26,528,185
    • Opening weekend US & Canada
      • $141,816
      • May 17, 1998
    • Gross worldwide
      • $29,202,884
    See detailed box office info on IMDbPro

    Technical specs

    Edit
    • Runtime
      1 hour 48 minutes
    • Sound mix
      • Dolby Digital
      • DTS
    • Aspect ratio
      • 1.85 : 1

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