After being released from prison, Billy is set to visit his parents with his wife, whom he does not actually have. This provokes Billy to act out, as he kidnaps a girl and forces her to act as his wife for the visit.
Billy is released after five years in prison. In the next moment, he kidnaps teenage student Layla and visits his parents with her, pretending she is his girlfriend and they will soon marry (and forcing her to say the same).Written by
A piece of Billy Brown's dialogue can be heard playing backwards in the song "I'm Getting Closer" by M83. See more »
When Billy and Layla leave the photo booth, they do so to (the viewer's) left side, though that side of the booth is positioned against a wall. See more »
I'm gonna step out of the car for one minute. One minute, I'm gonna step out. Put your hands on the dashboard like that. Hold em like that. Don't let me see you move them one finger, not one finger move, not one twitch of a move or I'll come back and choke you to death. I swear to God. I'll take a bite out of your cheek and I'll shit you out.
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Vincent Gallo's directorial debut is a powerhouse of fine acting, writing, and direction, not to mention a showcase for some truly jaw-dropping cinematography. Buffalo 66 is one of the finest independent films that I have ever seen, and perhaps the most fascinating character study I have yet to see on film.
Christina Ricci provides one of the year's best performances as Layla, the odd but tenderhearted tap dancer who provides Gallo's Billy Brown with the only true love he has ever received. Ricci's performance is brilliantly understated, and she relays just as much heartfelt meaning in one glance of her beautiful, dark eyes as Gallo does in his barrage of rapid-fire monologues.
There are also fine supporting performances from Ben Gazzara and Angjelica Huston, as Billy's utterly dysfunctional parents, Mickey Rourke, as a sleezy bookie, Jan-Michael Vincent, as Billy's touchingly loyal friend and owner of a bowling alley, and Kevin Corrigan, as Billy's slow but well-meaning best friend.
Buffalo 66 is an incredibly moving and beautiful film. It provides some of the starkest movie images of blue-collar society to come along since the '70s. The on-location Buffalo, New York sites are haunting in their bleakness, and the filtered photography emphasizes this all the more.
On top of all of this, Gallo provides a mesmerizing performance as Billy Brown-a man who has spent so much of his life pining for love and tenderness that he doesn't know how to deal with it once it is staring him in the face.
Simply put, Buffalo 66 is a staggering achievement. Vincent Gallo is a fiercely talented filmmaker and a force to be reckoned with in the future.
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