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Boogie Nights (1997)

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The story of a young man's adventures in the California pornography industry of the late 1970s and early 1980s.
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900 ( 105)
Nominated for 3 Oscars. Another 35 wins & 55 nominations. See more awards »

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Cast

Cast overview, first billed only:
Luis Guzmán ... Maurice t.t. Rodriguez (as Luis Guzman)
Burt Reynolds ... Jack Horner
Julianne Moore ... Amber Waves
Rico Bueno ... Hot Traxx Waiter
John C. Reilly ... Reed Rothchild
Nicole Ari Parker ... Becky Barnett
Don Cheadle ... Buck Swope
Heather Graham ... Rollergirl
Mark Wahlberg ... Eddie Adams / Dirk Diggler
William H. Macy ... Little Bill
Samson Barkhordarian Samson Barkhordarian ... Hot Traxx Chef
Nina Hartley ... Little Bill's Wife
Brad Braeden Brad Braeden ... Big Stud
Joanna Gleason ... Dirk's Mother
Lawrence Hudd Lawrence Hudd ... Dirk's Father
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Storyline

Adult film director Jack Horner is always on the lookout for new talent and it's only by chance that he meets Eddie Adams who is working as a busboy in a restaurant. Eddie is young, good looking and plenty of libido to spare. Using the screen name Dirk Diggler, he quickly rises to the top of his industry winning awards year after year. Drugs and ego however come between Dirk and those around him and he soon finds that fame is fleeting. Written by garykmcd

Plot Summary | Plot Synopsis

Taglines:

In 1977, sex was safe, pleasure was a business, and business was booming. See more »

Genres:

Drama

Motion Picture Rating (MPAA)

Rated R for strong sex scenes with explicit dialogue, nudity, drug use, language and violence | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Warner Bros [United States]

Country:

USA

Language:

English

Release Date:

31 October 1997 (USA) See more »

Also Known As:

Pushing Thirteen See more »

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Box Office

Budget:

$15,000,000 (estimated)

Opening Weekend USA:

$50,168, 12 October 1997, Limited Release

Gross USA:

$26,400,640

Cumulative Worldwide Gross:

$16,700,954
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital | SDDS

Color:

Color

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

Heather Graham filmed her nude scene on her first day on the set. See more »

Goofs

While filming in the limo in 1983,they pass a shopping plaza that includes a Rent-A-Center, which first opened in 1986. See more »

Quotes

Reed Rothchild: Hey, are those lizard?
Dirk: No, they're Italian. I'm gonna fuckin' buy these.
See more »

Crazy Credits

End-credits are listed alphabetically See more »

Alternate Versions

On the 2-disc DVD release, there is a hidden screen test on the color bars selection. See more »

Connections

Referenced in Todd's Pop Song Reviews: Cooler Than Me (2010) See more »

Soundtracks

God Only Knows
Written by Brian Wilson and Tony Asher
Performed by The Beach Boys
Courtesy of Capitol Records
Under License from EMI-Capitol Music Special Markets
See more »

Frequently Asked Questions

See more »

User Reviews

 
Boogie Nights OR "How I learned to ignore the consequences, and love the freedom of the 1970's."
8 August 2001 | by paul_monksSee all my reviews

Boogie Nights is perhaps one of the greatest examples any would-be filmmaker should take a long hard look at. Sure, you could spend loads of quality time reviewing the clasics from Hitchcock to Scorsese; but lets follow suit for the modern generation and study half-heartedly.

Where to begin, I suppose one could look at the film as simply a story, perhaps even docudrama which focuses on the late 1970's porn industry-and what an industry it was! The other half could focus on the incredible detail one brillant filmmaker can achieve simply by using polyester and *ahem* rubber. But honestly, Boogie Nights brings back the pure, no-bul!shi$, in your face kind of cinema I haven't experienced since the film greats of the 1970's...ironic...or stroke of genius. The story is full of richly detailed characters, all of which you either can relate too, love, or hate; but the impact is clear-you are feeling something for them. Among the characters the two performances which stand out are: Burt Reynolds as Director Jack Horner, and Mark Wahlberg as Eddie Adams/Dirk Diggler. Julianne Moore is also brillant, as is Heather Graham...but if I focus on any one actor it would have to be John C. Reilly. John's performance is a perfect balance of comedic timing and character driven emotion...I'm a sucker for the line "Ever see the movie Star Wars?...People say I look like Han Solo." Anyway, the look of the film is incredible, the Director of Photography and Director/Writer/Producer, have come up with a vibrant colour, and flashy style that compares to Martin Scorsese, and Stanley Kubrick(in terms of his perfection of his craft); but with creating his own unique look, and pushing the edge with the longest single shot I'ver ever seen...that being the New Year's party sequence.

The music, like in any great film, is a character of its own. At times, it consumes oneself with sorrow or grief...but mainly its all about fun, dancing, and having a good time; the spirit of the 1970's. OK, back to the performances.

Burt Reynolds plays the character of Jack Horner, a porn director who feels the burden of what the future of "film" means to his genre. The awful transition from shooting on film to recording on magnetic tape. The lose of his art, as it were...and the changes in mentality to the people he works with. Walhberg adds the perfect blend of innocense and sexual bravado needed for the character. For all those individuals who have seen Burton's Planet of the Apes, pay no attention to the performance of Wahlberg in that film...rent boogie nights and see what a difference a good script can make!

Julianne Moore plays the would-be mother to all, and with that comes the torment and anguish she feels, as life imitates art; and she loses all those close to her. Heather Graham is the eye-candy, but later holds her own, and steals some of the scenes from even the great Mr. Reynolds himself. Each character is multidimensional, rich with life, and performed by actors that seem to be picture perfect for the part.

The film itself is often funny, tragic, exciting, and provides a uncompromising look into the turblulant lifestyle of the fast-pace 1970's. It makes no excuses, and tells no lies; and offers the audience a trip back. But even more importantly, the movie gives us a grand example of how films should be made; and a new director whose bold visions bring back art in film.


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