7.9/10
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579 user 167 critic

Boogie Nights (1997)

R | | Drama | 31 October 1997 (USA)
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The story of a young man's adventures in the Californian pornography industry of the late 1970s and early 1980s.
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659 ( 124)
Nominated for 3 Oscars. Another 34 wins & 53 nominations. See more awards »

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Cast

Cast overview, first billed only:
... Maurice TT Rodriguez (as Luis Guzman)
... Jack Horner
... Amber Waves
... Hot Traxx Waiter
... Reed Rothchild
... Becky Barnett
... Buck Swope
... Rollergirl
... Eddie Adams / Dirk Diggler
... Little Bill
Samson Barkhordarian ... Hot Traxx Chef
... Little Bill's Wife
Brad Braeden ... Big Stud
... Dirk's Mother
Lawrence Hudd ... Dirk's Father
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Storyline

Adult film director Jack Horner is always on the lookout for new talent and it's only by chance that he meets Eddie Adams who is working as a busboy in a restaurant. Eddie is young, good looking and plenty of libido to spare. Using the screen name Dirk Diggler, he quickly rises to the top of his industry winning awards year after year. Drugs and ego however come between Dirk and those around him and he soon finds that fame is fleeting. Written by garykmcd

Plot Summary | Plot Synopsis

Taglines:

The life of a dreamer, the days of a business, and the nights in between. See more »

Genres:

Drama

Motion Picture Rating (MPAA)

Rated R for strong sex scenes with explicit dialogue, nudity, drug use, language and violence | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Warner Bros [United States]

Country:

Language:

Release Date:

31 October 1997 (USA)  »

Also Known As:

Pushing Thirteen  »

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Box Office

Budget:

$15,000,000 (estimated)

Opening Weekend USA:

$50,168, 12 October 1997, Limited Release

Gross USA:

$26,400,640

Cumulative Worldwide Gross:

$16,700,954
See more on IMDbPro »

Company Credits

Show more on  »

Technical Specs

Runtime:

Sound Mix:

|

Color:

Aspect Ratio:

2.39 : 1
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Did You Know?

Trivia

Alfred Molina had never heard either "Jessie's Girl" by Rick Springfield or "Sister Christian" by Night Ranger, both of which are songs he sings along to in the film. This is likely because he is from the United Kingdom, where neither song had been a hit. He spent three days repeatedly playing them until he knew them. See more »

Goofs

When Dirk and the others go to rob the drug dealer, a 1990s Neighborhood Watch sign is visible on a pole across from the front door. See more »

Quotes

Kurt Longjohn: Little Bill.
Little Bill: Hey. Kurt. What's up?
Kurt Longjohn: What's wrong with you?
Little Bill: Ah... my fuckin' wife, man, she's over there... she's got some idiot's dick in her, people standing around watching - it's a fuckin' embarassment.
Kurt Longjohn: Yeah. Yeah. I know. Anyway, listen:
Little Bill:
  • yeah.

Kurt Longjohn: For the shoot - I wanna talk about the look. I wanted to see about getting this new zoom lens...
Little Bill: Right.
Kurt Longjohn: I wondered if we'd be able to look into getting some more lights, too, y'know...
Little Bill: Jack wants a minimal-thing...
[...]
See more »

Crazy Credits

End-credits are listed alphabetically See more »

Connections

Referenced in Hot Tub Time Machine 2 (2015) See more »

Soundtracks

Feel the Heat
Written by Paul Thomas Anderson and John C. Reilly
Performed by Mark Wahlberg and John C. Reilly
See more »

Frequently Asked Questions

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User Reviews

 
Boogie Nights OR "How I learned to ignore the consequences, and love the freedom of the 1970's."
8 August 2001 | by See all my reviews

Boogie Nights is perhaps one of the greatest examples any would-be filmmaker should take a long hard look at. Sure, you could spend loads of quality time reviewing the clasics from Hitchcock to Scorsese; but lets follow suit for the modern generation and study half-heartedly.

Where to begin, I suppose one could look at the film as simply a story, perhaps even docudrama which focuses on the late 1970's porn industry-and what an industry it was! The other half could focus on the incredible detail one brillant filmmaker can achieve simply by using polyester and *ahem* rubber. But honestly, Boogie Nights brings back the pure, no-bul!shi$, in your face kind of cinema I haven't experienced since the film greats of the 1970's...ironic...or stroke of genius. The story is full of richly detailed characters, all of which you either can relate too, love, or hate; but the impact is clear-you are feeling something for them. Among the characters the two performances which stand out are: Burt Reynolds as Director Jack Horner, and Mark Wahlberg as Eddie Adams/Dirk Diggler. Julianne Moore is also brillant, as is Heather Graham...but if I focus on any one actor it would have to be John C. Reilly. John's performance is a perfect balance of comedic timing and character driven emotion...I'm a sucker for the line "Ever see the movie Star Wars?...People say I look like Han Solo." Anyway, the look of the film is incredible, the Director of Photography and Director/Writer/Producer, have come up with a vibrant colour, and flashy style that compares to Martin Scorsese, and Stanley Kubrick(in terms of his perfection of his craft); but with creating his own unique look, and pushing the edge with the longest single shot I'ver ever seen...that being the New Year's party sequence.

The music, like in any great film, is a character of its own. At times, it consumes oneself with sorrow or grief...but mainly its all about fun, dancing, and having a good time; the spirit of the 1970's. OK, back to the performances.

Burt Reynolds plays the character of Jack Horner, a porn director who feels the burden of what the future of "film" means to his genre. The awful transition from shooting on film to recording on magnetic tape. The lose of his art, as it were...and the changes in mentality to the people he works with. Walhberg adds the perfect blend of innocense and sexual bravado needed for the character. For all those individuals who have seen Burton's Planet of the Apes, pay no attention to the performance of Wahlberg in that film...rent boogie nights and see what a difference a good script can make!

Julianne Moore plays the would-be mother to all, and with that comes the torment and anguish she feels, as life imitates art; and she loses all those close to her. Heather Graham is the eye-candy, but later holds her own, and steals some of the scenes from even the great Mr. Reynolds himself. Each character is multidimensional, rich with life, and performed by actors that seem to be picture perfect for the part.

The film itself is often funny, tragic, exciting, and provides a uncompromising look into the turblulant lifestyle of the fast-pace 1970's. It makes no excuses, and tells no lies; and offers the audience a trip back. But even more importantly, the movie gives us a grand example of how films should be made; and a new director whose bold visions bring back art in film.


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