Elwood, the now lone "Blues Brother" finally released from prison, is once again enlisted by Sister Mary Stigmata in her latest crusade to raise funds for a children's hospital. Once again hitting the road to re-unite the band and win the big prize at the New Orleans Battle of the Bands, Elwood is pursued cross-country by the cops, led by Cabel the Curtis' son (and Elwood's step-brother), the Russian Mafia, and a militia group. On his new "mission from God" Elwood enlists the help of a young orphan, and a strip club bartender. Written by
Stephen Scaia <email@example.com>
Who cares about the plot? There wasn't one. The best thing about this movie is the top notch music and performers. Having all those folks in one film is incredible. A hundred years from now, this film would be a great case study of the R & B, Soul, and Blues of this time. And this tease.stay after the final credits, and you will be greatly rewarded. For this type of film I wish there was 2 scoring systems, one for the plot and the other for the music.
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