Set in Hong Kong, 1962, Chow Mo-Wan is a newspaper editor who moves into a new building with his wife. At the same time, Su Li-zhen, a beautiful secretary and her executive husband also move in to the crowded building. With their spouses often away, Chow and Li-zhen spend most of their time together as friends. They have everything in common from noodle shops to martial arts. Soon, they are shocked to discover that their spouses are having an affair. Hurt and angry, they find comfort in their growing friendship even as they resolve not to be like their unfaithful mates.Written by
Despite being the two primary antagonists of the piece, the characters of Mr. Chan and Mrs. Chow are never physically seen on-screen. Roy Cheung and Paulyn Sun, who play these respective characters, actually filmed scenes as their characters which were edited out of the final cut (these scenes are present on the DVD and Blu-ray as deleted scenes) and their presence only remains in the film as voice cameos. See more »
At around 10:00, while they are using the rice cooker that Mr. Chan brought from his trip, Mrs. Chan's newspaper is inconsistently open/closed between shots. See more »
He remembers those vanished years. As though looking through a dusty window pane, the past is something he could see, but not touch. And everything he sees is blurred and indistinct.
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In Hong Kong, 1962, the editor Chow Mo-wan (Tony Leung Chiu Wai) and his wife, and the secretary Su Li-Zhen Chan (Maggie Cheung) and her husband simultaneously move to an old building. Each couple has just rented a room in apartments on the same floor. Their wife and husband stay most of the time away from home, and Chow and Li-Zhen have the same habits: they like kung-fu stories and noodles and soap from a restaurant nearby the building. Their close contact becomes friendship and a sort of platonic and repressed love. Later they realize that their mates are having an affair, Chow falls in love with Li-Zhen, but her shyness and probably repressed condition of married woman keeps her love in a platonic level. 'In the Mood for Love' is a very slow, beautiful, melancholic and romantic love story, with a wonderful photography and soundtrack and a very unusual edition. The film had not had a screenplay, and the actors were never sure about what they would be shooting. Later, the director edited his story based on the footages. When Chow moves to Singapore, there is a gap of many years in the story until 1966, when its conclusion is intentionally open and not well defined, leaving questions such as who is the boy with Li-Zhen. My vote is eight.
Title (Brazil): 'Amor À Flor da Pele' ('Love on the Surface of the Skin')
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