Set in Hong Kong, 1962, Chow Mo-Wan is a newspaper editor who moves into a new building with his wife. At the same time, Su Li-zhen, a beautiful secretary and her executive husband also move in to the crowded building. With their spouses often away, Chow and Li-zhen spend most of their time together as friends. They have everything in common from noodle shops to martial arts. Soon, they are shocked to discover that their spouses are having an affair. Hurt and angry, they find comfort in their growing friendship even as they resolve not to be like their unfaithful mates.Written by
Despite being the two primary antagonists of the piece, the characters of Mr. Chan and Mrs. Chow are never physically seen onscreen. Roy Cheung and Paulyn Sun, who played these respective characters, actually filmed scenes as their characters which were edited out of the final cut (these scenes are present on the DVD and Blu-ray as deleted scenes), and their presence only remains in the film as voice cameos. See more »
At around 10:00, while they are using the rice cooker that Mr. Chan brought from his trip, Mrs. Chan's newspaper is inconsistently open/closed between shots. See more »
In the old days, if someone had a secret they didn't want to share... you know what they did?
Have no idea.
They went up a mountain, found a tree, carved a hole in it, and whispered the secret into the hole. Then they covered it with mud. And leave the secret there forever.
What a pain! I'd just go to get laid.
Not everyone's like you.
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The most attractive factor that lies in this masterpiece of a film is not the beautiful lead actors. It isn't their outstanding acting and sizzling chemistry either.
To me, it is the mis-en-scene of the entire movie. The settings, the lighting, the props... all add to the mood for love between the main characters. A whiff of smoke from Chow's cigarette tells us his state of mind, the ever-changing tight-fitting cheongsams of Lizhen reflects the constraints of decision-making, the ruins of Angkor Wat ties in with the deteriorating relationship of the two leads.
The excellent use of mis-en-scene gives the film just the right amount of feel needed to flesh out the complicated nature of the characters' relationship. The film leaves the audience fruitlessly yearning for more.
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