Apt Pupil (1998)

A boy blackmails his neighbor after suspecting him to be a Nazi war criminal.

Director:

Bryan Singer

Writers:

Stephen King (novel), Brandon Boyce (screenplay)

Stars:

Ian McKellen, Brad Renfro, Joshua Jackson

6 wins & 6 nominations.

Cast

Cast overview, first billed only:
Brad Renfro	...	Todd Bowden
Ian McKellen	...	Kurt Dussander
Joshua Jackson	...	Joey
Mickey Cottrell	...	Sociology Teacher
Michael Reid MacKay	...	Nightmare Victim
Ann Dowd	...	Monica Bowden
Bruce Davison	...	Richard Bowden
James Karen	...	Victor Bowden
Marjorie Lovett	...	Agnes Bowden
David Cooley	...	Gym Teacher
Blake Anthony Tibbetts	...	Teammate
Heather McComb	...	Becky Trask
Katherine Malone	...	Student
Grace Sinden	...	Secretary
David Schwimmer	...	Edward French

Storyline

Neighborhood boy Todd Bowden (Brad Renfro) discovers that an old man living on his block named Arthur Denker (Sir Ian Mackellan) is a Nazi war criminal. Bowden confronts Denker and offers him a deal: Bowden will not go to the authorities if Denker tells him stories of the concentration camps in World War II. Denker agrees and Bowden starts visiting him regularly. The more stories Bowden hears, the more it affects his personality.

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Plot Keywords:

nazi | blackmail | murder | cat | war criminal | 

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Taglines:

If you don't believe in the existence of evil, you've got a lot to learn.

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Genres:

Crime | Drama | Thriller

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Motion Picture Rating (MPAA)

Rated R for scenes of strong violence, language and brief sexuality

Details

Country:

USA France

Language:

English German

Release Date:

23 October 1998 (USA)

Also Known As:

El aprendiz

Filming Locations:

USA

Box Office

Budget:

$14,000,000 (estimated)

Opening Weekend USA:

$3,583,151, 25 October 1998, Wide Release

Gross USA:

$8,838,938, 3 January 1999

Company Credits

Production Co:

Phoenix Pictures, Bad Hat Harry Productions, Canal+ Droits Audiovisuels

Technical Specs

Runtime:

111 min

Sound Mix:

SDDS (8 channels) Dolby SR

Color:

Color (Technicolor)

Aspect Ratio:

2.39 : 1

Did You Know?

Trivia

Sir Ian McKellen admitted he was surprised to be asked to play seventy-five-year-old Kurt Dussander, since he was only fifty-seven at the time of filming.

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Goofs

When Todd gives Danker(Dussander) the uniform, he is wearing a blue sweater over a red shirt. Minutes later when Danker comes down stairs wearing the uniform, Todd's sweater is missing and he's just in the red polo.

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Quotes

Todd Bowden: All great achievements arose from dissatisfaction. It is the desire to do better, to dig deeper that propels a civilization to greatness. All of us have heard the story of Icarus, the young boy who took the wings his father built for him. Wings that were meant to carry him over the ocean to freedom and used them instead for a joyride. For a brief moment Icarus felt what it was like to live like a god, to touch the sun, to soar above the common man. And for doing so he payed the ultimate price. ...

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Connections

Referenced in An Interview with John Ottman (2002)

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Soundtracks

Too Much Of Nothing
Written by Paul Nelson, Sue Fink & Carl Verheyen
Performed by Dante Marchi

User Reviews

Learning to be evil

Stephen King's Apt Pupil, which is part of the novella collection Different Seasons (alongside the stories that inspired The Shawshank Redemption and Stand by Me), is a valid example of how you don't need things to be openly supernatural to have a good scary tale: a "human" incarnation of pure evil will do just as fine, and few images are more effective than those of the atrocities perpetrated by the Nazis during WWII.

Okay, minor correction: WWII has virtually nothing to do with this story, given it takes place in 1984. There is a Nazi involved, though: his name is Kurt Dussander (Ian McKellen), but he's been living quite peacefully in your average American neighborhood under the name Arthur Denker. However, a young boy named Todd Bowden (Brad Renfro from the Grisham-inspired The Client) manages to uncover the old man's real identity thanks to some thorough research and tells him about the discovery. The unexpected thing is, Todd doesn't want to report Dussander to the police. What he really wants is to learn everything - and he repeatedly emphasizes the word "everything" - about the former Nazi's work under Hitler's regime. Soon enough, the perverse bond between the two starts affecting the boy's grades and behavior, and Dussander isn't unaffected either: somewhere deep inside lies the old Nazi, and that part of his personality would like to come out and play.

The film's screenplay sticks quite faithfully to the basic idea of King's story and reproduces some of the most famous scenes verbatim (except for one moment of animal cruelty, which had to be softened), although a few subplots are excised, presumably for the sake of length and pace. The downside of that is an occasional lack of detail, especially when it comes to the development of Renfro's character. Director Bryan Singer, who obviously found himself in an uncomfortable position to begin with, having to live up to the success of The Usual Suspects, makes up for this flaw by constructing a genuinely tense and unnerving atmosphere, adding to the moral ambiguity by highlighting the homosexual subtext already present in the book (when Todd tells Dussander to f*ck himself, the latter replies: "My dear boy, can't you see? We're f*cking each other.").

Acting-wise, the limelight is inevitably placed on the leading duo, even if the supporting cast, which includes fine character actors like Bruce Davison and Elias Koteas, is quite strong (with the exception of David "Ross" Schwimmer, who isn't entirely at ease in a serious role). Renfro's performance is solid and captivating enough, but like his character he is completely overshadowed by the superb, unsettling McKellen, who inhabits the role of Dussander with his usual Shakespearean grandeur. Case in point: the unforgettable moment when the old man is forced to wear an old SS uniform Todd got his hands on. McKellen carries out the assignment with the dignity of a great tragic thespian, nailing the scene as one of the essential samples of his film career.

Apt Pupil distances itself from The Shawshank Redemption and Stand by Me in that it isn't as accomplished, most notably when it comes to the inevitable book/film comparison. Then again, it tells a much darker story, which asks the audience to root for a psychotic teenager and an aging Nazi. Flawed it may be, but it certainly is interesting (not to mention carried by an astounding McKellen). It is indeed a different season.