Earl Pilcher, Jr., runs an equipment rental outfit in Arkansas, lives with his wife and kids and parents, and rarely takes off his gimme cap. His mother dies, leaving a letter explaining ... See full summary »
James Earl Jones,
Eulis 'Sonny' Dewey is a preacher from Texas living a happy life with his beautiful wife Jessie. Suddenly his stable world crumbles: Jessie is having an affair with young minister Horace. Sonny gets enraged and hits Horace with a softball bat, putting him into a coma. After that he leaves town, takes a new name, 'Apostle E.F.' and goes to Louisiana. There he starts to work as a mechanic for local radio station owner Elmo, and Elmo lets him preach on the radio. E.F. starts to preach everywhere: on the radio, on the streets, and with his new friend, Reverend Blackwell he starts a campaign to renovate an old church.Written by
Robert Duvall had to use four million dollars of his own money to complete the film. When the movie did well at the box-office, the distributors reimbursed him. See more »
When the car takes off to go into the river, the tires squeal on a dirt road. See more »
[Sonny sees his momma laying on the floor]
Mama, I can't take you with me now, so get on back in your chair. Now i know you've died on me and gone on home to heavan so i hope you can still hear me. Now, you be good while i'm gone and i'll call you tonight okay? I can't take you with me now. Alright? Eh? Eh, Mama?
[as hes going out the door]
Hug St. Peters neck for me would ya? Bye Mama, kiss an angel for me. Gotta hit the road Mama, i gotta work! Gotta go to work!
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During the end credits there is a scene showing Sonny (Robert Duvall) preaching to the prisoners during out-of-prison work. See more »
Robert Duvall did an excellent job bringing this film to life. The other 'actors' in the film also contribute to give "The Apostle" a realistic warmth rarely achieved in mainstream films. I refer to the cast as 'actors' because aside from numerous character actors, Duvall being one of the greatest, the film is inhabited by non-actors. In other words, the people in church, from the Holiness preachers to the warm small-town folk, are real people, not trained in acting. Duvall's story is engaging and beautiful in the way it shows the flaws amid great talent in a man who chooses for himself the calling of Apostle. I love this film, the accurate portrayal of some aspects of southern U.S. life and culture, and especially Duvall's performance.
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