In 1839, the revolt of Mende captives aboard a Spanish owned ship causes a major controversy in the United States when the ship is captured off the coast of Long Island. The courts must decide whether the Mende are slaves or legally free.
Amistad is the name of a slave ship traveling from Cuba to the U.S. in 1839. It is carrying a cargo of Africans who have been sold into slavery in Cuba, taken on board, and chained in the cargo hold of the ship. As the ship is crossing from Cuba to the U.S., Cinque, who was a tribal leader in Africa, leads a mutiny and takes over the ship. They continue to sail, hoping to find their way back to Africa. Instead, they are misdirected and when they reach the United States, they are imprisoned as runaway slaves. They don't speak a word of English, and it seems like they are doomed to die for killing their captors when an abolitionist lawyer decides to take their case, arguing that they were free citizens of another country and not slaves at all. The case finally gets to the Supreme Court, where John Quincy Adams makes an impassioned and eloquent plea for their release.Written by
M Parkinson, Sarasota, FL, USA
The only film that year to be nominated for Best Picture at the Producers Guild of America Awards, but not at The Academy Awards. See more »
While Secretary Forsythe talks with President Van Buren about the dire political consequences of the Amistad Africans being acquitted and suggests dismissing the jury and replacing the judge, there is a bowl of water on the desk at which Van Buren is sitting. During the conversation, the water in the bowl inexplicably changes from clear to dark (presumably its purpose is to clear out the unused ink from quill-pens when Van Buren is done using them, to prevent the hollow part of the quill from getting mucked up with dried ink), then back to clear. See more »
[to Pedro Montes]
That one wants us to sail them back. That one thinks he can sail all the way back without us.
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The events depicted did not historically occur at Fort El Morro See more »
Amistad is a very well crafted, well acted, and well told story. It is also mostly true to the history of events surrounding the Amistad 'mutiny', and the defense of the Africans responsible for it by John Quincy Adams and a young lawyer named Baldwin. I put the word mutiny in quotes because it is absurd to think of people fighting against murder, enslavement and rape as any form of crime. The film is unabashed about showing us the brutality and outrageousness of the covertly institutionalized slave trade that haunted one of America's darkest, most retrograde periods, and pulls no punches about the cultural differences between its victims, its culprits, and those who felt that it was not their problem.
Amistad ranks as one of McConaughey's finest performances, perhaps his best. But nearly the entire cast is blown off the screen by the passionate, sensitive and profound performance of Djimon Hounsou. Hopkins is good as Adams, but what else is new? Though the film does not have a literary feel - it is pure cinema - it is a truly great story featuring bold characters and a deep and simple emotionality which draws its audience in. Alistad has a spirit that can only be described as truthfulness.
Despite his detractors, Spielburg proves again and again that morally decent films with positive messages can be entertaining and artfully crafted.
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