In 1839, the revolt of Mende captives aboard a Spanish owned ship causes a major controversy in the United States when the ship is captured off the coast of Long Island. The courts must decide whether the Mende are slaves or legally free.
As the American Civil War continues to rage, America's president struggles with continuing carnage on the battlefield as he fights with many inside his own cabinet on the decision to emancipate the slaves.
During the Cold War, an American lawyer is recruited to defend an arrested Soviet spy in court, and then help the CIA facilitate an exchange of the spy for the Soviet captured American U2 spy plane pilot, Francis Gary Powers.
Amistad is the name of a slave ship travelling from Cuba to the U.S. in 1839. It is carrying a cargo of Africans who have been sold into slavery in Cuba, taken on board, and chained in the cargo hold of the ship. As the ship is crossing from Cuba to the U.S., Cinque (Djimon Hounsou), who was a tribal leader in Africa, leads a mutiny and takes over the ship. They continue to sail, hoping to find their way back to Africa. Instead, they are misdirected and when they reach the United States, they are imprisoned as runaway slaves. They don't speak a word of English, and it seems like they are doomed to die for killing their captors when an abolitionist lawyer decides to take their case, arguing that they were free citizens of another country and not slaves at all. The case finally gets to the Supreme Court, where John Quincy Adams (Sir Anthony Hopkins) makes an impassioned and eloquent plea for their release.Written by
M Parkinson, Sarasota, FL, USA
Amistad is a very well crafted, well acted, and well told story. It is also mostly true to the history of events surrounding the Amistad 'mutiny', and the defense of the Africans responsible for it by John Quincy Adams and a young lawyer named Baldwin. I put the word mutiny in quotes because it is absurd to think of people fighting against murder, enslavement and rape as any form of crime. The film is unabashed about showing us the brutality and outrageousness of the covertly institutionalized slave trade that haunted one of America's darkest, most retrograde periods, and pulls no punches about the cultural differences between its victims, its culprits, and those who felt that it was not their problem.
Amistad ranks as one of McConaughey's finest performances, perhaps his best. But nearly the entire cast is blown off the screen by the passionate, sensitive and profound performance of Djimon Hounsou. Hopkins is good as Adams, but what else is new? Though the film does not have a literary feel - it is pure cinema - it is a truly great story featuring bold characters and a deep and simple emotionality which draws its audience in. Alistad has a spirit that can only be described as truthfulness.
Despite his detractors, Spielburg proves again and again that morally decent films with positive messages can be entertaining and artfully crafted.
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