Amistad (1997)

In 1839, the revolt of Mende captives aboard a Spanish owned ship causes a major controversy in the United States when the ship is captured off the coast of Long Island. The courts must decide whether the Mende are slaves or legally free.

Director:

Steven Spielberg

Writer:

David Franzoni

Stars:

Djimon Hounsou, Matthew McConaughey, Anthony Hopkins

Nominated for 4 Oscars. Another 9 wins & 39 nominations.

Cast

Cast overview, first billed only:
Morgan Freeman	...	Theodore Joadson
Nigel Hawthorne	...	Martin Van Buren
Anthony Hopkins	...	John Quincy Adams
Djimon Hounsou	...	Cinque
Matthew McConaughey	...	Roger Sherman Baldwin
David Paymer	...	Secretary John Forsyth
Pete Postlethwaite	...	Holabird
Stellan Skarsgård	...	Tappan
Razaaq Adoti	...	Yamba
Abu Bakaar Fofanah	...	Fala
Anna Paquin	...	Queen Isabella
Tomas Milian	...	Calderon
Chiwetel Ejiofor	...	Ensign Covey
Derrick N. Ashong	...	Buakei
Geno Silva	...	Ruiz

Storyline

Amistad is the name of a slave ship traveling from Cuba to the U.S. in 1839. It is carrying a cargo of Africans who have been sold into slavery in Cuba, taken on board, and chained in the cargo hold of the ship. As the ship is crossing from Cuba to the U.S., Cinque, who was a tribal leader in Africa, leads a mutiny and takes over the ship. They continue to sail, hoping to find their way back to Africa. Instead, they are misdirected and when they reach the United States, they are imprisoned as runaway slaves. They don't speak a word of English, and it seems like they are doomed to die for killing their captors when an abolitionist lawyer decides to take their case, arguing that they were free citizens of another country and not slaves at all. The case finally gets to the Supreme Court, where John Quincy Adams makes an impassioned and eloquent plea for their release.

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Plot Keywords:

ship | slave ship | escape from slavery | la amistad | amistad | 

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Taglines:

A true story.

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Genres:

Drama | History

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Motion Picture Rating (MPAA)

Rated R for some scenes of strong brutal violence and some related nudity

Details

Country:

USA

Language:

English Mende Spanish Portuguese

Release Date:

25 December 1997 (USA)

Also Known As:

Amistad - Das Sklavenschiff

Filming Locations:

Marble House - 596 Bellevue Avenue, Newport, Rhode Island, USA

Box Office

Budget:

$36,000,000 (estimated)

Opening Weekend USA:

$4,661,866, 14 December 1997, Limited Release

Gross USA:

$44,175,394, 5 April 1998

Cumulative Worldwide Gross:

$16,200,000, 15 March 1998

Company Credits

Production Co:

DreamWorks, Home Box Office (HBO)

Technical Specs

Runtime:

155 min

Sound Mix:

DTS Dolby Digital SDDS

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

The cast includes five Oscar winners: Sir Anthony Hopkins, Morgan Freeman, Matthew McConaughey, Anna Paquin, and Gerald R. Molen; and six Oscar nominees: Djimon Hounsou, Chiwetel Ejiofor, David Paymer, Pete Postlethwaite, Peter Firth, and Sir Nigel Hawthorne.

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Goofs

In the Supreme Court scene, when John Q. Adams is making his speech before the justices, he reaches for a document that is handed to him by Baldwin. Baldwin hands him a single sheet with a ribbon seal, but in Adams's hands it becomes the "Review" pamphlet with several pages.

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Quotes

[first lines]
Ruiz: [to Pedro Montes] That one wants us to sail them back. That one thinks he can sail all the way back without us.

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Crazy Credits

The events depicted did not historically occur at Fort El Morro

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Alternate Versions

The board of film censors of Jamaica have excised the opening scenes, depicting a violent slave uprising on a ship, from all copies of the film released in Jamaican theatres.

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Connections

Referenced in Strength and Honor: Creating the World of 'Gladiator' (2005)

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Soundtracks

I Love Thy Kingdom, Lord
Written by Aaron Williams
Lyrics by Timothy Dwight (uncredited)

User Reviews

The most un-Spielberg film of his oeuvre.

Dismissed on its release as a dry civics lesson or as "Schindler's List with slaves", which is a shame, because there is so much intricate stuff going on here that fans of Spielberg and his normally in-your-face approach might not grasp the moral ambiguity and more subtle touches that roam beneath the surface. In a year dominated by Titanic this was publicly dismissed as too serious or arty...

Why is it un-Spielberg? Ponderous pacing replaces storytelling fluidity and speed, his normally active camera is replaced by more painterly compositions.. Instead of having stuff jump at you, you have to search for it or feel it without truly realizing it: touches of genius are very present, but differ from the original style (like the brutal insurrection scenes, cargo dumping scene, etc).

The story itself focuses on a mutiny aboard a transatlantic slave ship, led by Cinque. The ship is intercepted by the American navy and a messy trial ensues to see who has rights regarding the cargo, Spain, America... or are the slaves not "legal" slaves after all? Cue abolitionists hiring young property lawyer Baldwin. These events, based on facts, occur before the Civil War.

I can feel people sighing from here. "Oh, no: not a courtroom drama...". Labelling it as such would be missing the point by a mile. It is so much about context and moral ambiguity, and ultimately the tragic ridicule of the situation. Amistad is also a technical marvel. Janusz Kaminski's (SPR, Schindler's List, AI, Minority Report...) photography is superb, a dark study in sepia browns. The acting is magnificent, mainly two amazing performances. One by Anthony Hopkins as former president John Quincy Adams (an unusual turn for him, where he really soars), and the other by Djimon Hounsou (later cast as Juba in Gladiator) as Cinque being the true gem.

Ultimately, Amistad's greatest strength is that it avoids offering any easy answers and in that sense, does to subconscious issues about race and slavery what Kubrick's 2001 did to space travel and progress, albeit with more humanity and more accessible drama. It's a shame this film is never talked about.