2.2/10
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Glitter (2001)

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A young singer dates a disc jockey who helps her get into the music business, but their relationship become complicated as she ascends to super stardom.

Director:

Vondie Curtis-Hall (as Vondie Curtis Hall)

Writers:

Cheryl L. West (story), Kate Lanier (screenplay)
Bottom Rated Movies #18 | 3 wins & 10 nominations. See more awards »

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Cast

Cast overview, first billed only:
Mariah Carey ... Billie Frank
Max Beesley ... Julian Dice
Da Brat ... Louise
Tia Texada ... Roxanne
Valarie Pettiford ... Lillian Frank
Ann Magnuson ... Kelly
Terrence Howard ... Timothy Walker
Dorian Harewood ... Guy Richardson
Grant Nickalls ... Jack Bridges
Eric Benét ... Rafael
Padma Lakshmi ... Sylk
Don Ackerman ... Peter
Ed Sahely Ed Sahely ... Francois
Carmen Wong Carmen Wong ... Rose
James Allodi ... Video Director
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Storyline

Billie Frank is a shy, young multiracial girl who is sent away by her alcoholic mother at a very early age. At an orphanage, she befriends Louise and Roxanne. Flash forward to 1983. Billie and her friends are spotted by a record producer, Timothy Walker, who wants them to sing backup for his latest pop-music discovery. But when super DJ Julian Dice hears Billie's incredible voice, he makes a shady deal with Timothy to get her out of that dead-end situation. Soon, Billie and Dice are making hits inside the studio, and falling in love outside of it. Eventually, the pressure of her newfound celebrity puts too heavy a strain on Billie, forcing her to decide what it is she really wants from Dice, and what she wants for herself. Written by Anonymous

Plot Summary | Plot Synopsis

Taglines:

A strength to survive. A desire to dream. See more »

Genres:

Drama | Music | Romance

Motion Picture Rating (MPAA)

Rated PG-13 for some sensuality, language and brief violence | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

21 September 2001 (USA) See more »

Also Known As:

All That Glitters See more »

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Box Office

Budget:

$22,000,000 (estimated)

Opening Weekend USA:

$2,414,596, 23 September 2001, Wide Release

Gross USA:

$4,273,372, 28 October 2001

Cumulative Worldwide Gross:

$5,271,666
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

DTS | Dolby Digital | SDDS (8 channels)| SDDS

Color:

Color

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

Mariah Carey started shopping her film idea to studios in 1997. She started writing songs for the soundtrack before it got a green light. Carey admits that when the project was approved in 2000, she found songs for the movie that she'd written and forgotten about. She was only supposed to do six songs, but many collaborations with producers, writers, and artists, including Jimmy Jam, Terry Lewis, and Rick James, led to her writing the entire soundtrack. She also worked on a song with Prince, but they missed the deadline. See more »

Goofs

When Billie is sitting at the keyboard, she puts a pad down, and lays a pen on top. The pen rotates between shots, note the direction which the nib faces. See more »

Quotes

Video Director: We ask ourselves, is she black? Is she white? We don't care. She's exotic. I want to see more of her breasts.
See more »

Connections

Referenced in Chelsea Lately: Episode #6.103 (2012) See more »

Soundtracks

I Know
Written and Produced by Damion Young and Randy Jackson
Performed by Padma Lakshmi, Maria Montreano and Trey Lorenz
See more »

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User Reviews

 
As bad as they say, and then some
28 December 2004 | by mentalcriticSee all my reviews

In my perverse desire to see every film in the bottom 100, I thought I could not go far wrong with a rental of this classic POS. Mariah Carey's first and so far only feature film is an example of how the combined MPAA and RIAA attempts to shovel garbage at us are starting to backfire. Sales of Mariah's recordings, once one of the highlights of an otherwise dreary RIAA mainstream catalogue, have slumped. It's all because of this film. Don't let the blind Mariah fans fool you - it is just as bad as critics say, and deserving of its bottom 100 status.

Where to begin when pulling apart this cinematic abortion? For me, the first major problem was the cinematography. If the viewer is not clued in on the fact that Vondie Curtis-Hall has only directed television before this film as it starts, the flat, Days-Of-Our-Lives-style shots will soon make it clear enough. Directors who put one or two actors, three tops, in a 2.35:1 frame are a dime a dozen. On the other hand, directors who cannot even differentiate these actors' spacing from the camera truly stand out, and not in a good way.

The story has been described as being syrupy enough to kill anyone who suffers from diabetes (or doesn't), and I am not going to contest that. It's a variation upon the classic rags to riches theme, specifically tailored towards Mariah. Mariah essentially plays herself in the guise of a young vocalist who starts singing backup for a considerably less talented vocalist. As she crosses the paths of more people, eventually said people twig to the fact that she can vocalise with the best of them. One DJ eventually picks her up, manages her through a record deal, and promises her that one day she *will* play in Madison Square Garden, or something along those lines.

This kind of story has been done before, with such real-life examples as the Jacksons providing source material for one excellent miniseries of the theme. The problem here is that we've heard this story a million times before. Another significant problem is that while Mariah has a voice many would kill for, there is absolutely nothing that stands out, even slightly about her material. As an old girlfriend of mine once said, the longer it takes the RIAA to twig to the fact that being female doesn't mandate wanting to hear this formulaic ballad crap, the more business they are going to lose to independents who support bands like Opera IX. I think the fact that Mariah's last album disappeared without trace in spite of having millions of dollars spent on its promotion proves her right.

Mariah's story is also incredibly bland, to say the least. So her junkie mother gave her up when she was young. Oh boo hoo. It happens, and you're probably better off for it, get over it already. The previously-mentioned Jacksons could run rings around the likes of Mariah Carey for sob stories, and their reluctance to deal with the media at large is a telling thing. So in the end, we are simply left with another example of the mainstream trying to seem alternative, and failing.

I gave Glitter a one out of ten. I don't think I am being too harsh. I think it is so amazingly bad that it becomes comedic, at least on the first viewing. I suspect that repeated viewings will simply become boring.


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