Critic Reviews



Based on 21 critic reviews provided by
Entertainment Weekly
By rocketing ahead 200 years from the previous film and jiggering the story cleverly (with a script by Toy Story coscreenwriter Joss Whedon as late-'90s wiseacreish as Alien3 was early-'90s portentous) to create a Ripley reconstructed through a mix of human and alien DNA, Alien Resurrection power-kicks the whole definition of the Horrifying Other into a fresh, deep, exhilaratingly thoughtful, millennium-sensitive direction. [5 Dec 1997, p. 47]
The Globe and Mail (Toronto)
Jeunet manages a terrific pass in an extended underwater sequence, but, beyond that, he runs out of ideas as we run out of patience.
Dallas Observer
Weaver is able to take a schlock conception and turn it into a tour de force. Sky-high and straight-backed, she's imperiously graceful in this film; at times she resembles Martha Graham in the swooping, lyrical severity of her movements.
So campy that it almost plays like a sendup of the series. It is to Alien what "The Bride of Frankenstein" was to other 1930s Frankenstein movies, and it even shares some of the same themes.
Under the reins of Jean-Pierre Jeunet ("Delicatessen"), the Alien franchise has lost none of its taste for acid-spewing, flesh-impaling, entrail-dripping gore.
Weaver essays the new hotmama Ripley with wry, good humor -- you can tell she's having a ball playing this unstoppable die-cast she-wolf.
Christian Science Monitor
Heavy on violence and special effects, light on everything else.
Film Threat
Sigourney gets some good "Rambo" lines, but about halfway through the film her alien super powers go dormant.
Chicago Reader
Whedon and director Jean-Pierre Jeunet ("Delicatessen") bend over so far backward to make Weaver's and Ryder's roles beefy that they end up mocking the characters' bravura.
Chicago Sun-Times
It's a nine days' wonder, a geek show designed to win a weekend or two at the box office and then fade from memory.

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