200 years after her death, Ellen Ripley is revived as a powerful human/alien hybrid clone. Along with a crew of space pirates, she must again battle the deadly aliens and stop them from reaching Earth.
After her last encounter, Ellen Ripley crash-lands on Fiorina 161, a maximum security prison. When a series of strange and deadly events occur shortly after her arrival, Ripley realizes that she has brought along an unwelcome visitor.
Charles S. Dutton,
Ellen Ripley is rescued by a deep salvage team after being in hypersleep for 57 years. The moon that the Nostromo visited has been colonized, but contact is lost. This time, colonial marines have impressive firepower, but will that be enough?
After a space merchant vessel perceives an unknown transmission as a distress call, its landing on the source moon finds one of the crew attacked by a mysterious lifeform, and they soon realize that its life cycle has merely begun.
During an archaeological expedition on Bouvetøya Island in Antarctica, a team of archaeologists and other scientists find themselves caught up in a battle between the two legends. Soon, the team realize that only one species can win.
A cybernetic warrior from a post-apocalyptic future travels back in time to protect a 25-year old drifter and his future wife from a most advanced robotic assassin and to ensure they both survive a nuclear attack.
A seemingly indestructible android is sent from 2029 to 1984 to assassinate a waitress, whose unborn son will lead humanity in a war against the machines, while a soldier from that war is sent to protect her at all costs.
The saga continues 200 years after Ripley sacrificed herself for the sake of humanity. Her erstwhile employers long gone, this time it is the military that resurrects the one-woman killing machine through genetic cloning to extract the alien from within her, but during the process her DNA is fused with the queen and then the aliens escape. Now Ripley must decide where her allegiance lies.
The actors were subjected to about 15 underwater training sessions in swimming pools around the Los Angeles area before arriving at the underwater set where they underwent a further 2 weeks of training before anything was shot. Sigourney Weaver missed most of this because she had been appearing in a play on Broadway just prior to filming. See more »
When Ripley is taken to the main Alien hive, the scene opens with Gediman (Brad Dourif) cocooned on the wall. While audio can be heard of him ranting about how the Alien is now perfect, visually he is quite literally saying "blah blah blah". See more »
My mommy always said there were no monsters. No real ones. But there are.
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Many of the creature effects casting and mold making crew. Some long standing, heavily contributing members, were omitted from the credits. Supposedly due to budget concerns. See more »
With Alien 3 closing the story arc of the Alien trilogy, this film begins with a fresh slate. The Alien films have always been a director's series but in this film it was the writing that ultimately killed it. Resurrection tries to be too many things at once. It has a very artistic and dynamic visual style, but cardboard characters. It has a very overt sense of humor, but it is all done in a very juvenile manner. Much of the maturity and restraint of the previous three films is thrown out in favor of a more comic book style. The cinematography and set design is gorgeous to the point of decadence. Sigourney Weaver has been given an interesting character to play and does it with a strange sense of detachment that lends more depth to the proceedings than the script ever could. Thinking back, the first three films all had very solid overall stories and well developed characters while Resurrection has a very solid concept but can't seem to build a coherent movie around it. If you follow the overall themes of the series with the first, second and third being birth, life, and death respectively that leaves Resurrection on shaky thematic ground. Since this is Alien: RESURRECTION obviously the filmmakers wished for rebirth to be the theme, but somehow it never quite works. The characters are basically action movie clichés, and the action sequences of the movie are hopelessly contrived. Why does the Alien always stop to snarl before it attacks giving people just enough time to shoot it? Alien 3 did not have this problem and it reinforced how dangerous the creature really was. Resurrection turns the Aliens into monsters from a B-movie. Very few scenes in the film are particularly memorable. Sure, the underwater chase is a nice bit of action derring-do, but there's no real sense of danger...except for the supporting characters you barely know who get killed in the reverse order they appear in the credits. Two fantastic scenes that I wish there were more of in the film are the doctor's examination of the Aliens where he "plays" with them. Now that was a scene of inspired genius. The other scene was when Ripley wakes up in her circular chamber. It is interesting to note that neither of these scenes have any dialogue, because the dialogue is pretty atrocious. Ron Pearlman is always fun to watch and makes a good comic duo with Dominique Pinon, but Winona Ryder absolutely kills this movie with her nonperformance. The effects look less realistic this time out and the score at times seems to try too hard to emulate the second and third films with Goldsmith's original Alien theme being used on several occasions. The film is a brilliant exercise in dynamic visuals but the story really does not go anywhere. Unlike the first three films this one does not take itself seriously at all so the danger level becomes nonexistent. I believe Jean-Pierre Jeunet was an excellent choice for a director but the script served him very badly. This is an interesting film to watch for an interesting scene here and there but not in the same league as the previous films.
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