When Juvenal, a presumed miracle worker, appears on the scene Bill Hill attempts to exploit him but his plans go astray with the untimely intervention of August Murray and the developing ... See full summary »
An English couple holiday in Venice to sort out their relationship. There is some friction and distance between them, and we also sense they are being watched. One evening, they lose their ... See full summary »
Wade Whitehouse is a sheriff of a small New Hampshire town who achieved nothing in life in the opinion of his ex-wife Lillian and daughter Jill and is a heavy drinker. His girlfriend Margie accepts him the way he is. On the first day of the hunting season, Wade's friend Jack takes a wealthy businessman to hunt - and only Jack returns alive. Wade decides to play detective and starts investigating the case despite the fact Jack insists it was an accidental self-inflicted shot.Written by
The jackets the NHSP were wearing were not used since the 1980s, and the badges worn were also fake. See more »
I was always careful around Pop. I was a careful child. And I'm a careful adult. But at least I was never afflicted with that man's anger.
That's what you think.
See more »
I Forgot More Than You'll Ever Know
Written by Cecil A. Null
Performed by Skeeter Davis
Used by permission of EMI Unart Catalog, Inc.
Courtesy of The RCA Record Label
[Plays in the diner while Wade has a friendly chat with the diner owner and discusses his problems with his ex with Margie] See more »
"Affliction" doesn't have an immediate plot. It's mostly a delve into a man's (Nick Nolte) psyche, a divorced alcoholic man who was abused as a child by his drunken father (James Coburn). He tries to cope, he tries to make something of himself by attempting to solve a hunting accident which he thinks is really a murder. He claims that after this, everyone will remember him as a hero.
Luckily the audience isn't made to believe Nolte's cause, to us he looks just as mad as he does to the characters around them. This is well done, because it could've been presented as some big twist at the end.
Anyway, the "mystery" element to the film isn't that important. It's mostly about how hard - and almost impossible - it is to prevent an emotionally abused man to make the same mistakes his father made. This idea is presented well, but by the end it just feels so thick and depressing that it's hard to take anything from the film, because you don't want to remember it.
Acting-wise the movie is quite good. Nolte delivers what I think is his best performance here, with a quiet desperation wonderfully put out by his eyes, voice, face, and so on. James Coburn does his usual well, but I have to question just why he won an Oscar for this. Don't get me wrong, he was a terrific actor and his performance in this is great, but he's not in many scenes, and the scenes he is in are mostly just a variation of the same thing: Coburn drunkenly and violently mumbles at his sons and eventually starts to yell and thrash. This is all well and good, but his scenes never go beyond that, except for (maybe) at the end when he spews his own sort of twisted philosophy to Nolte.
Other great performances come from Sissy Spacek as Nolte's increasingly uneasy girlfriend. Also Willem Dafoe as Nolte's brother who is so concerned with being quiet and not problematic that he cant prevent the build-up of violence and abuse in his family. I'd say that this performance is more Oscar worthy than Coburn's.
This is a good movie with a great message, but it doesn't put enough on the table, 7/10.
12 of 16 people found this review helpful.
Was this review helpful to you?
| Report this