Good-natured astronomer Sam is devastated when the love of his life, Linda, leaves him for a suave Frenchman named Anton. He therefore does what every other normal dumpee would do; go to New York and set up home in the abandoned building opposite his ex-girlfriend's apartment, intent on winning her back and waiting until she decides to leave her current lover. What Sam does not count on is being joined several weeks later by ultra hip tomboy Maggie, a photographer and motor-cyclist who is determined to get revenge on Anton, her ex-fiance. Hostile at first, the two of them eventually join forces in an attempt to separate the couple, and ruin Anton's life. However, complications ensue when Sam and Maggie start falling for each other.Written by
When Sam paints the wall, he paints the same (unpainted) spot twice. See more »
[finding out that Sam has been working with Maggie, Anton goes berserk and starts beating him up, then realizes what he's doing and sinks into a corner of the room]
Maggie... was my angel. She brought me here. I was nothing before I met her, just a waiter in a little cafe in Paris. And yeah... I used her. I used her terribly. But I told myself it didn't matter, because I was sure that I would grow to love her. I thought, if I could just love her, it would be all right. The shame would go away. ...
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Victime de la mode
Written by M.C. Solaar (as Claude M'Barali) and Christophe Viguier
Performed by M.C. Solaar (as MC Solaar)
Courtesy of Polydor, a Division of PolyGram France
By Arrangement with PolyGram Film & TV Licensing See more »
Better than average plot but not enough to raise it above B-level.
I think Meg Ryan's star status worked against her because her cute reputation undercut her tough character. However, she proves that she can do something besides "bubbly" and is pretty good in a more edgy role.
Tchéky Karyo was excellent as a semi-likable French guy. One common weakness in romantic comedies is that the viewer can't understand why the "nice girl" would fall in love with the "bad guy." In this movie, we can she why she loves him and, by the end, we even like him a little too. Good writing and acting.
Not Matthew Broaderick's best performance... fairly uneven. He doesn't do "hopelessly in love" very well. Broaderick looked great, even when disheveled. For that matter, all the characters look great.
Kelly Preston is pure cardboard but it sort of works because three developed characters are probably enough in a Romantic Comedy.
The set (the hideout, especially) stole the show. The sound was unusually good for a fluff movie.
4 of 4 people found this review helpful.
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