A hard but mediocre cop is assigned to escort a prostitute into custody from Las Vegas to Phoenix, so that she can testify in a mob trial. But a lot of people are literally betting that they won't make it into town alive.
Luther Whitney is a master jewel thief. While robbing the safe of a house, he witnesses the murder of a young woman by The Secret Service and the President of the United States. Now he is targeted for death by the young woman's husband, The Secret Service and the President.Written by
In the 1997 "Film & Video" article "Clint Eastwood: The Actor-Director Reflects on His Continuing Career and New Film, Absolute Power", Clint Eastwood reportedly liked the source novel's plot and characters, but did not like the ones he thought interesting being killed, and asked William Goldman to ensure "everyone the audience likes doesn't get killed off." See more »
In the pictures of Luther's daughter with her mother, she is shown to be wearing fairly modern disposable diapers however in reality, when she was a toddler she would have been wearing cloth diapers with rubber pants; disposable diapers were a new invention in the 60s (approx when the child was that age). See more »
[after the restaurant shooting Luther's disguised as a cop]
All right. Calm down. Let's not lose our heads. Everyone remain calm.
[turns to camera to reveal that he's disguised and then exits through the back door of the restaurant]
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Absolute Power may not be an overly special film but it was the first movie I saw in the cinema after leaving high school. I was certainly not the target audience but it had my attention from the first scene and maintained the suspense for the during of the running time, even if it doesn't build to much.
Clint Eastwood plays Luther Whitney, an expert thief who targets billionaire industrialist Walter Sullivan (grouchy old EG Marshall, in his last theatrical movie) while he is off on vacation. While in the midst of cleaning out the vault the President of the United States (Gene Hackman) enters the room with Sullivan's wife. Whitney hides in the vault, which has a two-way mirror, and witnesses the President get a little too rough with the woman, which ends in her fighting him off and being murdered by the secret service. The Chief of Staff concocts a plan to cover up the murder not knowing that Whitney is watching the whole thing. As the group leave he escapes, taking a crucial piece of evidence with him.
Initially unsure what to do, Whitney decides to taunt the President, though it's not clear what his complete plan is or even if he's just free-forming. If one should fault Absolute Power for any reason it's that it establishes a lot of plot and potential but never really does anything with it and ends with an anti-climactic cop-out.
Where it succeeds is with the small cast of characters who really make the dialogue and relationships work. Ed Harris as the confused but dedicated cop investigating the case, Laura Linney as Whitney's resentful daughter, and the austere Scott Glenn as the self-doubting agent make every scene effortless even when there's not much happening.
Adapted from (and streamlined and improved in the process) the bloated novel by David Baldacci (I call them 'Airport novels' – those 600-page bricks with generic covers featuring nothing but the title and author in giant gold letters in a tacky font) the screenplay makes many changes but they are all for the better. Eastwood's direction is slow and steady – or 'mature'. The pace and framing is the antidote for anyone bored to tears with the nauseating aesthetic of today's comic-book movies and CGI nightmares.
A curious thing about the beginning of the movie is that Clint Eastwood only has 2 lines of dialogue for the entire 35 minutes. I don't understand why he didn't cut them out and remain silent, which would give the film a peculiar edge.
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