With Jack having the knowledge of the Ancient repository once again in his mind, he and Daniel attempt to unearth the location of the lost city of the Ancients. Bra'tac, bringing with him the news of...
An alien similar to Ra appears out of the Stargate, killing five soldiers and kidnapping another, a year after the original Stargate mission. A new team is assembled, including some old ... See full summary »
Richard Dean Anderson,
When an old enemy, the Cylons, resurface and obliterate the 12 colonies, the crew of the aged Galactica protect a small civilian fleet - the last of humanity - as they journey toward the fabled 13th colony, Earth.
Edward James Olmos,
Stem cells, gene therapy, transplants, and cloning have changed the definition of "humanity" in the modern world, but the darker side contains monsters that only few are brave enough to face, because the future lies in their hands.
General Hammond summons Colonel Jack O'Neill out of retirement to embark on a secret rescue mission. O'Neill confesses that he disobeyed orders to destroy the Stargate on Planet Abydos, and that scientist Daniel Jackson may still be alive. Arriving on Abydos with his team, O'Neill meets up once again with the scientist, who has discovered a giant elaborate cartouche in hieroglyphics. All signs point to the fact that this is a map of many Stargates that exist throughout the galaxy - a development that makes the dream of the SG-1 team to travel throughout the universe in time a reality.Written by
Sergeant Walter Harriman was loosely based on Walter "Radar" O'Reilly from M*A*S*H (1972). Throughout the series, we see Walter display many Radar-like qualities, particularly his ability to respond the requests of his superiors before being asked. Coincidentally, both characters were portrayed by actors named Gary. See more »
The very idea that most alien civilizations outside of Earth can speak English is a linguistic impossibility. English was developed long after the stargates were used to populate these other planets and furthermore, English is an amalgamation and evolution of other early languages unique to Earth after the Gou'ald. Nevertheless, production logistics and writing logistics made it more practical for alien encounters to speak English as to eliminate the repetition of Daniel deciphering the language and then translating the language to the rest of the team for any episode dealing with an alien race which were the majority of the episodes. This also helped eliminate the need for the writers to invent a new language for every new alien civilization encountered. This practice carried over into Stargate: Atlantis as well. See more »
If we want to find out who's behind this, we have to do what the Asgard do.
You mean bluff?
Yep. We just need to do it without revealing what we know.
Which is nothing.
Right. But they don't know we know nothing.
See more »
On the DVD version of the show, the beginning and ending episodes of season seven have had their formats tweaked. As originally aired, FALLEN and HOMECOMING aired as one two-hour episode with one set of opening and closing credits and the only episode titles are seen listed with the respective writers after the opening title sequence. The DVD devides them into the syndicated version of two separate episodes each with their own credits and with the separate episode title on each episode. The reverse is true for LOST CITY. Originally aired as two separate episodes, the two episodes have been merged into one with one two-hour episode with one opening and closing credits sequence and instead of being LOST CITY PART 1 and LOST CITY PART 2, the title is simply LOST CITY. See more »
I nominate this and BABYLON 5 as the best television sci-fi series made. Both stand out in my mind because unlike early STAR TREK series, there is a consistent evolution of plots and characters. If you look at the original STAR TREK and STAR TREK:TNG, they were fine shows, but there was no overall theme or plot that connected all the episodes. In many ways, you could usually watch the shows totally out of sequence with no difficulty understanding what is occurring. This was less the case with DEEP SPACE 9 (with its giant battles that took up all of the final season) and the other TREK shows, as there was more of a larger story that unified them. This coherence seems to have developed as a concept with BABYLON 5 and saw this to an even greater extent with SG-1. The bottom line is that in many ways this series was like watching a family or a long novel slowly take form. Sure, there were a few "throwaway" episodes that were not connected to the rest, but these were very few and far between and were also usually pretty funny.
And speaking of funny, I loved that SG-1 kept the mood light from time to time and wasn't so dreadfully serious. In this way, I actually enjoyed it more than BABYLON 5. Jack O'Neill was a great character with his sarcasm and love of Homer Simpson--it's really too bad he slowly faded from the series in later seasons.
To truly appreciate SG-1, you should watch it from the beginning and see how intricately the plots work. This coherence gives the show exceptional staying power. And, if you don't like SG-1 after giving it a fair chance, then sci-fi is probably NOT the genre for you.
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