The Shining

Not great in the production department because it was made for tv and the acting is ok. But it follows the book way more than the popular Kubrick version and I appreciate that. King had a huge part in making this version and it shows. It was a little slow at times but overall I enjoyed it.

This television series was so dreadful, so dull and cheesy, how could any intelligent person possibly endorse it? Sure it was a much more faithful adaptation of King, but, for Christ's sake, it was shot like an after-school special, suffered the WORST miscasting, had some of the most godawful CGI effects (the moving shrubs made our entire roomful of viewers crack up), and lacked any mild attempts at atmosphere or terror. How could anyone EVER be scared by Steven Weber? It's like watching Barney descend into madness. What Kubrick lacked in direct interpretation he so greatly compensated for with a beautiful, disturbing and personal film. Remember people...BASED on the book by Stephen King. There was a reason many things never made it into the original film...they would look absolutely stupid (ie the shrubs) in direct translation and would most certainly detract from the film. Earlier quote - "Kubrick was a bit of a bad director(have i made any one cry just then)" No, you just made me laugh at you!

I have loved Kubrik's interpretation of The Shining since the first time it scared me. But that's what it really is, an interpretation. It's well known how Kubrik did his work and the limited amount of input that King had in the original movie. This new interpretation stays closer to the book and you genuinely get the idea that it's the hotel that is evil, while I've always felt that Kubrik's design made it feel more like the Jack went mad. The final scene of Kubrik's version, where he pans over the photos and you see Jack in all of them, has always felt like an homage to what the true meaning was supposed to be. This new version filled me with chills and goosebumps the whole way through. In one scene, when all the chairs in the dining area slide from their tables to the floor, not only was I shivering but I actually jumped. I've read the book; I knew it was coming but it was so perfectly executed that the creepiness was sustained throughout the entire show. That kind of horror/suspense is so rare nowadays, especially for a television mini-series! I truly feel that both versions stand on their own and applaud King for showing the chutzpah to go back and show us another view of The Overlook.

Let me say this right off the bat, the Kubrick version is the superior movie while the King/ Garris version is the superior adaptation.

What's wrong with the Kubrick version?

His misses out on certain very important plot elements. Jack seems to be crazy from the beginning. Jack's alcoholism is not as known as it should be. The Overlook only seems to be haunted in one or two scenes, the rest could be cabin fever. The breakdown of the family is not so clear, Jack and Danny don't seem to really love each other as much as they should. Differs greatly from the book.

What's right with Kubrick's version?

Superior directing. A very definitive style. Classic scenes ("Here's Johnny!"). Excellent acting. Danny seems to really be his age. Wendy really seems to be scared. Jack really does seem crazy when he's supposed to be. A very good horror movie in general. The hotel is much more imposing. Foreboding music helps to set mood. Differs greatly from the book (I'll explain why it's in both later).

What's wrong with the King/Garris version?

It suffers from many TV-Movie problems. The actors aren't quite as good. They use CGI when puppets, wires, or trick camera shooting could be equally effective. CGI looks out of place. Danny talks like a twenty-year old, although the same problem was in the book. Jack is fine when it comes to being Mr. Every Dad but he doesn't seem to be crazy when he's supposed to be. Jack's transformation doesn't seem so gradual as it should, Wendy says "You're old drinking habits have all come back" when the book shows each one pop up. It's the book, very little is changed so if you've read the book you pretty much know exactly what happens.

What's right with King/Garris' version?

It's not a remake of Kubrick's movie, it's a movie version's of King's book. It's the book, if you loved the book and are a die hard fan you'll love this. Very little is changed. Minor subplots are changed but movie works well without them. You get pretty much everything the Kubrick version left out.

Which one?

It depends. If you loved the book and are a die hard Stephan King fan then watch the Garris TV miniseries. If you are a regular movie fan or a Kubrick fan then watch the Kubrick version. Garris' is for the book fans. Kubrick's is for the non book fans.

Final Thoughts.

It's not really fair to compare the two movies. Each one has their own pros and cons. Kubrick's is more of a movie using the basic premise of the haunted hotel and the father who goes crazy. It's meant to be a movie that's not just a page by page adaptation of the book. Which you got to admire Kubrick for doing that. He did something that even those who memorized the book would be surprised and scared. But Garris did something that the die hard Stephan King fans can love. It depends on who you are. It is definitely not fair to compare the two since they are both very different from each other. Both are good in their own separate ways.

When I first saw this mini-series I thought it, despite being more faithful than Kubrick's film, was pointless and nowhere near as atmospheric. Watching it again, I think I was being unfair. I do consider Kubrick's film the superior and more atmospheric film overall(I shall never forget the Here Comes Johnny and Woman in the Bathtub scenes), but aside from being much more faithful to the book, which is excellent by the way but as far as King's works go I prefer It and The Stand, there are improvements made here. Jack's transformation is much more subtle, and his and Wendy's relationship is explored much further here. Rebecca DeMornay also is a far better female lead in my opinion, and Steven Weber brings a more human touch while being quite frightening too. The mini-series does look good, the photography and production values are fine, the sound and music are atmospheric, the story is compelling and the dialogue is mostly good. My complaints however are the overlong length, some of the CGI effects which were sometimes unnecessary and the pace is occasionally a little dull. Overall, it is a solid mini-series and much better the second time of viewing. 7/10 Bethany Cox