A free spirited yoga instructor finds true love in a conservative lawyer and they got married on the first date. Though they are polar opposites; her need of stability is fulfilled with him, his need of optimism is fulfilled with her.
Greg gets stripping lessons at home, then discovers a secret door in their bedroom to a hidden attic closet full of dolls which scare Dharma as 'bad karma', Jane remembers the previous tenants moved ...
Greg discovers why Dharma is so eager to 'do it' with him in weird, dangerous, public places: it's a contest with Jane, the winner is awarded the duck (actually a goose), just one of many silly rules...
Will and Grace live together in an apartment in New York City. He's a gay lawyer, she's a straight interior designer. Their best friends are Jack, a gleeful but proud gay man, and Karen, a charismatic, filthy rich, amoral socialite.
Al Bundy is a misanthropic women's shoe salesman with a miserable life. He hates his job, his wife is lazy, his son is dysfunctional (especially with women), and his daughter is dim-witted and promiscuous.
There could hardly be an odder match, but love knows no reason. Assistant D.A. Greg Montgomery, the son of successful businessman Edward Montgomery and Kitty, the queen of socialite snob-ism, falls madly in love with the utterly unconventional free spirit Dharma Finkelstein, the daughter of hippie couple Larry Finkelstein and Abby O'Neil. Even if they can't break the couple up, both in-law families-who never agree on anything else-stir up trouble as they are shocked by each other's lifestyle. Greg's lazy and incompetent colleague Pete Cavanaugh and Dharma's odd friend Jane, don't help their relationship either, between which another improbable hate-love chemistry develops.Written by
The vanity card at the end of the first episode (the producer has added a long text, visible for only a second, at the end of every episode, called a "vanity card") starts with "Thank you for videotaping "Dharma & Greg" and freeze-framing on my vanity card." Near the end, it says, "I believe that when ABC reads this, I'm gonna be in biiiig trouble." See more »
[while searching through their dead neighbor's belongings]
Aha! See? Unfinished business!
[looks at the piece of paper]
She's tethered to this earthly plane because she didn't pick up her dry-cleaning?
*You* would be.
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The end of the opening montage for the series has several pairings of word expressing opposites, such as: sun and moon, yin and yang, sugar and spice. See more »
The version shown on Czechoslovakian TV contains no laugh track. See more »
Yes, there are parallels to "I Love Lucy," but with a degree of introspection which was impossible for TV in those days. I regard this show as one of the last of the US broadcast networks' "second golden age," which emerged at the end of the seventies.
The actors use their voices extremely well; their timing, phrasing and range of modulation are expertly refined and restrained, and amazingly accomplished for TV. There are very few essential sight gags; when replaying the (excellent quality) audio track alone, I am intrigued by how well it would have worked on radio.
I notice some don't seem to "get" the parents, seeing them as shallow stereotypes. But their roles were written and played with the winking insight that the characters have become quite well aware their lifestyles, values and belief systems were folly. With evident embarrassment, they pragmatically and self-consciously stick to their pretensions, as they provide the only structure they dare trust enough to hold their fragile self-identities and relationships together.
This is gently revealed in the dynamic between and among the folks. The kids may seem to be center stage, but having themselves already caught on, essentially play "straight man" together to the poignant unfolding of their parents' subdued realizations as they sail into the fading expectations of middle age.
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