First shown in 1997. Chris Morris turns his laser eye to the subject of crime. Highlights include shocking revelations of how elephants are being used to disperse rioters, and Vanessa Feltz's message...
Alan Partridge a failed television presenter whose previous exploits had featured in the chat-show parody Knowing Me, Knowing You with Alan Partridge, and who is now presenting a programed on local radio in Norwich.
After publishing a rant about 'idiots' - frantically hip, ignorant scenesters - Dan Ashcroft finds these same people embracing him as his idol and his nerves constantly tested by his biggest fan, moronic scene personality Nathan Barley.
This parody series is an unearthed 80s horror/drama, complete with poor production values, awful dialogue and hilarious violence. The series is set in a Hospital in Romford, which is situated over the gates of Hell.
Mark and Jez are a couple of twenty-something roommates who have nothing in common - except for the fact that their lives are anything but normal. Mayhem ensues as the pair strive to cope with day-to-day life.
An unaired pilot episode of this show, called "Torque TV" exists, though for some reason it was never included on the Brass Eye DVD. It was made in 1995 by Christopher Morris, and the rest of the crew. Most of the material in "Torque TV" was re-used for the Animals episode of this series, but there are several scenes that are either unique to "Torque TV", or were edited down for inclusion in the series. Of note is an entirely excised interview between David Jatt (Morris) and Sir Peregrine Worsthorne, ex-Editor of The Sunday Telegraph talking about domestic hippos; an extended WOFDCAP sequence, in which the animal rights activists have a telephone conversation with Martin Amis about the plight of Karla the elephant; a thrilling look at how animals are gaining respect, including the heartwarming tale of a mouse that saved a drowning tramp; an extended sequence in which Dr. Jonathan Kwattes (Ian Gelder) explains why all animals are vegetarian - even the carnivores - to a press conference; a heartfelt plea from murderous scamp Reggie Kray, and an extended interview with Carla Lane. See more »
The most obvious explanation is that it's a ball of lightning bouncing off a strut. But try telling that to any of these bog-brained murphies. You'd have a better chance of getting a blow-job off the pope.
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When the show first aired in 1997, some of the more controversial sketches were cut on the orders of the then-head of Channel 4 programming Michael Grade, most notably a piece concerning a musical based on the life of and starring the serial killer Peter Sutcliffe. The edition of the show in which the sketch would have featured was allegedly broadcast containing a onscreen subliminal message lasting 1/25 of a second that read "Grade is a cunt". The series was repeated in 2001 with the Sutcliffe sketch and some other material shown uncut, and with the subliminal message removed. See more »
Chris Morris' brilliant 'Brass Eye', a satire on tabloid television, the ascendancy of the celebrity class and, more generally, the culture of stupidity, is arguably the most subversive television comedy ever made, and one the funniest. In an age where programs abound in which the rich and famous are invited to gently send themselves up, on the grounds that all publicity is good, Morris triumphantly shatters the myth, as a rich stream of unwitting victims emerge exposed as the idiots they are. Some tried to get the program banned, but undeterred, Morris retorted by making a special episode on the taboo issue of paedophilia. The wholly staged segments are good as well, and though 'Brass Eye' occasionally makes for uncomfortable viewing, this is to the credit of a program designed to force one to think about one's beliefs. Personal favourite scenes include MP Rhodes Boyson gormlessly endorsing the deployment of Batman as a way of fighting crime, and the jam-making company which encourages the use of illegal drugs to enhance performance. A program to watch and enjoy, but also to remember the next time you're asked to take something for granted.
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