France, 1801. Due to a minor, perceived slight mild-mannered Lieutenant d'Hubert is forced into a duel with the hot-headed, irrational Lieutenant Feraud. The disagreement ultimately results in scores of duels, spanning several years.
A British investment broker inherits his uncle's chateau and vineyard in Provence, where he spent much of his childhood. He discovers a new laid-back lifestyle as he tries to renovate the estate to be sold.
Through the plights of seven different children, seven cruel destinies unfold, as the unknown innocents who share the same sensitivities and desires struggle for survival, understanding--and above all--love, in an apathetic grown-up world.
A true story about a group of American teenage boys who crew a school sailing ship to gain experience, discipline, or whatever their parents feel they lack. The voyage is a true adventure for them all but it has its downs as well as ups.Written by
On the same day that production on his film "Hot Zone" was cancelled, Ridley Scott was given a copy of this film's script. Ninety minutes later, he announced that he would direct it. See more »
When the jitney first arrives at the Albatross to drop off the crew, a 1980 Pontiac Phoenix is in full view. See more »
[Chuck Talking to Captain Sheldon during the Trial]
You told us where we go one we go all, well we believed you, we lived by it, Sir. And now your saying where you go we can't follow.
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Not one of Ridley Scott's best, but it deserved better
With masterpieces like Alien, Blade Runner and the underrated, but superb, 1492: Conquest of Paradise, I am quite a big Ridley Scott fan. White Squall is something of a let down in comparison, but it certainly deserved more than a measly $10 million US gross at the box office. As you would expect from a Scott film it boasts his trademark lavish production quality and stunning photography. The sequences at sea at some of the most spectacular ever filmed as Scott revels in the rolling waves and lurching ship, convey the ferociousness at sea, even in fairly calm conditions like no other film I can recall. The story however is less successful and is essentially (and unusually unoriginal for a Scott movie) a Dead Poets' Society at sea, as a motley crew of young boys, played by a talented and convincing set youngsters, do a lot of growing during the course of the voyage under the watchful eye of an Ahab-esque but eventually sympathetic Jeff Bridges. The final scene most definitely resembles that of Dead Poets' Society. (Captain. My Captain). However the film as a whole never bores and makes for compulsive viewing at times particularly the superb storm of the title, that is both moving as well technical tour de force.
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