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Der Unhold (1996)

Frenchman Abel Tiffauges likes children, and wants to protect them against the grown-ups. Falsely suspected as child molester, he's recruited as a soldier in the 2nd World War, but very ... See full summary »
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Cast

Cast overview, first billed only:
John Malkovich ... Abel Tiffauges
Armin Mueller-Stahl ... Count von Kaltenborn
Gottfried John ... Chief Forester
Marianne Sägebrecht ... Frau Netta
Volker Spengler ... Fieldmarshall Göring
Heino Ferch ... SS-Officer Raufeisen
Dieter Laser ... Professor Blättchen
Agnès Soral ... Rachel
Sasha Hanau Sasha Hanau ... Martine
Luc Florian Luc Florian ... Prisoner of War
Laurent Spielvogel Laurent Spielvogel ... Prisoner of War
Marc Duret ... Prisoner of War
Philippe Sturbelle Philippe Sturbelle ... Prisoner of War
Vernon Dobtcheff ... Lawyer
Jacques Ciron Jacques Ciron ... State Attorney
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Storyline

Frenchman Abel Tiffauges likes children, and wants to protect them against the grown-ups. Falsely suspected as child molester, he's recruited as a soldier in the 2nd World War, but very soon he is taken prisoner of war. After shortly serving in Goerings hunting lodge, he becomes the dogsbody in Kaltenborn Castle, an elite training camp for German boys. Completely happy to take care of these children, he becomes a servant of Nazism, catching boys from the area as supplies for the camp. Written by Frank Wallner <wallnerf@informatik.tu-muenchen.de>

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

R | See all certifications »
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Details

Country:

Germany | France | UK

Language:

English | German | French

Release Date:

12 September 1996 (Germany) See more »

Also Known As:

Le roi des aulnes See more »

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Box Office

Opening Weekend USA:

$3,500, 13 December 1998, Limited Release

Gross USA:

$49,166, 5 September 1999
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Stereo

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Goofs

Prior to the school fire, a caption says "Paris 1925". Upon his arrest as an adult, Abel, through his narration, remembers the fire as having happened "twenty years ago". This would place his adult scenes in 1945, but when he joins the French army after his arrest it is before the German occupation of Paris which would place his arrest in 1940. However, Abel is slow-witted and possibly does not have an accurate sense of time. See more »

Quotes

Prof. Blaettchen: Brightness is not a characteristic of the German race. We don't want brightness! People say, "Oh, so-and-so is so bright, he has such a clear mind!" No. We mistrust this brightness, this clarity. Let the new African races cultivate brightness. Our sources are in darkness. That is what drives us to unparalleled creativity.
See more »

Connections

Featured in Hollywood Profile: John Malkovich (1998) See more »

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User Reviews

 
Original, featuring a fine performance by Malkovich
12 October 2001 | by DeeNine-2See all my reviews

(Note: Over 500 of my movie reviews are now available in my book "Cut to the Chaise Lounge or I Can't Believe I Swallowed the Remote!" Get it at Amazon.)

This strange and original work is a French film about Nazi Germany done in English. There are no subtitles. Director Volker Schlondorff is German, the screenplay is by veteran French writer Jean-Claude-Carriere, who has scores of films to his credit including Bell de Jour (1967) and Valmont (1989), and the star is the American, John Malkovich, who plays a French simpleton named Abel Tiffauges who ends up as a servant in Field Marshall Herman Goering's hunting estate during World War II, and then later in a Hitler youth academy for boys.

Malkovich's Abel is enormously sympathetic because he has suffered but harbors no bitterness, because he genuinely loves children, and because he has a certain magic about him based on his childish belief that somehow he will survive any catastrophe. In a boy's home as a child he survives the brutality of a proto Goering-like fat boy, and then later as an auto mechanic he overcomes a false accusation of child molestation. Both of these little stories are vividly rendered and seem entirely realistic. Then begins Abel's war time adventures, and it is here that the story becomes, as some have observed, something of a fairy tale. Abel is able to leave his barracks at the prison to wander about where he meets a blind moose and then a German army officer at a deserted cabin in the woods. This leads to his being established at Goering's hunting estate, and from there to the Hitler youth academy where he is treated as a privileged servant. We see the Nazis as just another part of the bizarre personages of his world.

The depiction of Goering as a kind of self-indulgent Nero, living in opulence as the world burns, seemed entirely believable. The overall portrait of the Germans in an objective and balanced manner was refreshing and thought-provoking and one of the strengths of the film. The Nazi eugenicist is contrasted with the officer who was part of a failed plot against Hitler, both men enormously sincere and dedicated, the one unbalanced, the other unlucky.

This is not a film for those looking primarily to be entertained. This is a work of art, dark, uneven, and a bit curious.


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