Anna, a detached and diffident director, arrives in Germany to show her latest film; she checks into a hotel, invites a stranger to her bed, and abruptly tells him to leave. He asks her to ... See full summary »
Chantal Akerman films her mother, an old woman of Polish origin who is short lifetime, in her apartment in Brussels. For two hours, we will see them eating, chatting and sharing memories, ... See full summary »
Jack and Julie live in a bare flat in Paris. At night, Jack drives a taxi while Julie wanders around the city, and in the day they make love. One day Julie meets Joseph, the daytime driver ... See full summary »
Hotel Monterey is a cheap hotel in New York reserved for the outcasts of American society. Chantal Akerman invites viewers to visit this unusual place as well as the people who live there, from the reception up to the last story.
A lonely widowed housewife does her daily chores, takes care of her apartment where she lives with her teenage son, and turns the occasional trick to make ends meet. However, something happens that changes her safe routine.
Dr. Henry Harriston is a successful psychoanalyst in New York City. When he is near a nervous breakdown, he arranges to change his flat with Beatrice Saulnier from France for a while. Both don't know each other and both find themselves deeply involved into the social settings of the other, because the decision to change their flats is made overnight. Could be the perfect amusement, but suddenly Henry finds himself beaten up by Beatrice' lover and Beatrice is considered to be Dr. Harriston's substitute by his clients.Written by
Chantal Akerman has since criticized her actors, William Hurt and Juliette Binoche, for not helping her promote the movie, after early mixed reception and production problems. Akerman has since said that both actors were difficult to work with and that Binoche was "as cold as an ice cube". See more »
The premise is a little unrealistic, that a uber-psychiatrist would temporarily abandon his Manhattan practice to switch apartments for a month in Paris-a switch with an unknown woman made through the newspaper. Incroyable!!!
But when you have a chance to make a film with two Academy Award winners, Juliette Binoche and William Hurt, set both in New York and Paris, who would pass the chance? Chantal Ackerman could not, the opportunity to make her first English speaking film a bonus.
The film is a reminder of how difficult it is to cross the pond movie-wise. Nuance and sub-text is awkward or incomprehensible here-the threads on which the movie is woven are frassled.
This artsy little film survives entirely on Binoche's vitality, her French innocence and enthusiasm dominates every negative New York influence her character encounters.
It fails most everywhere else, sadly.
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